Tracklist
| A1 | In Between Days | 2:55 | |
| A2 | Kyoto Song | 4:00 | |
| A3 | The Blood | 3:42 | |
| A4 | Six Different Ways | 3:16 | |
| A5 | Push | 4:28 | |
| B1 | The Baby Screams | 3:43 | |
| B2 | Close To Me | 3:23 | |
| B3 | A Night Like This | 4:12 | |
| B4 | Screw | 2:35 | |
| B5 | Sinking | 4:50 |
Companies, etc.
- Phonographic Copyright ℗ – Elektra/Asylum Records
- Copyright © – Fiction Records
- Published By – APB Music Co. Ltd.
- Manufactured By – Elektra/Asylum/Nonesuch Records
- Mastered At – Atlantic Studios
- Pressed By – Specialty Records Corporation
Credits
- Bass – Simon Gallup
- Co-producer – Howard Gray (tracks: A2, A5, B3)
- Drums, Percussion – Boris Williams
- Engineer [Assistant] – Tom Leader
- Guitar, Keyboards – Porl Thompson
- Keyboards – Laurence Tolhurst
- Mastered By – D.K.*
- Producer, Engineer – Dave Allen*
- Saxophone – Ron Howe
- Vocals, Keyboards, Guitar, Producer, Written-By – Robert Smith
Notes
Comes with black & blue printed lyrics-inner sleeve.
Large blue & black sticker on front sleeve:
The Cure contains the U.K. Hit Single
In Between Days (Without You)
60435-1
Golden promotion stamp on back sleeve:
Lent for Promotional Use Only. Any Sale or Unauthorized Transfer is Prohibited and Void.
Subject to Return Upon Demand by Owner. Acceptance of This Record Constitutes Agreement to the Above.
Silver promotion printing on labels:
Promotion Copy
Not For Sale
Complete copy including Elektra promo B&W photo of the band and a 4-page paper biography folder dated 9/85.
℗ © 1985.
Large blue & black sticker on front sleeve:
The Cure contains the U.K. Hit Single
In Between Days (Without You)
60435-1
Golden promotion stamp on back sleeve:
Lent for Promotional Use Only. Any Sale or Unauthorized Transfer is Prohibited and Void.
Subject to Return Upon Demand by Owner. Acceptance of This Record Constitutes Agreement to the Above.
Silver promotion printing on labels:
Promotion Copy
Not For Sale
Complete copy including Elektra promo B&W photo of the band and a 4-page paper biography folder dated 9/85.
℗ © 1985.
Barcode and Other Identifiers
- Barcode (Printed): 0 7559-60435-1
- Barcode (Scanned): 075596043519
- Matrix / Runout (Matrix code side 1): ST-E-60435A-1 ATLANTIC STUDIO DK SRC
- Matrix / Runout (Matrix code side 2): ST-E-60435B-1 ATLANTIC STUDIO DK SRC
- Rights Society: PRS
- Matrix / Runout (Side A runout (variant 2)): ST-E-60435A-1 1-1 SM 1-1 ATLANTIC STUDIO DK SRC
- Matrix / Runout (Side B runout (variant 2)): ST-E-60435B-1 1-2 ATLANTIC STUDIO DK SRC
Other Versions (5 of 208)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
Recently Edited
|
The Head On The Door (CD, Album, Stereo) | Fiction Records | 827 231-2 | Europe | 1985 | ||
|
Recently Edited
|
The Head On The Door (Cassette, Album, AR, Dolby HX Pro) | Elektra | 60435-4, 9 60435-4 | US | 1985 | ||
| The Head On The Door (LP, Album) | Fiction Records | 827 231-1ME, LP 827 231-1ME | 1985 | ||||
| The Head On The Door (LP, Album, Stereo, Specialty Records Corporation) | Elektra | 60435-1, 9 60435-1 | US | 1985 | |||
| The Head On The Door (LP, Album) | Fiction Records | FIXH 11 | UK | 1985 |
Recommendations
Reviews
-
In case anyone is interested. I have now compared the UK, US and German pressings. Not that easy. The mastering differs from song to song. The UK has more bass. Kyoto Song in particular is stunning on the UK pressing. But the US pressing is a bit more compact and 1 DB louder than the UK. The German is somewhere in between. But Close to me really stands out on the German one. The song is mixed much wider in stereo. The wheezing and gasping for air is distributed very widely in the room. So I'm almost at a loss. I would put the UK a bit ahead of the German and then the US pressing.
Who knows the Japanese one and has heard it in comparison?
Release
See all versions
Recently Edited
Recently Edited
For sale on Discogs
Sell a copy
3 copies from €48.29