Eminem – The Slim Shady LP
Label: |
Web Entertainment – INTD-90287 |
|---|---|
Format: |
|
Country: |
US |
Released: |
|
Genre: |
Hip Hop |
Style: |
Horrorcore |
Tracklist
| 1. | Public Service Announcement | 0:33 | |
| 2. | My Name Is | 4:28 | |
| 3. | Guilty Conscience | 3:19 | |
| 4. | Brain Damage | 3:47 | |
| 5. | Paul | 0:16 | |
| 6. | If I Had | 4:05 | |
| 7. | 97' Bonnie & Clyde | 5:16 | |
| 8. | Bitch | 0:20 | |
| 9. | Role Model | 3:25 | |
| 10. | Lounge | 0:47 | |
| 11. | My Fault | 4:02 | |
| 12. | Ken Kaniff | 1:16 | |
| 13. | Cum On Everybody | 3:39 | |
| 14. | Rock Bottom | 3:34 | |
| 15. | Just Don't Give A Fuck | 4:03 | |
| 16. | Soap | 0:35 | |
| 17. | As The World Turns | 4:25 | |
| 18. | I'm Shady | 3:32 | |
| 19. | Bad Meets Evil | 4:13 | |
| 20. | Still Don't Give A Fuck | 4:13 |
Companies, etc.
- Produced For – F.B.T. Productions
- Recorded At – The Mix Room
- Mixed At – Dre's Crib
- Designed At – True Interactive
- Published By – Chrysalis Music
- Published By – Eight Mile Style
- Published By – WB Music Publishing
- Published By – Ain't Nuthin' Goin' On But Fu-kin'
- Published By – Hard Working Black Folks
- Published By – Warner Chappell Music
- Manufactured By – Universal Music & Video Distribution, Inc.
- Distributed By – Universal Music & Video Distribution, Inc.
- Phonographic Copyright ℗ – Aftermath Entertainment
- Phonographic Copyright ℗ – Interscope Records
- Copyright © – Aftermath Entertainment
- Copyright © – Interscope Records
- Manufactured By – Universal, Pinckneyville, IL – 0600812983
- Manufactured By – Universal, Pinckneyville, IL – 0600812986
Credits
- A&R [Web A&R Assistant] – Karen Pinegar
- A&R [Web A&R Direction] – Wendy Ellen Bass
- Art Direction – Mark LeRoy
- Coordinator [Aftermath/Interscope Project Coordinator] – Kirdis Tucker
- Coordinator [Production Coordinator] – Les Scurry
- Design – Mark LeRoy
- Directed By [Director Of Operations For Dr. Dre] – Larry Chatman
- Edited By [Digital Editing] – Blumpy
- Engineer – Robert Handy*
- Executive-Producer – Marky Bass*
- Illustration – Super Manu
- Legal [Eminem Legal Representation] – Paul D. Rosenberg, Esq.*
- Legal [FBT Productions] – Howard Hertz (2)
- Management [Eminem] – Paul "Bunyan" Rosenberg*
- Management [FBT Productions] – Joel Martin
- Mastered By – Brian "Big Bass" Gardner*
- Mastered By [Pre-Mastering] – Blumpy
- Photography By – Danielle Hastings*
- Product Manager [Interscope Records] – Michelle Thomas
Notes
A retail, US edition of the album, pressed by Technicolor, Guadalajara, Mexico.
Track 1: Performed for FBT Productions.
Track 2: Contains an interpolation from “I Got The” as recorded by Chrysalis Music.
Track 3: Contains an interpolation from “Go Home Pigs”, as contained in the film EMI Music.
Track 6: Original version for the Yeeeah Entertainment.
Track 10: Performed for FBT Productions.
Track 12: Background music for FBT Productions.
Track 13: Original version for the Yeeeah Entertainment.
Track 15: WEB Entertainment.
Track 16: Performed for FBT Productions.
Track 18: Contains an interpolation from “Pusherman”, as recorded by Warner Chappell Music.
Track 19: Music for FBT Productions.
