Bobby Hutcherson – Stick-Up!
Tracklist
| A1 | Una Muy Bonita | 6:25 | |
| A2 | 8/4 Beat | 6:55 | |
| A3 | Summer Nights | 6:55 | |
| B1 | Black Circle | 7:00 | |
| B2 | Verse | 9:25 | |
| B3 | Blues Mind Matter | 3:30 |
Companies, etc.
- Record Company – Liberty Records (3)
- Record Company – UMG Recordings, Inc.
- Record Company – Capitol Records, LLC
- Record Company – Blue Note Records Inc.
- Record Company – Liberty Records, Inc.
- Distributed By – Universal Music Enterprises
- Copyright © – Liberty Records, Inc.
- Copyright © – UMG Recordings, Inc.
- Recorded At – Van Gelder Studio, Englewood Cliffs, New Jersey
- Mastered At – Cohearent Audio
- Lacquer Cut At – Cohearent Audio
- Pressed By – Record Technology Incorporated – 37303
- Printed By – Stoughton Printing Co.
Credits
- Bass – Herbie Lewis
- Design [Cover Design], Cover [Cover Design] – Reid Miles
- Drums – Billy Higgins
- Engineer [Recording Engineer] – Rudy Van Gelder
- Lacquer Cut By – KPG*
- Mastered By [LP Mastering By] – Kevin Gray
- Photography By [Photography] – Francis Wolff
- Piano – McCoy Tyner
- Producer [Original Sessions Produced By] – Alfred Lion
- Sleeve Notes – Leonard Feather
- Supervised By [LP Reissue Supervision By] – Joe Harley
- Tenor Saxophone [Tenor Sax] – Joe Henderson
- Vibraphone [Vibes] – Bobby Hutcherson
Notes
[From front cover]
Blue Note A product of Liberty Records
© Liberty Records, Inc Printed in U.S.A.
[From back cover]
Recorded on July 14, 1966, at Van Gelder Studios, Englewood Cliffs, New Jersey.
A Blue Note Records release; Originally released in 1968 by Blue Note Records © 2022 UMG Recordings, Inc., 1750 N. Vine Street, Hollywood, CA 90028 - U.S.A.
Distributed by Universal Music Enterprises, a Division of UMG Recordings, Inc. [...] Blue Note® is a ed trademark of Capitol Records, LLC.
[From labels]
Blue Note Records · A division of Liberty Records, Inc.
A Blue Note Records release; Originally released in 1968 by Blue Note Records © 2022 UMG Recordings, Inc.
[From 'Blue Note Tone Poet Series' sticker]
Mastered from the original analog tapes
Recorded By Rudy Van Gelder
Reissue Supervised by Joe Harley
Mastered by Kevin Gray at Cohearent Audio
Manufactured at Record Technology Inc. (RTI) on 180 gram vinyl
Runouts are etched.
Blue Note A product of Liberty Records
© Liberty Records, Inc Printed in U.S.A.
[From back cover]
Recorded on July 14, 1966, at Van Gelder Studios, Englewood Cliffs, New Jersey.
A Blue Note Records release; Originally released in 1968 by Blue Note Records © 2022 UMG Recordings, Inc., 1750 N. Vine Street, Hollywood, CA 90028 - U.S.A.
Distributed by Universal Music Enterprises, a Division of UMG Recordings, Inc. [...] Blue Note® is a ed trademark of Capitol Records, LLC.
[From labels]
Blue Note Records · A division of Liberty Records, Inc.
A Blue Note Records release; Originally released in 1968 by Blue Note Records © 2022 UMG Recordings, Inc.
[From 'Blue Note Tone Poet Series' sticker]
Mastered from the original analog tapes
Recorded By Rudy Van Gelder
Reissue Supervised by Joe Harley
Mastered by Kevin Gray at Cohearent Audio
Manufactured at Record Technology Inc. (RTI) on 180 gram vinyl
Runouts are etched.
