Queens Of The Stone AgeR

Label:

Universal Music Group International – 00602508108556

Format:

Vinyl , LP, Album, Reissue, Stereo , 180g

Country:

Europe

Released:

Genre:

Rock

Style:

Stoner Rock

Tracklist

A1 Feel Good Hit Of The Summer
Backing VocalsWendy Ray Moan
DrumsGene Trautmann
Electric Piano, Lap Steel GuitarDave Catching*
Grand Piano, PercussionChris Goss
Songwriter, Bass, Backing VocalsNick Oliveri
Songwriter, Guitar, Lead VocalsJoshua Homme*
2:43
A2 The Lost Art Of Keeping A Secret
Backing VocalsPete Stahl*
Baritone SaxophoneScott Mayo
DrumsNick Lucero
Electric PianoDave Catching*
Piano [Noise Piano]Chris Goss
Songwriter, Bass, Backing VocalsNick Oliveri
Songwriter, Lead Vocals, GuitarJosh Homme
Vibraphone [Vibes]Barrett Martin
3:36
A3 Leg Of Lamb
Backing VocalsMike Johnson (8)
Drums, PercussionNick Lucero
Songwriter, BassNick Oliveri
Songwriter, Lead Vocals, Guitar, PercussionJosh Homme
2:48
A4 Auto Pilot
Backing VocalsMark Lanegan
Bass, Backing VocalsChris Goss
Organ [B3]Dave Catching*
PercussionNick Lucero
Songwriter, Drums, Backing Vocals, GuitarJoshua Homme*
Songwriter, Lead Vocals, GuitarNick Oliveri
4:01
A5 Better Living Through Chemistry
Backing VocalsChris Goss
DrumsNick Lucero
PianoDave Catching*
Songwriter, Bass, Backing VocalsNick Oliveri
Songwriter, Lead Vocals, GuitarJoshua Homme*
Vibraphone [Vibes], PercussionBarrett Martin
5:48
A6 Monsters In The Parasol
Backing VocalsChris Goss
Bass, Backing VocalsNick Oliveri
DrumsGene Trautmann
GuitarDave Catching*
SongwriterMario Lalli
Songwriter, Lead Vocals, GuitarJoshua Homme*
3:28
A7 Quick And To The Pointless
Backing VocalsWendy Ray Moan
DrumsGene Trautmann
FlugelhornFernando Pullum
GuitarDave Catching*
Songwriter, Lead GuitarJoshua Homme*
Songwriter, Lead Vocals, BassNick Oliveri
1:42
B1 In The Fade
Bass, PercussionNick Oliveri
DrumsNick Lucero
Electric PianoDave Catching*
NoisesMarek (3)
Recorded By [Additional]Brad Cook*
Songwriter, Guitar, Backing Vocals, PercussionJoshua Homme*
Songwriter, Lead VocalsMark Lanegan
3:51
B2 Tension Head
DrumsGene Trautmann
Songwriter, GuitarJoshua Homme*
Songwriter, Lead Vocals, BassNick Oliveri
2:53
B3 Lightning Song
PercussionBarrett Martin
Songwriter, BassNick Oliveri
Songwriter, PianoJoshua Homme*
Twelve-String GuitarDave Catching*
2:08
B4 I Think I Lost My Headache
Backing VocalsMark Lanegan
DrumsNick Lucero
HornsScott Mayo
Lap Steel GuitarDave Catching*
Songwriter, Bass, Backing VocalsNick Oliveri
Songwriter, Guitar, Lead VocalsJoshua Homme*
Steel DrumsBarrett Martin
8:40
B5 Ode To Clarissa
Backing VocalsPete Stahl*
DrumsGene Trautmann
Mixed ByMarek (3)
Recorded ByTrina Shoemaker
Songwriter, Bass, Lead VocalsNick Oliveri
Songwriter, Guitar, Backing Vocals, ProducerJoshua Homme*
2:40

Companies, etc.

  • Record CompanyUniversal International Music B.V.
  • Manufactured ByPallas USA
  • Phonographic Copyright ℗UMG Recordings, Inc.
  • Copyright ©UMG Recordings, Inc.
  • Pressed BySchallplattenfabrik Pallas GmbH – 53247
  • Published ByBoard Stiff Music
  • Published ByNatural Light Music
  • Published ByBlood Onion Music
  • Recorded AtSound City Studios
  • Lacquer Cut AtBernie Grundman Mastering

Credits

  • Art Directionsca Restrepo
  • BookingThe William Morris Agency*
  • Coordinator [Technical Coordinator]Shivaun O'Brien
  • Lacquer Cut ByBG*
  • ManagementSilva Artist Management
  • Mixed ByTrina Shoemaker (tracks: A2 to A4, A6, A7, B3, B4)
  • Mixed By, Engineer [Second Engineer]Marek (3) (tracks: A1, A5, B1, B2, B5)
  • Photography ByDavis Factor
  • Photography By [Label Photo]Nigel Kopp*
  • ProducerJoshua Homme*
  • Product Manager [Business Manager]Provident Financial Management
  • Recorded ByTrina Shoemaker
  • Tour ManagerKevin Carter (8)

Notes

- Matte cover
- Issued with a poly-lined generic inner sleeve
- Includes a fold out glossy insert with lyrics, band credits, art and band photographs.

