Todd Rundgren – A Wizard, A True Star
Label: |
Bearsville – BR 2133 |
---|---|
Format: |
Vinyl
, LP, Album
|
Country: |
Canada |
Released: |
|
Genre: |
Rock |
Style: |
Experimental |
Tracklist
The International Feel (In 8) | |||
A1 | International Feel | 2:53 | |
A2 | Never Never Land | 1:25 | |
A3 | Tic Tic Tic It Wears Off | 1:15 | |
A4 | You Need Your Head | 1:07 | |
A5 | Rock And Roll Pussy | 1:10 | |
A6 | Dogfight Giggle | 1:10 | |
A7 | You Don't Have To Camp Around | 1:05 | |
A8 | Flamingo | 2:35 | |
A9 | Zen Archer | 5:25 | |
A10 | Just Another Onion Head; Da Da Dali | 2:25 | |
A11 | When The Shit Hits The Fan; Sunset Blvd | 4:01 | |
A12 | Le Feel Internacionale | 1:46 | |
B1 | Sometimes I Don't Know What To Feel | 4:15 | |
B2 | Does Anybody Love You | 1:31 | |
Medley | (10:35) | ||
B3a | I'm So Proud | ||
B3b | Ooh Baby Baby | ||
B3c | La La Means I Love You | ||
B3d | Cool Jerk | ||
B4 | Hungry For Love | 2:11 | |
B5 | I Don't Want To Tie You Down | 1:56 | |
B6 | Is It My Name? | 3:50 | |
B7 | Just One Victory | 4:50 |
Companies, etc.
- Manufactured By – WEA Music Of Canada, Ltd.
- Distributed By – WEA Music Of Canada, Ltd.
- Phonographic Copyright ℗ – Warner Bros. Records Inc.
- Published By – Earmark Music Inc.
- Published By – Screen Gems-Columbia Music
- Lacquer Cut At – Sterling Sound
Credits
- Lacquer Cut By – RL*
- Producer, Written-By – Todd Rundgren
Notes
Insert with lyrics
BR 2133 on labels
BR2133 on spine
Matrix / Runout: All etched, STERLING and o stamped.
BR 2133 on labels
BR2133 on spine
Matrix / Runout: All etched, STERLING and o stamped.
Barcode and Other Identifiers
- Matrix / Runout (Label side A): 31,554
- Matrix / Runout (Label side B): 31,555
- Matrix / Runout (Runout side A, variant 1): BR-2133 31554-1F RL STERLING
- Matrix / Runout (Runout side B, variant 1): BR-2133 31555-1E RL STERLING
- Matrix / Runout (Runout side A, variant 2): BR-2133 31554-1F RL A o
- Matrix / Runout (Runout side B, variant 2): BR-2133 31555-1E RL B o
Other Versions (5 of 95)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Recently Edited
|
A Wizard, A True Star (LP, Album, Die-Cut Sleeve, Gatefold) | Bearsville | BR 2133 | US | 1973 | ||
New Submission
|
A Wizard, A True Star (LP, Album, Gatefold Sleeve) | Bearsville | 45513 B, 45513, BR 2133 | 1973 | |||
Recently Edited
|
A Wizard, A True Star (LP, Album, Gatefold) | Bearsville | K 45513, BEA 45 513, BR 2133 | UK | 1973 | ||
Recently Edited
|
A Wizard, A True Star (LP, Album, Stereo, Gatefold) | Bearsville | BEA 45 513, BR 2133, BEA 45513 | Netherlands | 1973 | ||
A Wizard, A True Star (LP, Album, Gatefold) | Bearsville | BEA 45 513, BR 2133 | 1973 |
Recommendations
Reviews
-
Edited one year agoNeedledrop of "Zen Archer" from this pressing, -1F/-1E matrices and RL mastering: https://www.youtube.com/watch?v=TzUy27pRO48
Mr. Ludwig did a not-bad job on this one considering what he was tasked with (up to 30 minutes a side!!!). Unfortunately, the inner grooves on my side 1 sound WEAK -- unless maybe it's groove damage? "Le Feel Internacionale" is but a smudge, diluting the climactic effect. Everything else is decent (including "Zen Archer" which I linked above). Lemme know what you think! -
This album is... Weird. I had a friend who introduced me to it who simply describe it to me as Todd Rundgren...on drugs. I don't even want to know what was taken during the production of this album. This album is also fantastic. Extensive, interesting, new and that there a theme to the whole album. This is an album that doce what it says on the cover. At the court it is a strong prog album, however there are elements of just weird. The only examples I can think of would be Frank Zappa or something like John Zorn's more obscurer projects. It's a weird turn considering (I think) he's last album was "Something/Anything" which was a classic sing a song writer album released in the early 70s in inspiration from Carole King's tapestry. As I said, I don't know what was taken during the production of the album. Some of the songs do share a similarity in either what there about or what they're supposed to represent however, the style has completely changed. The songs themselves are quite funny and do have a joking elements in it which I think is it an extra bonus to this album. Now I could go into the composing/playing in this album but I think this review would take up the rest of the page if I did so. I will make note of the production on this album. This is what could class it as an experimental album from the 70s. It has so much distortion, echo and reverb on here but yet somehow Todd makes it sound great still. Nothing clashes, which I guess is a true example of what a fantastic producer Todd was and still is. Lots of cutting and pasting... it's a true example of experimental producing in the 70s when new ways of recording were made. This album is great, full of great tracks and odd ways of showing them. occasionally there are parts of the song or intervals that just don't fit however the majority of the album is pure brilliance. For someone who is used to listening to more commercial pop music or even rock music, this may be not your particular album however if you are looking to get into more obscure albums this is the necessity in your collection.
9/10
Release
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