Gary Numan – Hybrid
Label: |
Demon Records – DEMREC731 |
|---|---|
Format: |
|
Country: |
UK |
Released: |
|
Genre: |
Rock |
Style: |
Synth-pop |
Tracklist
| A1 | Hybrid | |
| A2 | Dark | |
| A3 | Crazier | |
| A4 | Bleed | |
| B1 | Torn | |
| B2 | Down In The Park | |
| B3 | Everyday I Die | |
| B4 | Absolution | |
| C1 | Ancients | |
| C2 | Dominion Day | |
| C3 | A Prayer For The Unborn | |
| C4 | Listen To My Voice | |
| D1 | Rip | |
| D2 | Are 'Friends' Electric? | |
| D3 | M.E. | |
| D4 | Cars |
Companies, etc.
- Licensed From – Fullfill UK Ltd.
- Marketed By – Demon Records
- Produced For – 140dB
- Phonographic Copyright ℗ – Fullfill UK Ltd.
- Copyright © – Fullfill Records
- Published By – BMG Rights Management (UK) Limited
- Published By – Copyright Control
- Published By – Manufractured
- Published By – Universal Music Publishing Ltd.
- Mastered At – Abbey Road Studios
- Recorded At – Real Noize Studios
- Recorded At – The Doghouse Studio
- Recorded At – Todal Studios
- Recorded At – Alien Studios (5)
- Recorded At – The Bedroom
- Recorded At – Pierce Rooms
- Mixed At – Winch
- Mixed At – Real Noize Studios
- Mixed At – Todal Studios
- Mixed At – Alien Studios (5)
- Mixed At – Pierce Rooms
- Pressed By – GZ Media – 208012E
Credits
- Design, Layout – Paul Agar (2)
- Executive-Producer – Steve Malins
- Mastered By – Adam Nunn
- Public Relations – Steve Malins
- Written-By – Gary Numan
Notes
Released in a deluxe gatefold cover with printed inner sleeves.
140g
℗ 2003 Fullfill Uk Ltd. (back cover, labels, inner sleeve)
© 2004, 2020 Fullfill Records (back cover, labels, inner sleeve)
A1 Mixed at Winch. Vocal samples from Pure (2000). Published by BMG Rights Management (UK) Limited / Copyright Control.
A2 Recorded at mixed at Real Noize Studios. Original version on Exile (1997). Reworked and Produced for 140dB. Published by BMG Rights Management (UK) Limited.
A3 Recorded at the Doghouse. Mixed at Real Noize. Produced for 140dB. Published by BMG Rights Management (UK) Limited / Manufractured.
B1 Mixed at Winch. Original available on Pure (2000). Published by BMG Rights Management (UK) Limited.
B2 Recorded and mixed at Todal. Original available on Replicas (1979). Published by Copyright Control.
B3 Recorded and mixed at Real Noize Studios. Original version on Tubeway Army (1978). Reworked and Produced for 140dB. Published by Universal Music Publishing Limited.
B4 Recorded and mixed at Real Noize Studios. Original version on Exile (1997). Reworked and Produced for 140dB. Published by BMG Rights Management (UK) Limited.
C1 Recorded and mixed at Real Noize Studios. Produced for 140dB. Published by BMG Rights Management (UK) Limited / Copyright Control.
C2 Mixed at Winch. Original available on Exile (1997). Published by BMG Rights Management (UK) Limited.
C3 Recorded and mixed at Real Noize Studios. Original version on Pure (2000). Remixed for 140dB. Published by BMG Rights Management (UK) Limited.
C4 Recorded and mixed at the Doghouse. Original version on Pure (2000). Published by BMG Rights Management (UK) Limited.
D1 Recorded and mixed at Real Noize Studios. Original version on Pure (2000). Reworked and Produced for 140dB. Published by BMG Rights Management (UK) Limited.
D2 Recorded and mixed at Real Noize Studios. Original version on Replicas (1979). Reworked and Produced for 140dB. Published by Universal Music Publishing Limited.
D3 Recorded and mixed at Alien Studios. Original version on The Pleasure Principle (1979). Published by Universal Music Publishing Limited.
D4 Recorded in the Bedroom and The Pierce Rooms.Mixed at the Pierce Rooms. Thanks to Meredith Leung and all at The Pierce Rooms for their help. Original version on The Pleasure Principle (1979). Reworked and produced for 140 dB. Published by Universal Music Publishing Limited.
This version is the first re release of 'Jagged Halo as a numbered, 'limited edition' in 2004.
Manufactured in the E.U.
140g
℗ 2003 Fullfill Uk Ltd. (back cover, labels, inner sleeve)
© 2004, 2020 Fullfill Records (back cover, labels, inner sleeve)
A1 Mixed at Winch. Vocal samples from Pure (2000). Published by BMG Rights Management (UK) Limited / Copyright Control.
A2 Recorded at mixed at Real Noize Studios. Original version on Exile (1997). Reworked and Produced for 140dB. Published by BMG Rights Management (UK) Limited.
A3 Recorded at the Doghouse. Mixed at Real Noize. Produced for 140dB. Published by BMG Rights Management (UK) Limited / Manufractured.
B1 Mixed at Winch. Original available on Pure (2000). Published by BMG Rights Management (UK) Limited.
B2 Recorded and mixed at Todal. Original available on Replicas (1979). Published by Copyright Control.
B3 Recorded and mixed at Real Noize Studios. Original version on Tubeway Army (1978). Reworked and Produced for 140dB. Published by Universal Music Publishing Limited.
B4 Recorded and mixed at Real Noize Studios. Original version on Exile (1997). Reworked and Produced for 140dB. Published by BMG Rights Management (UK) Limited.
