David Bowie – Heathen
Label: |
ISO Records – CK 86630 |
---|---|
Format: |
CD
, Album, Enhanced
|
Country: |
US |
Released: |
|
Genre: |
Rock |
Style: |
Synth-pop |
Tracklist
1 | Sunday | 4:45 | |
2 | Cactus | 2:54 | |
3 | Slip Away | 6:04 | |
4 | Slow Burn | 4:41 | |
5 | Afraid | 3:28 | |
6 | I've Been Waiting For You | 3:00 | |
7 | I Would Be Your Slave | 5:13 | |
8 | I Took A Trip On A Gemini Spaceship | 4:05 | |
9 | 5:15 The Angels Have Gone | 5:00 | |
10 | Everyone Says 'Hi' | 3:58 | |
11 | A Better Future | 4:11 | |
12 | Heathen (The Rays) | 4:16 |
Companies, etc.
- Phonographic Copyright ℗ – ISO Records
- Copyright © – ISO Records
- Licensed To – Sony Music Entertainment Inc.
- Manufactured By – Columbia Records
- Recorded At – Allaire Studios
- Recorded At – The Looking Glass Studios
- Mixed At – The Looking Glass Studios
- Mixed At – Sub Urban Studios
- Mastered At – The Lodge, New York
- Produced At – The Looking Glass Studios
- Copyright © – Nipple Music
- Copyright © – RZO Music, Inc.
- Copyright © – Rice and Beans Music
- Copyright © – Broken Arrow Music
- Published By – Nipple Music
- Published By – EMI Unart Catac.
- Published By – Finius Myth Music
- Produced For – Brian Rawling Productions
- Glass Mastered At – DADC – TP-108083
Credits
- Art Direction, Design – Barnbrook Design*
- Bass – Tony Levin
- Drums, Loops, Percussion – Matt Chamberlain
- Drums, Percussion – Sterling Campbell
- Engineer [2nd] – Todd Vos
- Engineer, Bass, Guitar, Recorder, Arranged By [Strings], Backing Vocals – Tony Visconti
- Engineer, Mixed By – Tony Visconti (tracks: 1 to 9, 11, 12)
- Guitar – Gerry Leonard
- Guitar, Bass – Mark Plati
- Guitar, Omnichord – David Torn
- Horns – The Borneo Horns
- Keyboards – Jordan Ruddess*
- Keyboards, Guitar, Saxophone, Synthesizer [Stylophone], Backing Vocals, Drums, Producer – David Bowie
- Producer – Tony Visconti (tracks: 1 to 4, 6 to 9, 11, 12)
- Strings – The Scorchio Quartet
- Violin – Lisa Germano
- Vocals, Piano – Kristeen Young
- Written-By – David Bowie (tracks: 1, 3 to 5, 7, 9 to 12)
Notes
"CD Extra"
Lyrics from "Sunday", "Slip Away", "5:15 The Angels Have Gone" and "Heathen (The Rays)" © 2002 Nipple Music (BMI)
. by RZO Music, Inc. Lyrics from "Cactus" © 1998 Rice and Beans Music (BMI). Lyrics from "I've Been Waiting For You" © 1968 Broken Arrow Music Crop. (ASCAP) "I Would Be Your Slave", "Slow Burn", "Afraid", "Everyone Says 'Hi'", and "A Better Future" Published by Nipple Music (BMI) by RZO Music, Inc. "I Took A Trip On A Gemini Spaceship" EMI Unart Catac. / Finius Myth Music (BMI).
Dave Grohl appears courtesy of Roswell Records, Inc. / The RCA Records Label
Pete Townshend apears courtesy if Lil Pie Recording Productions Ltd.
Issued in a standard jewel case with clear CD tray and a 12-page booklet with photos and credits.
Lyrics from "Sunday", "Slip Away", "5:15 The Angels Have Gone" and "Heathen (The Rays)" © 2002 Nipple Music (BMI)
. by RZO Music, Inc. Lyrics from "Cactus" © 1998 Rice and Beans Music (BMI). Lyrics from "I've Been Waiting For You" © 1968 Broken Arrow Music Crop. (ASCAP) "I Would Be Your Slave", "Slow Burn", "Afraid", "Everyone Says 'Hi'", and "A Better Future" Published by Nipple Music (BMI) by RZO Music, Inc. "I Took A Trip On A Gemini Spaceship" EMI Unart Catac. / Finius Myth Music (BMI).
Dave Grohl appears courtesy of Roswell Records, Inc. / The RCA Records Label
Pete Townshend apears courtesy if Lil Pie Recording Productions Ltd.
Issued in a standard jewel case with clear CD tray and a 12-page booklet with photos and credits.
