Nara* – Opinião De Nara
Label: |
Universal Music – NRC059 |
---|---|
Format: |
|
Country: |
Brazil |
Released: |
|
Genre: |
Latin |
Style: |
MPB |
Tracklist
A1 | Opinião | 2:32 | |
A2 | Acender As Velas | 2:08 | |
A3 | Derradeira Primavera | 2:10 | |
A4 | Berimbau (Ritmo De Capoeira) | 2:53 | |
A5 | Sina De Caboclo | 2:49 | |
A6 | Deixa | 2:03 | |
B1 | Esse Mundo É Meu | 1:30 | |
B2 | Labareda | 1:30 | |
B3 | Em Tempo De Adeus | 2:10 | |
B4 | Chegança | 2:10 | |
B5 | Na Roda Da Capoeira | 2:09 | |
B6 | Mal-Me-Quer | 2:35 |
Companies, etc.
- Manufactured By – Poly Som Com. E Ind. De Plásticos Ltda.
- Manufactured For – NRC Editora E Distribuidora De Conteúdo Online
- Distributed By – NRC Editora E Distribuidora De Conteúdo Online
- Licensed From – Universal Music Ltda.
- Phonographic Copyright ℗ – Universal Music Ltda.
- Copyright © – Noize Record Club
- Remastered At – Magic Master
- Published By – Arlequim
- Published By – Jobim Music Ltda
- Published By – Tonga (2)
- Published By – Universal MGB
- Published By – Peermusic
- Published By – Addaf Publishing
- Published By – Warner/Chappell
- Published By – Fermata
- Published By – Trevo (3)
- Published By – Irmãos Vitale
- Lacquer Cut At – Poly Som Com. E Ind. De Plásticos Ltda. – P1531
Credits
- Artwork [Restauração E Adaptação Do Projeto Gráfico] – Pedro Scott
- Bass [Uncredited] – Tião Neto*
- Drums [Uncredited] – Edison Machado
- Engineer [Engenheiro De Som] – Sylvio Rabello
- Guitar [Uncredited] – Edgard Gianullo
- Lacquer Cut By [Runout Etching @] – William Carvalho
- Layout – Janio De Freitas*
- Photography By [Foto] – Janio De Freitas*
- Piano [Uncredited] – Erlon Chaves
- Producer [Produtor] – Armando Pittigliani
- Project Manager [Reedição Noize: Community Manager] – Milena Da Rosa
- Project Manager [Reedição Noize: Coordenação De Arte] – Pedro Scott
- Project Manager [Reedição Noize: Coordenação De Projeto] – Karen Rodriguez (3)
- Project Manager [Reedição Noize: Coordenação De Redação E Editor] – Ariel Fagundes
- Project Manager [Reedição Noize: Diretor De Arte] – Pedro Lunardi
- Project Manager [Reedição Noize: Diretor] – Rafael Rocha (2)
- Project Manager [Reedição Noize: Direção De Criação] – Rafael Rocha (2)
- Project Manager [Reedição Noize: Planejamento] – Emanuele Dal Sasso
- Project Manager [Reedição Noize: Produtor Cultural] – Thiago Piccoli
- Project Manager [Reedição Noize: Redator] – Erick Bonder
- Project Manager [Reedição Noize: Repórter] – Gabriela Amorim
- Proofreader [Revisão Textual] – Ariel Fagundes
- Recorded By [Técnicos De Gravação] – Rogério Gauss*
- Remastered By [Remasterização A Partir Das Fitas Originais] – Ricardo Garcia
- Sleeve Notes – Nara*
Notes
Includes a 4-page insert with photos, lyrics and credits, and the issue #123 of Noize magazine, March 2022
All the tracks are all stylized uppercase on the back cover.
Photos from insert
Coleção Nara Leão / Museu Imagem e do Som
2570
2593
2592
Photos from label
Arquivo Nacional / Fundo Correio da Manhã
BR_RJANRIO_PH_0_FOT_28837_017
BR_RJANRIO_PH_0_FOT_28837_012V
Credits for Noize Record Club as on release.
℗ 1964 Universal Musical Ltda
© 2022 Noize Record Club
Publishers:
A1, A2. Arlequim
A3. Jobim Music Ltda / Tonga (Universal MGB)
A4. Peermusic
A5. Addaf / Warner Chappell
A6. Fermata
B1. Trevo (Arlequim) / Warner Chappell
B2. Tonga (Universal MGB)
B3, B4, B6. Irmãos Vitale
B5. D.P.
All the tracks are all stylized uppercase on the back cover.
Photos from insert
Coleção Nara Leão / Museu Imagem e do Som
2570
2593
2592
Photos from label
Arquivo Nacional / Fundo Correio da Manhã
BR_RJANRIO_PH_0_FOT_28837_017
BR_RJANRIO_PH_0_FOT_28837_012V
Credits for Noize Record Club as on release.
℗ 1964 Universal Musical Ltda
© 2022 Noize Record Club
Publishers:
A1, A2. Arlequim
A3. Jobim Music Ltda / Tonga (Universal MGB)
A4. Peermusic
A5. Addaf / Warner Chappell
A6. Fermata
B1. Trevo (Arlequim) / Warner Chappell
B2. Tonga (Universal MGB)
B3, B4, B6. Irmãos Vitale
B5. D.P.
Barcode and Other Identifiers
- Matrix / Runout (Runout etched side A): P1531-A @1C
- Matrix / Runout (Runout etched side B): P1531-B @1C
- ISRC (Track A1): BR-MCA-64-00094
- ISRC (Track A2): BR-MCA-64-00095
- ISRC (Track A3): BR-MCA-64-00096
- ISRC (Track A4): BR-MCA-64-00097
- ISRC (Track A5): BR-MCA-64-00098
- ISRC (Track A6): BR-MCA-64-00099
- ISRC (Track B1): BR-MCA-64-00100
- ISRC (Track B2): BR-MCA-64-00101
- ISRC (Track B3): BR-MCA-64-00102
- ISRC (Track B4): BR-MCA-64-00103
- ISRC (Track B5): BR-MCA-64-00105
- ISRC (Track B6): BR-MCA-64-00106
Other Versions (5 of 7)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Recently Edited
|
Opinião De Nara (LP, Album, Mono) | Philips | P 632.732 L | Brazil | 1964 | ||
New Submission
|
Opinião De Nara (CD, Album, Remastered, Stereo) | Universal Music | 73145463352 | Brazil | 2002 | ||
New Submission
|
Opinião De Nara (CD, Album, Reissue) | Mercury | UICY-6762 | Japan | 2007 | ||
New Submission
|
Opinião De Nara (CD, Album, Reissue, Remastered, Stereo) | Mercury | 7314546335-2 | Brazil | 2008 | ||
New Submission
|
Opinião De Nara (CD, Album, Reissue, Remastered, Stereo) | Mercury | 7314546335-2 | Brazil | 2017 |
Recommendations
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2021 BrazilLP, Album, Club Edition, Limited Edition, Reissue, Remastered
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2021 BrazilLP, Album, Club Edition, Limited Edition, Reissue, Remastered, Stereo
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2022 BrazilLP, Album, Club Edition, Limited Edition, Reissue, Stereo
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Reviews
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I haven't read any information on how the audio was sourced, but I have a pretty clean original '64 copy and it sounds significantly better than this reissue. The packaging on the ressiue is very nice and respects this historic record, but the pressing lacks the original dynamics and warm reverb distinctive to brazilian records in the 60s.
Release
See all versions
Recently Edited
Recently Edited
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