Louis* – Ella And Louis Again
Label: |
Verve Records – MG V-4006-2 |
|---|---|
Series: |
Acoustic Sounds Series |
Format: |
|
Country: |
Worldwide |
Released: |
|
Genre: |
Pop |
Style: |
Vocal |
Tracklist
| A1 | Don't Be That Way | |
| A2 | Makin' Whoopee | |
| A3 | They All Laughed | |
| A4 | Comes Love | |
| A5 | Autumn In New York | |
| B1 | Let's Do It (Let's Fall In Love) | |
| B2 | Stompin' At The Savoy | |
| B3 | I Won't Dance | |
| B4 | Gee Baby Ain't I Good To You | |
| C1 | Let's Call The Whole Thing Off | |
| C2 | These Foolish Things (Remind Me Of You) | |
| C3 | I've Got My Love To Keep Me Warm | |
| C4 | Willow Weep For Me | |
| C5 | I'm Puttin' All My Eggs In One Basket | |
| D1 | A Fine Romance | |
| D2 | Ill Wind | |
| D3 | Love Is Here To Stay | |
| D4 | I Get A Kick Out Of You | |
| D5 | Learnin' The Blues |
Companies, etc.
- Record Company – Universal Music
- Record Company – UMG Recordings, Inc.
- Record Company – Verve Records, Inc.
- Distributed By – Universal Music Enterprises
- Copyright © – UMG Recordings, Inc.
- Copyright © – Philip Stern Trust
- Mastered At – Sterling Sound
- Lacquer Cut At – Sterling Sound
- Manufactured By – Quality Record Pressings
- Pressed By – Quality Record Pressings
- Printed By – Stoughton Printing Co.
Credits
- Art Direction [Art Director] – John D'Emilio
- Bass – Ray Brown
- Drums – Louis Bellson
- Guitar – Herb Ellis
- Lacquer Cut By – RKS*
- Mastered By [Reissue Mastering] – Ryan Smith (2)
- Photography By [Cover Photo], Cover [Cover Photo] – Phil Stern
- Piano – Oscar Peterson
- Producer, Liner Notes – Norman Granz
- Supervised By [Reissue Supervisor] – Chad Kassem
- Trumpet, Vocals – Louis Armstrong
- Vocals – Ella Fitzgerald
Notes
Issued in gatefold jacket with "A Panoramic True High Fidelity Record."
Issued on replica black Verve® Records "T" labels with rimtext Long Playing Microgroove Verve Records, Inc. - Made in U.S.A.
Back cover/labels:
A Verve Records release; Originally released in 1957 on Verve Records.
© 2022 UMG Recordings, Inc.
Distributed by Universal Music Enterprises, A Division of UMG Recordings, Inc.
Printed in U.S.A.
Reissue Mastering, Sterling Sound.
Catalog number B0033747-01 on back cover (bottom), spine (bottom), in label matrices.
Catalog number MG V 4006-2 on front cover, back cover (top), spine (bottom).
Catalog number MG V - 4006-2 on spine (top).
Catalog number MG V-4006-2 on labels.
Verve and UMe logos on back cover.
Verve logo on front cover, labels.
Hype sticker affixed to outer bag, with Acoustic Sounds and Verve logos, catalog number STDACOUST2:
Acoustic Sounds Series
Audiophile Vinyl Reissues From The World's Greatest Jazz Labels
• Mastered form the original analog mastering engineers
• Manufactured at Quality Records Pressings (QRP) on 180 gram vinyl
• Tip-On gatefold sleeves printed on high-grade board
Runouts are etched, "STERLING" stamped.
Issued on replica black Verve® Records "T" labels with rimtext Long Playing Microgroove Verve Records, Inc. - Made in U.S.A.
Back cover/labels:
A Verve Records release; Originally released in 1957 on Verve Records.
© 2022 UMG Recordings, Inc.
Distributed by Universal Music Enterprises, A Division of UMG Recordings, Inc.
Printed in U.S.A.
Reissue Mastering, Sterling Sound.
Catalog number B0033747-01 on back cover (bottom), spine (bottom), in label matrices.
Catalog number MG V 4006-2 on front cover, back cover (top), spine (bottom).
Catalog number MG V - 4006-2 on spine (top).
Catalog number MG V-4006-2 on labels.
Verve and UMe logos on back cover.
Verve logo on front cover, labels.
Hype sticker affixed to outer bag, with Acoustic Sounds and Verve logos, catalog number STDACOUST2:
Acoustic Sounds Series
Audiophile Vinyl Reissues From The World's Greatest Jazz Labels
• Mastered form the original analog mastering engineers
• Manufactured at Quality Records Pressings (QRP) on 180 gram vinyl
• Tip-On gatefold sleeves printed on high-grade board
Runouts are etched, "STERLING" stamped.
