Tangerine Dream – Zeit
Tracklist
First Movement | |||
A | Birth Of Liquid Plejades | 20:00 | |
Second Movement | |||
B | Nebulous Dawn | 18:00 | |
Third Movement | |||
C | Origin Of Supernatural Probabilities | 20:12 | |
Fourth Movement | |||
D | Zeit | 17:43 |
Companies, etc.
- Distributed By – Metronome
- Made By – Ohr
- Made By – Metronome Records GmbH
- Pressed By – Deutsche Grammophon Gesellschaft Pressing Plant – 0664 139
- Lacquer Cut At – Deutsche Grammophon Gesellschaft Pressing Plant
Credits
- Cello – Johannes Lücke
- Design [Sleeve Design], Painting [Cover Painting By] – Edgar Froese
- Engineer – D. Dierks*
- Guitar [Gliss Guitar], Audio Generator [Generator] – Edgar Froese
- Music By [Music Material And Titles By] – Edgar Froese
- Organ – Steve Schroyder
- Photography By [Photos] – Monique*
- Producer [Produced By] – Tangerine Dream
- Supervised By [Supervision] – R. U. Kaiser*
- Synthesizer [VCS 3 Synthesizer], Cymbal [Cymbals], Keyboards [Keyboard] – Chris Franke*
- Synthesizer [VCS 3 Synthesizer], Organ, Vibraphone [Vibraphon] – Peter Baumann
- Written-By – Edgar Froese
Notes
Early repressing.
This version with single small 20mm press ring on labels.
"Largo In Four Movements"
Recorded in Stommeln/Koeln 1972
23rd record of Ohr
P. 1972
Printed in
Made in
Comes in gatefold sleeve with insert.
First catalog number on front sleeve & spine, second one on B-side and D-side labels.
This version with single small 20mm press ring on labels.
"Largo In Four Movements"
Recorded in Stommeln/Koeln 1972
23rd record of Ohr
P. 1972
Printed in
Made in
Comes in gatefold sleeve with insert.
First catalog number on front sleeve & spine, second one on B-side and D-side labels.
Barcode and Other Identifiers
- Matrix / Runout (Side B label - Seite 1): ST-OMM-2/56.021-1 A (0664.139 S 1)
- Matrix / Runout (Side B label - Seite 2): ST-OMM-2/56.021-1 B (0664.139 S 2)
- Matrix / Runout (Side D label - Seite 1): ST-OMM-2/56.021-2 A (0664.140 S 1)
- Matrix / Runout (Side D label - Seite 2): ST-OMM-2/56.021-2 B (0664.140 S 2)
- Matrix / Runout (Side A, stamped runout - variant 1): 1 ℗ 1972 C72 ♢G 28 0664 139 S1 OMM 2 56 021 1A
- Matrix / Runout (Side B, stamped runout - variant 1): 1 ℗ 1972 C72 ♢G 28 0664 139 S2 OMM 2 56 021 1B
- Matrix / Runout (Side C, stamped runout - variant 1): 1 ℗ 1972 C72 ♢G 28 0664 140 S1 OMM 2 56 021 2A
- Matrix / Runout (Side D, stamped runout - variant 1): 1 ℗ 1972 C72 ♢G 28 0664 140 S2 OMM 2 56 021 2B
- Matrix / Runout (Side A, stamped runout - variant 2): 1 ℗ 1972 C72 ♢G A 28 0664 139 S1 OMM 2 56 021 1A
- Matrix / Runout (Side B, stamped runout - variant 2): 1 ℗ 1972 C72 ♢G A 28 0664 139 S2 OMM 2 56 021 1B
- Matrix / Runout (Side C, stamped runout - variant 2): 1 ℗ 1972 C72 ♢G M 28 0664 140 S1 OMM 2 56 021 2A
- Matrix / Runout (Side D, stamped runout - variant 2): 1 ℗ 1972 C72 ♢G B 28 0664 140 S2 OMM 2 56 021 2B
- Matrix / Runout (Side A, stamped runout - variant 3): 1 ℗ 1972 C72 ♢G N 28 0664 139 S1 OMM 2 56 021 1A
- Matrix / Runout (Side B, stamped runout - variant 3): 1 ℗ 1972 C72 ♢G K 28 0664 139 S2 OMM 2 56 021 1B
- Matrix / Runout (Side C, stamped runout - variant 3): 1 ℗ 1972 C72 ♢G O 28 0664 140 S1 OMM 2 56 021 2A
- Matrix / Runout (Side D, stamped runout - variant 3): 1 ℗ 1972 C72 ♢G K 28 0664 140 S2 OMM 2 56 021 2B
- Rights Society: GEMA
Other Versions (5 of 74)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Zeit (2×LP, Album, Stereo) | Ohr | OMM 2/56021, OMM 2/56.021 | 1972 | ||||
Zeit (2×LP, Album, Reissue, Quadraphonic) | PDU | PIM-SQ 6010/11, PLM SQ 6010/11 | Italy | 1974 | |||
Recently Edited
|