THANK YOU’S: Dr. (Muthafucka I’m) Dre, Paul “Bunyan” Rosenberg, Marky & Jeff Bass, Jimmy Iovine, Wendy Day (Rap Coalition), Royce The 5’9”, D.J. Head, D.J. Rec, Denine Porter, D.J. Butterfingers, Bizarre, Wendy Bass, My Outsidaz family (Young Zee, Pacewon, Slang Ton, Loon One, D.U., Aziz, Yah Lovah & Rah Digga), Proof, Houseshooz, Skam2? and Shadow (Old World Disorder), Elzhi, Fuzz Scoota, (’99 crop-pick!), Da Brigade, Evan Bogart, Dee Tee, Shabaam Sahdeeq, A.L., Kwest the Mad Lad, Thirstin’ Howl, III, Wordsworth, D.J. Spinna, Rawkus Records, Stretch Armstrong, Bobbito & Lord Sear, John Schecter & Game Recordings, Wall Street: Fugue the Wiseguy, X-Government Agent, Jah The 5’9”, The Hobbit & B.O., D.J. Avee, Fat Beats, Sandbox Distribution, Kalodge Projects (Lyricist Lounge: Danny Castro, Anthony Marshall, Blue, Wise & Perry), Duck Down Records (Dru Ha & Buckshot), Reef, Todd James, Kino Childrey, Eric Rhea, Marc Kempf, Sway & Tech, The Wake Up Show staff, The Baker Boys, Anonymous, Jaydee & Slum Village, The High & Mighty, Da Ruckus (Hush & Ill), Federation Records, HipHopSite.Com (Warren Peace & Mista Pizzo), B-Flat & Dirty Ratt, Rick Posada, 8-Off the Assasin, Wyclef Jean, Busta Rhymes, Missy Elliott, Timbaland, Danja Mowf, The Madd Rapper, Limp Bizkit, Dean Geistslinger, D.J. Mormille & Interscope Records Staff, Larry Solters, Anna & Scoop Marketing, Rene McLean, Riggs Morales & The Source, Blaze, Stress, RapPages, Vibe, Spin, Hip Hop Connection, Interview, Rolling Stone, & all the other magazines and writers that chose to show me love (to the ones that slept: fuckoff), Aftermath Entertainment, Mike Lynne, Kirdis Tucker, Mel Man, Segall, Hitman, 6’2”, The D.O.C., 88HipHop.Com, Theodor K. Sedlmayr & Randy Cutler, WUSB (D.L. & Emmo), P-Love, Everyone on Runyon, Shorty, Eye Kyu, Infamenace, Frogg, The Rabeez, Third Kind, Theory 13, Greed, Scrap, Nacho, Manix, Laswonzout, Hieroglyphics, Wu-Tang, Kosek, Jason Mallory, Blak, Becky, Chris & Melodic Militia, Butter & Funkyfreshinthaflesh, D.J. Q, Slimfaz, Family Function & Blue Collar, Jay-Luv, Crush Rus, Mike & Harry at Record Time, John King & Grooveyard, Eric at Showtime, Alvin’s, Brandon Gross, Ebony Showccase, J.U.I.C.E., Rhymefest, Skribble Jam, D.J. Dez, Phil Black, Justin, Mustafa, Lynn Pompey, Mark Hicks, Shawn P, Eklypse, Vitamin C, Johnathan, Adam, Snafu, Jamie, Kim, my little brother Nate and my Mother. To the people I forgot, you weren’t on my mind for some reason and you probably don’t deserve any thanks anyway. To all the people who never gave love and continue to deny me ‘cuz of what I look like: suck my dick you fucks!!!
This album is dedicated to my daughter, Hailie Jade Scott.
Find out more about Eminem at www.interscoperecords.com. Connect to Eminem’s fan club at www.eminem.com.
Printed in the U.S.A.
Track 1: Performed for FBT Productions.
Track 2: Contains an interpolation from “I Got The” as recorded by Chrysalis Music.
Track 3: Contains an interpolation from “Go Home Pigs”, as contained in the film EMI Music.
Track 6: Original version for the Yeeeah Entertainment.
Track 10: Performed for FBT Productions.
Track 12: Background music for FBT Productions.
Track 13: Original version for the Yeeeah Entertainment.
Track 15: WEB Entertainment.
Track 16: Performed for FBT Productions.
Track 18: Contains an interpolation from “Pusherman”, as recorded by Warner Chappell Music.