Barcode and Other Identifiers
- Barcode (Text): 6 02435 97198 8
- Barcode (Scanned, UPC-A): 602435971988
- Other (On hype sticker): STDACOUST2
- Matrix / Runout (A-side label, 7 o'clock): 50,392
- Matrix / Runout (B-side label, 7 o'clock): 50,393
- Matrix / Runout (C-side label, 7 o'clock): 50,394
- Matrix / Runout (D-side label, 7 o'clock): 50,395
- Matrix / Runout (A-side label, 5 o'clock): B0033747-01 A
- Matrix / Runout (B-side label, 5 o'clock): B0033747-01 B
- Matrix / Runout (C-side label, 5 o'clock): B0033747-01 C
- Matrix / Runout (D-side label, 5 o'clock): B0033747-01 D
- Matrix / Runout (A-side runout): B0033747-01 A RKS STERLING
- Matrix / Runout (B-side runout): B0033747-01 B RKS STERLING
- Matrix / Runout (C-side runout): B0033747-01 C RKS STERLING
- Matrix / Runout (D-side runout): B0033747-01 D RKS STERLING
Other Versions (5 of 32)
View All| Title (Format) | Label | Cat# | Country | Year | |||
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Recently Edited
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Ella And Louis Again (2×LP, Album, Gatefold) | Verve Records | MGV 4006-2 | US | 1957 | ||
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New Submission
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Ella And Louis Again (2×LP, Album, Gatefold) | Verve Records | MGV 4006-2 | Australia | 1957 | ||
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New Submission
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Ella And Louis Again (2×LP, Album, Gatefold) | Verve Records | MGV 4006-2 | South Africa | 1957 | ||
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New Submission
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Ella And Louis Again (2×LP, Album, Gatefold) | Verve Records | MGV 4006-2 | US | 1957 | ||
|
New Submission
|
Ella And Louis Again (2×LP, Album, Non-Gatefold) | Verve Records | MGV 4006-2 | Netherlands | 1957 |
Recommendations
Reviews
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Edited one month agoThis is the first time I've written a review. Simply because this one took my breath away. Louis and Ella are singing in my living room! It's a beautiful pressing. And at a knock down price. If you're hesitating, don't.
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Only 3 stars. Both records have a manufacturing defect that includes curvature and noise at the peak of this wave. This noise is clearly audible on the first and second songs on all 4 sides. I would tear off the hands of whoever works there. Ultrasonic cleaning help only 30%. In short, money down the drain.
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What a stunning disc!
Mine is among the quietest records I own. These Verve Acoustic Sound series discs have all hit it out of the park so far.
I need to remind myself the reason for a lot of the sibilance is Louis himself because he usually sang too close to the mic. ( I forget if it is on this disc or the other E&L disc that is mentioned in the liner notes)
Next up for me with this series is Nina Simone and if this is anything to go on, it will be wonderful. -
Edited one year agoFirst copy had defects in the vinyl near the run-out. Replacement copy is better, although it came with three large scratches on it that tick and pop. I don't know if I should just put up with it or try to return it again. It sounded better after a deep clean, but still quite noisy. Big disappointment.
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Now this is what vinyl is all about. Mind blowing mastering with silent glossy records. Worth every cent. -
Exceptional release. The sound is fantastic, thick beautiful gatefold, antistatic inner sleeves, dead quiet surface. Absolute must have.
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I absolutely love this vinyl. The pressing is amazing! I used to have their first album digitally and have been in the hunt for it. However, this one is just as good and does not disappoint. -
Edited 2 years agoBeautiful record! Little to no surface noise on my copy. Vocals come through pretty high on my system (ATLP120 w/ Grado Prestige Gold) resulting in often harsh sibilance, but the instruments and arrangements sound clear. Feels like you’re up close in the recording session with Ella and Louis. Some classics, deeper cuts and stunning interplay between them. A must-have in your collection! -
Beautiful sound and a perfect pressing for such a fun album. I’ve always liked Ella & Louis but it I’m not a “deep cuts” fan of the duo’s work. This has several songs everyone will recognize, including some pretty funny and probably adlibbed lyrics from Louis Armstrong on Let's Do It (Let's Fall in Love). A pleasure to listen to from beginning to end.
My setup: Technics SL-1500C (Ortofon Blue cartridge), Pro-Ject Tube Box S2, Yamaha A-S801, Wharfedale Linton Speakers -
Amazing pressing of a beautiful album. Incredible soundstage and separation. Perfection
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