C1 Recorded and mixed at Real Noize Studios. Produced for 140dB. Published by BMG Rights Management (UK) Limited / Copyright Control.
C2 Mixed at Winch. Original available on Exile (1997). Published by BMG Rights Management (UK) Limited.
C3 Recorded and mixed at Real Noize Studios. Original version on Pure (2000). Remixed for 140dB. Published by BMG Rights Management (UK) Limited.
C4 Recorded and mixed at the Doghouse. Original version on Pure (2000). Published by BMG Rights Management (UK) Limited.
D1 Recorded and mixed at Real Noize Studios. Original version on Pure (2000). Reworked and Produced for 140dB. Published by BMG Rights Management (UK) Limited.
D2 Recorded and mixed at Real Noize Studios. Original version on Replicas (1979). Reworked and Produced for 140dB. Published by Universal Music Publishing Limited.
D3 Recorded and mixed at Alien Studios. Original version on The Pleasure Principle (1979). Published by Universal Music Publishing Limited.
D4 Recorded in the Bedroom and The Pierce Rooms.Mixed at the Pierce Rooms. Thanks to Meredith Leung and all at The Pierce Rooms for their help. Original version on The Pleasure Principle (1979). Reworked and produced for 140 dB. Published by Universal Music Publishing Limited.
This version is the first re release of 'Jagged Halo as a numbered, 'limited edition' in 2004.
Manufactured in the E.U.
Barcode and Other Identifiers
- Barcode (Scanned): 5014797903197
- Barcode (Text): 5 01479 7903197
- Label Code: LC 13218
- Other (Inner sleeve 1): DEMREC731/1
- Other (Inner sleeve 2): DEMREC731/2
- Matrix / Runout (Side A runout, stamped): 208012E1/A
- Matrix / Runout (Side B runout, stamped): 208012E2/A
- Matrix / Runout (Side C runout, stamped): 208012E3/A
- Matrix / Runout (Side D runout, stamped): 208012E4/A
Other Versions (5 of 8)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
| Hybrid (2×CD, Album, Stereo) | Jagged Halo | JHCD005 | UK | 2003 | |||
| Hybrid (2×CD, Album, DVD, DVD-Video, Box Set, Limited Edition, Numbered, Special Edition, Stereo) | Jagged Halo | JHCD007 | UK | 2003 | |||
|
Recently Edited
|
Hybrid (2×CDr, Album, Promo) | Not On Label | none | UK | 2003 | ||
|
New Submission
|
Mutate (2×CD, Limited Edition, Numbered, Special Edition, DVD, ) | Jagged Halo | PBZ 50072, JHCD005 | US | 2003 | ||
| Hybrid (2×LP, Limited Edition, Numbered, Stereo) | Jagged Halo | JHLP5 | UK | 2004 |
Recommendations
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2019 USA, Canada & EuropeVinyl —LP, Compilation, Stereo -
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Reviews
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This sounds muddy, compressed and flat. No bass, no real highs. I rather listen to this album via streaming. -
Eh. A disappointing. I have wanted this on vinyl forever. With the reissue I was finally able to buy it. I mean, it’s fine if you don’t care very much and maybe to the untrained ear it sounds “fine”. There’s no depth, it sounds incredibly hollow and muddy. That bass just isn’t there. It immediately reminded me of the Tears for Fears Songs From the Big Chair remaster anniversary release. Compared to my 1985 pressing that isn’t even 180 and scratched all to holy get out that I got for 50 cents at a thrift store, it sounds like it was mixed in a PVC pipe (and the beat ass ‘85 version sounds like God descending down from the heavens). That’s how this feels. It’s incredibly flat and underwhelming.
I don’t know what happened to the master but this seems like a game of telephone from the master. Honestly sounds like it was pressed from a Napster .
Otherwise the vinyl is pretty. Though, there is a weird black dot on side A that looks like a beauty mark. Randomly.
If it even sounded remotely as dynamic as Savage we’d be fine. But not even close.
Guess I’m still going to seek out the original pressing. Dammit. -
My pressing is clean, but I have to disagree with the other review saying this is a good remaster. It is probably one of the most compressed sounding LP's that I own. I was really excited to get this on vinyl since it is probably overall my favorite of his, so it was a big disappointment. I have listened to it with a shibata and microlinear stylus, neither sound good. The CD has good sound quality, so I would recommend sticking with that. -
My copy sounds great. One LP label has red text and the other has blue and you would think it's obvious to make one LP red and one blue but.... major labels like cutting corners. At least it sounds good. Most bigger label vinyl I have bought is amazingly bad. This sounds like at least they mastered it for vinyl and listened to the test pressings for once. This is probably the best Numan album for NIN fans. A lot of it sounds like they stole Trent's personal synths and samples. I don't say that as an insult, I personally like it better than NIN. To me, the songs that were originally on Exile sound vastly improved here. I want to like Exile but it all sounds just muddy and unfinished to me. The Pure tracks are great but I also really like Pure. I might like them equally. I'm mostly an old school 78-81 Numan guy but I think the old songs redone more goth / industrial on this album work really well and I'd rather see "an old guy" playing his old songs with a new twist or style than going through the motions like Chubby Checker playing The Twist for 50 fucking years. Just one thing that bugs me here.... look out for the random rap guy saying "send black angels fo' ya". It's really embarrassing and doesn't fit at all. Bad idea. -
My copy arrived with some sort of gunk in two large spots on side 1 of disc 2. Three wet cleanings and it's still has traces of it. Nothing in the inner sleeve, so I'm assuming some sort of grease got on it in the factory. Shoddy QA.
Release
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