Track 19: Music for FBT Productions.
THANK YOU’S: Dr. (Muthafucka I’m) Dre, Paul “Bunyan” Rosenberg, Marky & Jeff Bass, Jimmy Iovine, Wendy Day (Rap Coalition), Royce The 5’9”, D.J. Head, D.J. Rec, Denine Porter, D.J. Butterfingers, Bizarre, Wendy Bass, My Outsidaz family (Young Zee, Pacewon, Slang Ton, Loon One, D.U., Aziz, Yah Lovah & Rah Digga), Proof, Houseshooz, Skam2? and Shadow (Old World Disorder), Elzhi, Fuzz Scoota, (’99 crop-pick!), Da Brigade, Evan Bogart, Dee Tee, Shabaam Sahdeeq, A.L., Kwest the Mad Lad, Thirstin’ Howl, III, Wordsworth, D.J. Spinna, Rawkus Records, Stretch Armstrong, Bobbito & Lord Sear, John Schecter & Game Recordings, Wall Street: Fugue the Wiseguy, X-Government Agent, Jah The 5’9”, The Hobbit & B.O., D.J. Avee, Fat Beats, Sandbox Distribution, Kalodge Projects (Lyricist Lounge: Danny Castro, Anthony Marshall, Blue, Wise & Perry), Duck Down Records (Dru Ha & Buckshot), Reef, Todd James, Kino Childrey, Eric Rhea, Marc Kempf, Sway & Tech, The Wake Up Show staff, The Baker Boys, Anonymous, Jaydee & Slum Village, The High & Mighty, Da Ruckus (Hush & Ill), Federation Records, HipHopSite.Com (Warren Peace & Mista Pizzo), B-Flat & Dirty Ratt, Rick Posada, 8-Off the Assasin, Wyclef Jean, Busta Rhymes, Missy Elliott, Timbaland, Danja Mowf, The Madd Rapper, Limp Bizkit, Dean Geistslinger, D.J. Mormille & Interscope Records Staff, Larry Solters, Anna & Scoop Marketing, Rene McLean, Riggs Morales & The Source, Blaze, Stress, RapPages, Vibe, Spin, Hip Hop Connection, Interview, Rolling Stone, & all the other magazines and writers that chose to show me love (to the ones that slept: fuckoff), Aftermath Entertainment, Mike Lynne, Kirdis Tucker, Mel Man, Segall, Hitman, 6’2”, The D.O.C., 88HipHop.Com, Theodor K. Sedlmayr & Randy Cutler, WUSB (D.L. & Emmo), P-Love, Everyone on Runyon, Shorty, Eye Kyu, Infamenace, Frogg, The Rabeez, Third Kind, Theory 13, Greed, Scrap, Nacho, Manix, Laswonzout, Hieroglyphics, Wu-Tang, Kosek, Jason Mallory, Blak, Becky, Chris & Melodic Militia, Butter & Funkyfreshinthaflesh, D.J. Q, Slimfaz, Family Function & Blue Collar, Jay-Luv, Crush Rus, Mike & Harry at Record Time, John King & Grooveyard, Eric at Showtime, Alvin’s, Brandon Gross, Ebony Showccase, J.U.I.C.E., Rhymefest, Skribble Jam, D.J. Dez, Phil Black, Justin, Mustafa, Lynn Pompey, Mark Hicks, Shawn P, Eklypse, Vitamin C, Johnathan, Adam, Snafu, Jamie, Kim, my little brother Nate and my Mother. To the people I forgot, you weren’t on my mind for some reason and you probably don’t deserve any thanks anyway. To all the people who never gave love and continue to deny me ‘cuz of what I look like: suck my dick you fucks!!!
This album is dedicated to my daughter, Hailie Jade Scott.
Find out more about Eminem at www.interscoperecords.com. Connect to Eminem’s fan club at www.eminem.com.
Printed in the U.S.A.