Barcode and Other Identifiers
- Barcode (Text): 6 9699-86630-2 2
- Barcode (Scanned): 696998663022
- Rights Society: ASCAP
- Rights Society: BMI
- Matrix / Runout (Variant 1 Reversed): TP-108083 2 AQ4
- Mastering SID Code (Variant 1): IFPI L323
- Mould SID Code (Variant 1): IFPI 507C
- Matrix / Runout (Variant 2): TP-108083 01
- Mastering SID Code (Variant 2): IFPI L337
- Mould SID Code (Variant 2): IFPI 5100
- Matrix / Runout (Variant 3): TP-108083 2 AQ5
- Mastering SID Code (Variant 3): IFPI L323
- Mould SID Code (Variant 3): IFPI 50AC
- Matrix / Runout (Variant 4): TP-108083 H4 1A 01
- Mastering SID Code (Variant 4, 5, 6, 7): IFPI L424
- Mould SID Code (Variant 4): IFPI 7281
- Matrix / Runout (Variant 5): TP-108083 H4 1A 05
- Mould SID Code (Variant 5): IFPI 7252
- Matrix / Runout (Variant 6): TP-108083 H4 1A 03
- Mould SID Code (Variant 6): IFPI 6704
- Matrix / Runout (Variant 7): TP-108083 H4 1A 02
- Mould SID Code (Variant 7): IFPI 72ZZ
- Matrix / Runout (Variant 8, mirrored): TP-108083 2 🝊 🝊🝊 🝊🝊🝊🝊🝊🝊🝊🝊 AQ4
- Mastering SID Code (Variant 8): IFPI L323
- Mould SID Code (Variant 8): IFPI 50D1
Other Versions (5 of 96)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Recently Edited
|
Heathen (CD, Album, Enhanced, CD, , Bonus Disc, All Media, Deluxe Edition, Limited Edition, Digipak) | Columbia | 508222 9, COL 508222 9, 5082229000 | Europe | 2002 | ||
Recently Edited
|
Heathen (CD, Album, Enhanced, CD, EP, All Media, , Digipak) | ISO Records | CK 86656 | US | 2002 | ||
Heathen (LP, Album) | Columbia | 508222 1, COL 508222 1 | Europe | 2002 | |||
Recently Edited
|
Heathen (CDr, Album, Promo) | Sony Music Studios, London | none | UK | 2002 | ||
Heathen (CD, Album, Enhanced) | ISO Records | 508222 2, COL 508222 2, 5082222000 | Europe | 2002 |
Recommendations
Reviews
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Heaten : of people or their way of life, activities, and ideas) having no religion, or belonging to a religion that is not Christianity, Judaism, or Islam
About this record David Bowie was quoted to say in an interview : "Heathenism is a state of mind. You can take it that I'm referring to one who does not see his world. He has no mental light. He destroys almost unwittingly. He cannot feel any Gods presence in his life. He is the 21st century man. However, there's no theme or concept behind Heathen, just a number of songs but somehow there is a thread that runs through it that is quite as strong as any of my thematic type albums."
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this was supposed to be a comeback record. a comeback from what? one of the most interesting periods of his career? i think it's more accurate to look at this as the second disc in his last trilogy, a trilogy that began with "hours..." and was characterized by an attempt to recapture a certain sound from the mid to late 70s. he even brings back visconti...
this was indeed marketed as a retro disc, so i'm not making that up. yet, the disc also has covers by the pixies, neil young and legendary stardust cowboy. this is an eclectic mix; surprisingly, only the third of the three is listenable, which may be reducible to the reality that it's the only one of the three tracks that i'm not familiar with. if cactus wasn't lame enough to begin with, there's something downright wrong about a 55 year old male singing a panty-raid song; the neil young track is just unsettling coming from bowie and it's hard to grasp what the thought process was. the legendary stardust cowboy track is teched up in the style of something from earthling and works for the same reason as the material from that disc worked; it stands out as an "electronica" track due it's high level of detail and production.
as you can see by taking a look at the credits, the instrumentation on the disc is very thick. it's not always utilized as well as it could be, and this is largely what separates the other tracks that i've crossed out from the ones that i've kept. the strings are utilized in the way that they are generally used in rock music: to appeal to the listener's sense of emotion, and while it works you have to suspend your thoughts first and allow yourself to be manipulated.
the first track opens the disc on a dark, moody note with an "angular" guitar track that strongly recalls robert fripp; these were always the best bowie tracks, and it is the highlight of this disc, apparently exploring dual commentaries regarding the rather profound political events that occurred between the release of hours... and the release of this disc; nothing has changed and everything has changed. this is a very typical take on politics from bowie, a view that strongly characterized his best discs and strongly characterizes this one as well. again, there's no point in discussing this because enough has been written about it and everybody knows that the main theme running through bowie's back catalogue is apathy towards world events and paranoia of the coming bombs. it leads to a rational conclusion: if the bombs are only months away anyways, why torture ourselves with the absurdity of modern life? why work all day to pay the motherfuckers? why not just fuck it all and dance......while we still can....
while this theme dominates, the title of the disc is "heathen" and there's also a religious theme through several of the tracks: afraid slightly sarcastically explores some alternatives to filling the psychological hole left by the rejection of a deity, whereas i would be your slave strikes me as the kind of defence of atheism that comes about after somebody has spent all night trying to convert you and heathen, ittedly, has lost me altogether, unless it's a commentary on byzantinism, which, while topical given the precise word "heathen", strikes me as rather preposterous.
i don't really recommend this as a standalone record; if you want retro bowie then search out retro bowie. however, there's enough decent material on it to justify adding it to any pre-existing bowie collection.
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