On front cover:
Restricted
To Everyone,
Evereywhere, All The Time

On labels and rear cover:
Made in the EU

On hype sticker on front cover:
Rated R Original Album Art
First Ever Vinyl Pressing
180-Gram Audiophile
Features
Feel Good Hit of the Summer
Monsters in the Parasol
The Lost Art of Keeping a Secret
00602508108556

Barcode and Other Identifiers

  • Barcode (Text): 6 02508 10855 6
  • Barcode (Scanned): 602508108556
  • Label Code: LC 01846
  • Rights Society: BIEM/SDRM
  • Rights Society: BMI
  • Matrix / Runout (Runout side A etched, -53247- P. USA stamped): 00602508108556-A B0030915-01-A -53247- P. USA BG
  • Matrix / Runout (Runout side B etched, -53247- P. USA stamped): 00602508108556-B B0030915-01-B -53247- P. USA BG

Other Versions (5 of 76)

View All
Title (Format) Label Cat# Country Year
Recently Edited
R (CD, Album, Stereo, Universal M & L, ) Interscope Records 490 683-2 Europe 2000
X (LP, Album, Limited Edition) Interscope Records 000 000-0 Europe 2000
Recently Edited
R (CD, Album, CD, Enhanced, All Media, Special Edition) Interscope Records 490 863-2 UK 2000
Recently Edited
II (CD, Album, Promo) Interscope Records INTF-10077-2 US 2000
Recently Edited
R (CD, Album) Interscope Records 069490683-2 Canada 2000

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Reviews

  • City_Never_Sleeps's avatar
    I recently bought a copy - not the Polish pressing- sealed, from local store. I want to mention two things. First is that record is flawless and clean. Second thing is that when i rised up bass and treble it sounded much much better, especially in lower parts. About the drums it must be considered that they are a bit back in mixing anyway, even in cd version quitars and bass are on front. This happens to many "stoner" albums.
    • mtjuris's avatar
      mtjuris
      Edited 4 months ago
      Don't waste your time with this one. Seek out a 2014 reissue instead with B041493-01 in the runouts. It looks to have been pressed with the same stampers as the OG, but just cut by someone else. It destroys this all around.
      • syedafridiqbal's avatar
        syedafridiqbal
        Edited 11 months ago
        I can confirm my copy is the Made In BG cut. The best way to describe my experience is this:

        Dynamic and soundstage during verses of almost all the songs are good to great Compression is evident but didn’t bother me so much.

        However, as soon as the chorus/loud part of the songs kick in, the compression is much more evident. The sound gets squashed in these parts but it could very much be due to mixing decision to take drums volume down during the choruses.

        Overall, because of the the latter point I mentioned above, the listening experience isn’t as great as Songs For The Deaf or Lullabies To Paralyze (which to be fair has the advantage of being spread across 2 LP).

        The artwork is cool and the pressing quality is top notch. The sound quality is miles better than the 2019 reissue of Era Vulgaris (which is one of the worst sounding records I own).
        • nategwk's avatar
          nategwk
          Even for a 1 LP, this sounds excellent. I like the original packaging and poly lined sleeve too.
          • Twatay's avatar
            Twatay
            My BG cut copy had a made in sticker on the back of the cellophane.
            • mikhapa's avatar
              mikhapa
              Edited one year ago
              I recently bought a sealed edition which is very similar to this one visually (the sleeve, insert, artwork, hype sticker, I can’t spot any differences) but:
              1) the vinyl itself has totally different matrix 010701008-A-2 and 010701008-B-2 etched
              2) there is an additional small sticker on the back of the shrink which says MANUFACTURED IN POLAND
              Does anybody know if it’s still this 2019 EU edition or something new?
              • Murphquake's avatar
                Murphquake
                Pressing - 5/5
                Exactly what you usually expect from a Pallas pressing. Nice and heavy, even, flat, and perfectly center. Plus, came very clean right out of the package and no surface noise at all. A+ all around.

                Mastering - 4/5
                In isolation, this sounds really good. Great soundstage and nice, crisp dynamics. But, honestly, it pales in comparison to the original. I’m not an “original press is always best” kind of person, but the difference between the two is significant. Maybe it’s just that Bernie was given a different source. This sounds great, but the original is demo-worthy.

                Packaging - 4/5
                Nice to have the original art but outside of that, nothing super special. Came in a poly lined sleeve which is a plus.

                Overall - 4/5
                Solid copies of the original press are still affordable, so I’d say go with that one. But, if you prefer new, or want the original artwork, this one is solid. I own both, because I love this album and my original press has a persistent skip in one spot, so this is my “playing” copy and that one is my “special occasion” copy.
                • p.e.f's avatar
                  p.e.f
                  Just like my pressing of SFTD this pressing is phenomenal. Excellent sound for an excellent record. If you see it grab it
                  • Scrade's avatar
                    Scrade
                    Sounds fantastic. Very strong low-end, and it's a flat and silent slab of wax. Cheap too
                    • fendrfanIII's avatar
                      fendrfanIII
                      I must respectfully disagree with everyone who thinks this sounds good. This sounds terrible. It is dark, dull, lifeless, obviously compressed, and boring. I did a shoot out between this and the 2014 "Rated X" version, and that red one is better by a landslide. The 2014 version is rich, lively, and very full sounding. This is quite unusual because I was expecting this Bernie Grundman-cut copy to be better. I wonder if he had subpar sources to cut from. Avoid this version; you're actually better off with the CD! But pick up the red one for the best possible sounding copy of this great album.

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