Barcode and Other Identifiers
- Barcode (Text): 6 06949 02872 5
- Barcode (Scanned): 606949028725
- Matrix / Runout (Variants 1, 2, 4, 5): INTD90287RE1 0600812983 MFG BY UNIVERSAL
- Matrix / Runout (Variant 3): INTD90287RE1 0600812986 MFG BY UNIVERSAL
- Mould SID Code (Variant 1): ifpi 2A05
- Mould SID Code (Variant 2): ifpi 2AO9
- Mould SID Code (Variant 3): ifpi 2A54
- Mould SID Code (Variant 4): ifpi 2A14
- Mould SID Code (Variant 5): ifpi 2AO6
- Rights Society: ASCAP
- Rights Society: BMI
- ISRC (Track 1): USIR19902058
- ISRC (Track 2): USIR19902059
- ISRC (Track 3): USIR19902060
- ISRC (Track 4): USIR19902007
- ISRC (Track 5): USIR19902061
- ISRC (Track 6): USIR19902062
- ISRC (Track 7): USIR19902063
- ISRC (Track 8): USIR19902064
- ISRC (Track 9): USIR19902065
- ISRC (Track 10): USIR19902066
- ISRC (Track 11): USIR19902067
- ISRC (Track 12): USIR19902068
- ISRC (Track 13): USIR19902069
- ISRC (Track 14): USIR19902070
- ISRC (Track 15): USIR19902003
- ISRC (Track 16): USIR19902071
- ISRC (Track 17): USIR19902072
- ISRC (Track 18): USIR19902073
- ISRC (Track 19): USIR19902074
- ISRC (Track 20): USIR19902075
Other Versions (5 of 135)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
Recently Edited
|
The Slim Shady LP (2×LP, Album, Colored Labels) | Interscope Records | INT2-90287 | US | 1999 | ||
| The Slim Shady LP (CD, Album, CD, Enhanced, All Media, Special Edition) | Web Entertainment | 490 546-2 | Europe | 1999 | |||
|
Recently Edited
|
The Slim Shady LP (Cassette, Album) | Aftermath Entertainment | INC-90287, 490 287-4 | Europe | 1999 | ||
| The Slim Shady LP (CD, Album) | Web Entertainment | 490 287-2, IND-90287 | Europe | 1999 | |||
|
New Submission
|
The Slim Shady LP (CD, Album, Edited Version, Universal Pinckneyville IL Pressing) | Web Entertainment | INTD-90321 | US | 1999 |
Recommendations
Reviews
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sound isn't the greatest but is ok, boomy and bassy but stereo effects aren't as clear unless you listen it with headphones, i don't know if its the compression but nothing stands out really.
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Hey! I was buying this abum from you but i cant cancel it.. because im new here don now how to use it good. Cant find where to cancel. If you can just cansel the order would be nice. I have noveow money artmt. To be honest i dont eaven ordering it. Maybe i was too out of my head at the time
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Which one of the 1999 LP's is the first press? The black labeled Aftermath/Interscope w. insert; or the coloured labeled Interscope w. innersleeve?
https://discogs.sitiodesbloquea.com/Eminem-The-Slim-Shady-LP/release/186451 -
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Edited 9 years agoMy favorite in all of Eminem's releases. Very nostalgic album and very unique flow.
This is the epitome of Horrorcore. If you are a Horrorcore rapper this should be your bible. Take note, because this is how it needs to be done. Clean production from the Bass Brothers, Mr. Porter, and Dr. Dre, with very unique Horror based producing on some songs and classic bass heavy Dre style production mixed into a dark and devilish urban Detroit flavor. With hilariously psychotic punchlines done by Eminem's funny yet evil alter-ego 'Slim Shady'. Before the hockey mask and chainsaw he was the "Mummy at night frightened with bright lightnin, fightin with 5 little white Vicodin pills bitin him". Horrorcore in its purest form.
Rating: 10 out of 10. -
(Quick Review #23)
Listen: #5
I haven't listened to this album in a while, and I've always had it as my lowest Eminem album of the trilogy (I just listened to Encore which is the only album outside of the original trilogy I've listened too). While after this listen that doesn't change, MMLP and Eminem Show are better, I just enjoyed it a lot more than I ed. Everything here is good, honestly nothing stuck out as bad to me. I ed the production being shit besides on the singles (all of those were produced by Dre), but on return nothing here was that bad. Sure it wasn't great but it wasn't terrible. I sound like I just thought it was mediocre, but Slim LP is still truely a classic, and it was an extremely important album for rap and music in general.
Strong 8 to Light 9
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