Zeit (2×LP, Album, Repress) | Virgin | VD 2503, VD2503 | UK | 1976 | ||
Zeit (2×LP, Album, Mispress, Reissue, Gatefold sleeve) | Virgin | 940 108/109 | 1976 | ||||
Recently Edited
|
Zeit (2×LP, Album, Reissue, Gatefold) | Brain | BRAIN 2/1086 | 1976 |
Recommendations
Reviews
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#TangerineDreamTuesday Week 3: ZEIT.
For many years, I naively assumed that Tangerine Dream were purveyors of mostly new-age chillout music. It's true of their later works, perhaps, but by no means Zeit. Because Zeit is terrifying.
First Movement: Birth of Liquid Plejades. Overpowering cellos take centre stage, establishing a deeply ominous atmosphere. These give way to a funereal organ and, for the first time in a TD album, a Moog! (Played by Florian Fricke of Popul Vuh fame.) Hypnotic organ ends the track.
Second Movement: Nebulous Dawn. A claustrophobic drone pulses away over eerie space effects. We are completely alone, and it's not a comforting thought. Swirling, crystalline sounds slice jagged paths through the ambience, and eventually the track dissolves in bubbling, synthetic noise.
Third Movement: Origin of Supernatural Probabilities. A gentle guitar provides a brief reprieve, but is quickly lost in the vastness of a forbidding cosmos. Drones and space effects continue. In its last minute, the track finally returns to some semblance of melody, completing the circle.
Fourth Movement: Zeit. The German word for time, and it's fascinating how this track seems to bend it. Any sense of prevailing mood like in Plejades has been obliterated; instead wind effects howl with chittering alien birds in an all-consuming black hole, where traditional instruments are abstracted beyond recognition, and conventional music theory remains little more than an afterthought. Zeit is the void, and ends as it begins - from nothing to nothing. A fitting conclusion for TD's ambient masterpiece...
Fin.
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Wünderbar. Set a high mark for ambient that eno failed to reach. Too bold ? Listen to this with the lights off and prove me wrong
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Edited one year agoArguably the first long form ambient / drone album ever. Sadly, the first edition on Ohr (as many others from that period) suffers from issues with the lamination peeling off.
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If planet Earth projected the song Echoes by Pink Floyd out into the cosmos, and then the cosmos projected back a response, it would surely sound something like Zeit by Tangerine Dream.
Truly a monumental work of deep, deep-space ambience, and a beautiful journey to sit and let yourself become immersed in.
Have a copy of the original German first pressing and the music emerges stunningly from dead-silent wax. A stellar production. -
I have a memory of a picture disc edition of Zeit but cannot find it here! Can anybody help me please? Thanks, best wishes, David P Housden
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A couple of cellos and a VCS 3 synthesizer (which Jean-Michel Jarre would make famous a few years later). The VCS 3 is actually not an instrument, but a sound machine. The cellos repeat their theme, while the VCS 3 superemposes lots of electronic sounds. Depending on your mood, it sounds more or less threatening between Alien and parts of Apocalypse Now. Those who do not know the films and their music can easily discover the 1972 avant-garde. All in all very worth hearing, even if it is nerve-wracking.
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