Tracklist
Uptight (Everything's Alright) | 2:53 | ||
Purple Rain Drops | 3:08 |
Notes
1966 hit single recorded by Stevie Wonder for the Tamla (Motown) label. One of his most popular early singles, "Uptight (Everything's Alright)" was the first Stevie Wonder single to be co-written by the artist.
The single was a watershed in Wonder's career for several reasons. Aside from the number-one hit "Fingertips", only two of Wonder's singles had reached the Top 40 of Billboard's Pop Singles chart, and the fifteen-year-old artist was in danger of being let go. In addition, Wonder's voice had begun to change, and Motown CEO Berry Gordy was worried that he would no longer be a commercially viable artist. As it turned out, however, producer Clarence Paul found it easier to work with Wonder's now-mature tenor voice, Sylvia Moy and Henry Cosby set about writing a new song for the artist, based upon an instrumental riff Wonder had devised. On the day of the recording, Moy had the lyrics, but didn't have them in braille for Wonder to read, and so sang the song to him as he was recording it. She sang a line ahead of him and he simply repeated the lines as he heard them.
The resulting song features lyrics which depict a poor young man's appreciation for a rich girl's seeing beyond his poverty to his true worth. The song peaked at number-three on the Billboard Pop Singles chart in early 1966, at the same time reaching the top of the Billboard R&B Singles chart for five weeks. An accompanying album, Up-Tight, was rushed into production to capitalize on the single's success.
The single was a watershed in Wonder's career for several reasons. Aside from the number-one hit "Fingertips", only two of Wonder's singles had reached the Top 40 of Billboard's Pop Singles chart, and the fifteen-year-old artist was in danger of being let go. In addition, Wonder's voice had begun to change, and Motown CEO Berry Gordy was worried that he would no longer be a commercially viable artist. As it turned out, however, producer Clarence Paul found it easier to work with Wonder's now-mature tenor voice, Sylvia Moy and Henry Cosby set about writing a new song for the artist, based upon an instrumental riff Wonder had devised. On the day of the recording, Moy had the lyrics, but didn't have them in braille for Wonder to read, and so sang the song to him as he was recording it. She sang a line ahead of him and he simply repeated the lines as he heard them.
The resulting song features lyrics which depict a poor young man's appreciation for a rich girl's seeing beyond his poverty to his true worth. The song peaked at number-three on the Billboard Pop Singles chart in early 1966, at the same time reaching the top of the Billboard R&B Singles chart for five weeks. An accompanying album, Up-Tight, was rushed into production to capitalize on the single's success.
Versions
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26 versions
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Uptight (Everything's Alright)
7", 45 RPM, Styrene, Monarch Pressing
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Tamla – TAMLA 54124 | US | 1965 | US — 1965 |
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Uptight (Everything's Alright)
7", 45 RPM, Single
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Tamla – T-54124 | US | 1965 | US — 1965 |
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Uptight (Everything's Alright)
7", 45 RPM
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Tamla – T-54124 | US | 1965 | US — 1965 |
New Submission
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Uptight (Everything's Alright)
7", 45 RPM, Single
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Tamla Motown – T-54124 | Canada | 1965 | Canada — 1965 | ||||
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Uptight (Everything's Alright)
7", 45 RPM, Mono, ARP Pressing
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Tamla – T-54124 | US | 1965 | US — 1965 |
New Submission
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Uptight (Everything's Alright)
7", 45 RPM, Single
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Tamla – T 54124 | US | 1965 | US — 1965 |
Recently Edited
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Uptight (Everything's Alright)
7", 45 RPM, Single
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Tamla Motown – TMO-120 | Australia | 1965 | Australia — 1965 |
New Submission
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Uptight (Everything's Alright)
7", 45 RPM, Single
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Tamla Motown – TMG 545 | Norway | 1965 | Norway — 1965 |
New Submission
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Uptight (Everything's Alright)
7", 45 RPM, Single
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Tamla – T-54124 | US | 1965 | US — 1965 |
New Submission
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Uptight (Everything's Alright)
7", 45 RPM, Promo
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Tamla – T-54124 | US | 1965 | US — 1965 |
New Submission
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Uptight (Everything's Alright)
7", 45 RPM, Single, Promo
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Tamla – TAMLA 54124 | US | 1965 | US — 1965 |
New Submission
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Uptight (Everything's Alright)
7", 45 RPM, Single
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Tamla Motown – GTM 102 | Greece | 1965 | Greece — 1965 |
New Submission
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Uptight (Everything's Alright)
7", 45 RPM, Styrene, Mono, Monarch Pressing
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Tamla – T-54124 | US | 1965 | US — 1965 |
New Submission
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Uptight (Everything's Alright)
7", 45 RPM, Single
|
Tamla – T 54124 | US | 1965 | US — 1965 |
Recently Edited
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Uptight (Everything's Alright)
7", 45 RPM, Single
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Tamla – T 54124 | US | 1965 | US — 1965 |
New Submission
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Uptight (Everything's Alright)
7", 45 RPM, Single, Promo, Mono, Southern Plastics Pressing
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Tamla – T 54124 | US | 1965 | US — 1965 |
New Submission
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Uptight (Everything's Alright)
7", 45 RPM, Single, 4-Prong Centre
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Tamla Motown – TMG 545 | UK | 1966 | UK — 1966 |
New Submission
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Uptight (Everything's Alright) / Purple Rain Drops
7", 45 RPM, Single
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Tamla Motown – GO 42.632 | Netherlands | 1966 | Netherlands — 1966 |
New Submission
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Uptight (Everything's Alright)
7", Single, 45 RPM
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Tamla Motown – TMM.624 | New Zealand | 1966 | New Zealand — 1966 |
New Submission
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Uptight (Everything's Alright)
Acetate, 7", 45 RPM, Single Sided
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Tamla Motown – none | UK | 1966 | UK — 1966 |
New Submission
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Uptight (Everything's Alright)
7", 45 RPM, Single, Promo, 4 Prong Centre
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Tamla Motown – TMG 545 | UK | 1966 | UK — 1966 |
New Submission
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Uptight (Everything's Alright)
7", 45 RPM, Single, Triangle Centre
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Tamla Motown – 45-TMJ 112 | Rhodesia | 1966 | Rhodesia — 1966 |
New Submission
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Uptight (Everything's Alright)
Flexi-disc, 7", 45 RPM, Single Sided, Card Backed
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Topps Chewing Gum – 10 | US | 1967 | US — 1967 | ||||
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Uptight (Everything's Alright)
7", 45 RPM, Reissue
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Tamla – T-54124 | US | 1970 | US — 1970 |
New Submission
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Uptight (Everything's Alright)
7"
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Motown – MOT-2005P | Japan | Japan |
New Submission
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Uptight (Everything's Alright)
7", 45 RPM, Single
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Tamla Motown – GO 42.632 | Netherlands | Netherlands |
New Submission
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