Nine Inch Nails – Bad Witch
Label: |
The Null Corporation – B002836402 |
|---|---|
Series: |
NIN – HALO 32 |
Format: |
CD
, Album
|
Country: |
Australia |
Released: |
|
Genre: |
Electronic |
Style: |
Industrial |
Tracklist
| 1 | Shit Mirror | 3:06 | |
| 2 | Ahead Of Ourselves | 3:31 | |
| 3 | Play The Goddamned Part | 4:50 | |
| 4 | God Break Down The Door | 4:16 | |
| 5 | Im Not From This World | 6:42 | |
| 6 | Over And Out | 7:50 |
Companies, etc.
- Marketed By – Caroline Australia
- Copyright © – The Null Corporation
- Copyright © – The Null Corporation
- Manufactured By – Universal Music Australia
- Distributed By – Universal Music Australia
- Glass Mastered At – Technicolor, Australia
- Pressed By – Technicolor, Australia
Credits
- Art Direction – 12:01 - Office Of Hassan Rahim*
- Booking – WME
- Booking [For WME] – Marc Geiger
- Engineer [Engineering] – Justin McGrath
- Legal – Ross B. Rosen & Associates, LLC
- Legal [For Katten Muchin Rosenman LLP] – Zia Modabber
- Legal [For Ross B. Rosen & Associates, LLC] – Ross Rosen
- Management – Silva Artist Management
- Management [Business Managgement For Gelfand, Rennert & Feldman] – William Harper (2)
- Management [Business Managgement] – Gelfand, Rennert & Feldman
- Mastered By [Mastering] – Tom Baker (3)
- Mixed By [Mix] – Alan Moulder
- Written By, Arranged By, Producer [Produced By], Programmed By, Performer [Performed By] – Trent Reznor
- Written By, Arranged By, Programmed By, Producer [Produced By], Performer [Performed By] – Atticus Ross
Notes
First Pressing. Gatefold Cardsleeve.
Limited copies pre-ordered from JBHiFi came with a postcard signed by Trent and Atticus
Typo on back cover "Made Is Australia" instead of "Made In Australia"
There is an opening where most Gatefold Cardsleeves include a booklet, but there is no booklet included.
Limited copies pre-ordered from JBHiFi came with a postcard signed by Trent and Atticus
Typo on back cover "Made Is Australia" instead of "Made In Australia"
There is an opening where most Gatefold Cardsleeves include a booklet, but there is no booklet included.
Barcode and Other Identifiers
- Barcode (Scanned): 602567560906
- Matrix / Runout: B002836402 BAD WITCH 02 [Technicolor Logo]
- Mastering SID Code: ifpi L285
- Mould SID Code (Reversed): IFPI 4690
Other Versions (5 of 22)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
Recently Edited
|
Bad Witch (LP, Album, 180 gram) | Capitol Records | B002818021 | US | 2018 | ||
| Bad Witch (CD, Album) | The Null Corporation | B002836402 | US | 2018 | |||
|
Recently Edited
|
Bad Witch (LP, Album, Limited Edition, White [Off]) | Capitol Records | B002858901 | US | 2018 | ||
|
Recently Edited
|
Bad Witch (LP, Album, Stereo, 180g) | Capitol Records | B002818021, 00602567473367Z, 00602567473367 | Europe | 2018 | ||
| Bad Witch (CD, Album) | Caroline International | B002836402, 00602567560906 | Europe | 2018 |
Recommendations
Reviews
-
Feb20. 'Shit Mirror' is a pretty cool start to the album. It apparently features The Cult's Ian Astbury, but his voice is so hidden in the mix there is no way I would have picked it without reading it was there. 'Ahead of Ourselves' is a little repetitive, but sounds like older NIN with a drum loop, programmed music that kicks into gear for an abrasive chorus.
I have no idea how to describe the instrumental 'Play the Goddamned Part' other than to say it sounds like a building piece from a soundtrack. And the saxophone was a surprise. The start of 'God Break Down the Door' starts as some techno, drum and bass mix, and if it was not NIN I'd have skipped from the start. As it was, it did not really grab me. Different though, as they mix saxophone and Reznor sings in a 'lounge' voice. A little late guitar makes the song more interesting.
'I'm Not of this World' sounds like some futuristic machine has just been left on and recorded. 'Over and Out' starts as an upbeat electronic track, that again, if this was not a NIN album I would skip. The slow, David Bowie inspired vocals did not do it for me, but I am sure that is the appeal for other listeners. In all, these last 2 tracks are too long. This is actually my least favourite album of the trilogy. 2/5
Release
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