John Cougar Mellencamp – Big Daddy
Label: |
Mercury – 838 220-1 |
|---|---|
Format: |
|
Country: |
US |
Released: |
|
Genre: |
Rock |
Style: |
Southern Rock |
Tracklist
| A1 | Big Daddy Of Them All | 3:29 | |
| A2 | To Live | 3:15 | |
| A3 | Martha Say | 3:41 | |
| A4 | Theo And Weird Henry | 4:48 | |
| A5 | Jackie Brown | 4:00 | |
| B1 | Pop Singer | 2:45 | |
| B2 | Void In My Heart | 2:27 | |
| B3 | Mansions In Heaven | 3:00 | |
| B4 | Sometimes A Great Notion | 3:29 | |
| B5 | Country Gentleman | 3:15 | |
| B6 | J.M.'s Question | 3:38 |
Companies, etc.
- Marketed By – Polygram Records, Inc.
- Manufactured By – Polygram Records, Inc.
- Recorded At – Belmont Mall Studio
- Mixed At – Belmont Mall Studio
- Mastered At – Masterdisk
- Pressed By – Specialty Records Corporation
- Printed By – Shorewood Packaging
- Phonographic Copyright ℗ – John Mellencamp
- Copyright © – John Mellencamp
Credits
- Art Direction – George Corsillo
- Band, Accordion, Keyboards – John Cascella
- Band, Acoustic Guitar, Electric Guitar, Mandolin – Larry Crane
- Band, Backing Vocals – Pat Peterson
- Band, Backing Vocals, Electric Guitar, Bass, Dobro – Mike Wanchic
- Band, Backing Vocals, Percussion – Crystal Taliefero
- Band, Bass Guitar, Backing Vocals – Toby Myers
- Band, Drums, Percussion, Backing Vocals – Kenny Aronoff
- Band, Violin – Lisa Germano
- Engineer – Ross Hogarth
- Engineer [Assistant] – Rick Fettig
- Engineer [Mastering Engineer] – Bob Ludwig
- Engineer [Technical] – Ross Alexander (2)
- Guest [Friends Of John And The Band], Acoustic Guitar, Electric Guitar, Resonator Guitar [John's Metal Guitar] – David Grissom
- Guest [Friends Of John And The Band], Backing Vocals – Georgia Jones
- Guest [Friends Of John And The Band], Oboe – Nancy Arnold
- Management – John Sykes (3)
- Management [Associate] – Harry Sandler (2)
- Mixed By – Ross Hogarth
- Model [Girls In Photos] – Teddi Jo*
- Photography By – Wayne Maser
- Producer – John Mellencamp*
- Songwriter – John Mellencamp*
Notes
"49" plant code on labels and "SP" etched in runouts denote Specialty Records Corporation pressing. Remainder of runouts etched. DMM = Direct Metal Mastering.
Issued in matte-finish cover.
Recorded and Mixed at: Belmont Mall Studio, Belmont, Indiana, September 1988 through January 1989.
Mastering: Masterdisc
Hype sticker with catalog number:
Includes Pop Singer
Jackie Brown
Martha Say
Theo and Weird Henry
Some copies gold-stamped for promotion.
Issued in matte-finish cover.
Recorded and Mixed at: Belmont Mall Studio, Belmont, Indiana, September 1988 through January 1989.
Mastering: Masterdisc
Hype sticker with catalog number:
Includes Pop Singer
Jackie Brown
Martha Say
Theo and Weird Henry
Some copies gold-stamped for promotion.
Barcode and Other Identifiers
- Barcode (Text): 0 422-838220-1 6
- Barcode (Scanned): 0042283822016
- Rights Society: ASCAP
- Other (Back cover): 0501
- Pressing Plant ID (On labels): 49
- Pressing Plant ID (Side B, embossed around center hole): E A S T
- Matrix / Runout (Side A runout): 422-838-220-1-AS-DMM-SP MASTERDISK DMM SP1-1
- Matrix / Runout (Side B runout): 422-838-220-1-BS-DMM-SP MASTERDISK DMM SP1-1
Other Versions (5 of 53)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
| Big Daddy (CD, Album) | Mercury | 838 220-2 | Europe | 1989 | |||
|
Recently Edited
|
Big Daddy (Cassette, Album) | Mercury | 838 220-4 | Europe | 1989 | ||
| Big Daddy (Cassette, Album, Dolby System) | Mercury | 838 220-4 | Canada | 1989 | |||
| Big Daddy (LP, Album, Stereo) | Mercury | 838 220-1 | Europe | 1989 | |||
| Big Daddy (CD, Album) | Mercury | 838 220-2, 838 220- 2 | US | 1989 |
Recommendations
Reviews
-
Don't sleep on this one! Very tuneful and mellow out from JCM. Expansive textures and tone. One of his best! -
Such an underrated Mellencamp album. I hardly ever see this one in the wild, but when I do it's usually always in great/nearly unplayed condition and I have to pick it up. A great bang for your buck late 80s pressing. Sounds amazing. Mellencamp's mid-late 80s body of work sounds timeless compared to a lot of his contemporaries.
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