Barcode and Other Identifiers
- Barcode (Text): 6 02435 73216 9
- Barcode (Scanned, UPC-A): 602435732169
- Matrix / Runout (A-side label): B0033489-01 A
- Matrix / Runout (B-side label): B0033489-01 B
- Matrix / Runout (A-side runout): B0033489-01-A2 KPG@CA 37303.1(3)...
- Matrix / Runout (B-side runout): B0033489-01-B2 KPG@CA 37303.2(3)...
Other Versions (5 of 29)
View All| Title (Format) | Label | Cat# | Country | Year | |||
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Recently Edited
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Stick-Up! (LP, Album, Stereo) | Blue Note | BST 84244 | US | 1968 | ||
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New Submission
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Stick-Up! (LP, Album, Stereo) | Blue Note | BST 84244 | US | 1968 | ||
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New Submission
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Stick-Up! (LP, Album, Mono) | Blue Note | BST 84244, BLP 4244 | US | 1968 | ||
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New Submission
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Stick-Up! (LP, Album, Test Pressing, Stereo) | Blue Note | BNST 4244 | US | 1968 | ||
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New Submission
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Stick-Up! (LP, Album, Stereo) | Blue Note | BST 84244 | Canada | 1968 |
Recommendations
Reviews
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This is my first and only Tone Poet and I'm disappointed with the sound. The low end is a bit distorted and the bass lacks any discernible tone. Piano and vibes sometimes blend in together more than is desirable. Plenty of my normal blue note records sound better than this one. Pretty good album though, the first two tracks are especially good.
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Edited one year agoThe combination of Hutcherson, Tyner and Henderson is almost too incredible. This album swings so incredibly well. A must have if you're a bop fan. I see some negative comments about this reissue, but it sounds wonderful to my old ears.
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I like the music, but this record honestly doesn't sound that good. The bass seems a little boomy and undefined. Worse, the vibes don't sound that good. Vinyl is reasonably quiet and, in fairness, Henderson's horn sounds fantastic. I have a modest set-up, so maybe I need better equipment to fully appreciate this one, but all my other Tone Poets sound terrific on my system...was just listening to Lee Morgan The Rajah and it sounds so good I want to cry!
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Not all the Tone Poets resonate with me and this is one of them. I wish id listened to it before i bought because this isnt a patch on The Kicker. The mastering seems mediocre. Or perhaps its as good as can be, so perhaps i should say the recording quality was mediocre? Either way for me still this is the sort of rather boring, melody deficient, tired playing jazz that my jazz dodging mates sometimes laugh at me for. In a handy twist of fate the RTI pressing is unacceptably poor so i can return it without guilt.... off centre on side 1, lump of excess vinyl stuck in grooves on final track and frequent loud clicks mean the pressing isnt good enough even if this was to somehow miraculously grow on me.
YMMV as ever both in tastes and pressing quality!! -
Guess it hat to happen at some point, my 19th TP is warped, other than that no issues.
Will get replacement, warp is bit too bumpy. -
What a great recording! I don't know why I held out for a while on this one. Clean, flat pressing and very detailed sound. A real pleasure to listen to. Another wonderful BN TP release! -
I’ve played this excellent album through twice and am hearing a continuous “ripping” type distortion coming only from the LH channel on portions of B2 and B3. It’s not excessive but since everyone is praising this as perfectly clean recording I thought I should check to see if anyone else has experienced this anomaly. -
Awesome album but for a “Tone Poet” series this pressing only sounds okay to me. Both my copies of “Unity” and “The Sidewinder” which are not TP, sound much more clearer to my ears. -
I have had an original and the heavenly sweetness version, and this is the most balanced of the three. Henderson's horn just tears out of the speaker and lights up the room. EDIT: Tyner seems to still be obscured, on balance. -
I do not have an original to compare, but I have been generally impressed if not blown away by the Tone Poet releases I have. This is my eighth one and it can hold its own with "Cornbread" and "One Flight Up". The detail and depth of sound are very enjoyable. You cannot go wrong by buying a Tone Poet.
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