Pet Shop BoysLeft To My Own Devices

Label:

Parlophone – 12R 6198

Format:

Vinyl , 12", Single, 45 RPM

Country:

UK

Released:

Genre:

Pop

Style:

Disco

Tracklist

A Left To My Own Devices (The Disco Mix)
Arranged By [Orchestra]Richard Niles
ConductorRichard Niles
Remix [Extended]Trevor Horn
Vocals [Additional]Sally Bradshaw
11:28
B1 Left To My Own Devices
Arranged By [Orchestra]Richard Niles
ConductorRichard Niles
Vocals [Additional]Bruce Woolley
4:45
B2 The Sound Of The Atom Splitting
Music ByHorn*
Words ByTennant*
3:38

Companies, etc.

  • Mastered AtThe Town House
  • Pressed ByEMI Records
  • Manufactured ByEMI Records Ltd.
  • Phonographic Copyright ℗EMI Records Ltd.
  • Copyright ©EMI Records Ltd.
  • Published ByCage Music Ltd.
  • Published By10 Music Ltd.
  • Published ByPerfect Songs Ltd.
  • Published ByUnforgettable Songs Ltd.

Credits

  • Design [Sleeve Designed At], SleeveThree Associates
  • Design [Sleeve Designed By], SleevePet Shop Boys
  • EngineerStephen Lipson
  • Engineer [Assistant]Renny Hill (tracks: B2)
  • Photography ByMichael Roberts (6)
  • ProducerTrevor Horn
  • Written-ByTennant/Lowe* (tracks: A, B1)

Notes

Tracklisting and mixes are the same as 12RS 6198
The artwork for the sleeve is different though on both releases.

Durations timed, not shown on release.

Direct Metal Mastering

A1, B1 published by Cage Music Ltd. / 10 Music Ltd.
B2 published by Cage Music Ltd. / 10 Music Ltd. / Perfect Songs Ltd. / Unforgettable Songs Ltd.

℗ 1988 Original sound recordings "made" by EMI Records Ltd.
© 1988 EMI Records Ltd.

Barcode and Other Identifiers

  • Barcode (Scanned): 5099920308063
  • Barcode (Text): 5 099920 308063
  • Matrix / Runout (Runout side A, variant 1): 12 R 6198 A-1U-1-1 TOWNHOUSE DMM
  • Matrix / Runout (Runout side B, variant 1): ̶2̶2̶ 12 R 6198 B ̶A̶-2U-1-1 TOWNHOUSE DMM
  • Matrix / Runout (Runout side A, variant 2): 12 R 6198 A-1U-1-1 D TOWNHOUSE DMM
  • Matrix / Runout (Runout side B, variant 2): 12R 6198 B-1U-1-1 D TOWNHOUSE DMM

Other Versions (5 of 54)

View All
Title (Format) Label Cat# Country Year
Recently Edited
Left To My Own Devices (CD, Single) Parlophone CDR 6198, 20 3080 2 UK 1988
Recently Edited
Left To My Own Devices (The Disco Mix) (12", 45 RPM, Single, Limited Edition) Parlophone 12RS 6198, 12R 6198 UK 1988
Recently Edited
Left To My Own Devices (CD, Single, Mini) Parlophone CDP 506-20 3081 3 , Austria, & Switzerland 1988
Left To My Own Devices (12", 45 RPM, Maxi-Single, Stereo) Parlophone 060-20 3080 6, K 060 20 3080 6, 20 3080 6 Europe 1988
Recently Edited
Left To My Own Devices (7", 45 RPM, Single, Paper Labels) Parlophone R 6198, R6198 UK 1988

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Reviews

  • DeletedDiscogs
    Edited 20 years ago
    When it comes to fusing brilliant compositions with satirical lyrics into an electronic combustion for dancefloor consumption, nobody tops the Pet Shop Boys. During their still-going 20 year career as the foremost in commercial electronica, the duo's status as the best of the best has never been rivalled. Like many of the greatest artists in history, they possess an immeditately recognisable sound but with the twist that they always manage to sound completely up-to-date with their current projects. The seemingly simple choice of adopting the asistance of the hottest contemporary producers enhances their status as extremely astute musicians with great ears for innovative sounds.

    'Left to My Own Devices' is a track worthy of reference. This gem from 1988 utilised the studio wizadry of legendary producer Trevor Horne. Horne is notorious for spending months (and money) to complete a single record. His techniques were unorthodox, to say the least. For the string section of 'Devices', he opted to use a real orchestra to construct the piece then, in turn, used that piece as a base to construct the same notes on a synthesiser. Whether or not the final result is of greater effect really depends on your technical knowledge and your tolerance for infamous perfectionists. Overall, the entire track is a wonderful piece of "symphonic disco". It contains all the drama, energy and wit any typical PSB track should have.

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