Edited 5 years ago
Have you ever had the feeling that a track speaks so well to your soul and your heart that it is actually you, yourself, translated in a musical language? That's exactly what I feel with a lot of creations coming from Dial. "The Absence Of Blight" (2003), "Diamond Daze" (2004), "The Night Will Last Forever" (2005), "This Bliss" (2007) and "Pawel" (2010) are my five most beloved albums coming from this haunting and poetic society, where mystery, delicacy, romance and innocence are brewed in a timeless aesthetics. Gathering the best from the past while making a constant cutting-edge effort, Dial's timeless mood is powered by a forward-thinking way to build and design music with the clicky, reduced, and computerish sound revolution of early 2000s, but also by all the lo-fi, the dirt and the dust making the label's singularity. Note that everything here is sublimated thanks to a solid and beautiful graphic design that wraps nearly all releases.
Quiet might. Broody light. Dusty purity. Realistic daydream. Cold romance. Cutting-edge classic [...] I could use many other paradoxes to describe Dial. Indeed, its unicity lies here : its skills with contrasts and chiaroscuro are particularly magnificent. Dial is a precise balance powered by a classic (in its most noble definition) good-taste.
These five creations (see above) being litteraly as precious as litterature can be, they are proudly standing in my favourite old wooden bookcase, between Poe, Shakespeare or Novalis. Yes, note how important these CDs are for me.
Without any doubt my most beloved label.
nota bene : "St Denis Bei Licht" by Pantha Du Prince (included in "Diamond Daze") is my absolute favourite 4/4 electronic track of all time. Words are not enough to express how I adore it. If you know nothing about the label and would like to listen to a track to discover a mirror of its usual mood (and a gem made of beautiful contrasts), listen to this one. If you like it, you'll can't get enough of Dial.
nota bene 2 : The label is mainly known for its alternativ 4/4 music, but there's a lot of non-dance music poets here as well. I especially underline Phantom/Ghost in my case. Everything Dirk Von Lowtzow touches seems to be perfection.
nota bene 3 : and, finally, I would also like to hail the photographies made by Anna Möller, used in some Dial's cover arts in the 2000s. This fantastic foggy work helped the music to reach a level of unequalled splendour.