Linkin Park – Papercuts
Label: |
Warner Records – 093624846000 |
|---|---|
Format: |
|
Country: |
Europe |
Released: |
|
Genre: |
Rock |
Style: |
Nu Metal |
Tracklist
| A1 | Crawling | 3:29 | |
| A2 | Faint | 2:42 | |
| A3 | Numb/Encore | 3:25 | |
| A4 | Papercut | 3:05 | |
| A5 | Breaking The Habit | 3:16 | |
| B1 | In The End | 3:36 | |
| B2 | Bleed It Out | 2:44 | |
| B3 | Somewhere I Belong | 3:34 | |
| B4 | Waiting For The End | 3:51 | |
| B5 | Castle Of Glass | 3:25 | |
| C1 | One More Light | 4:15 | |
| C2 | Burn It Down | 3:50 | |
| C3 | What I've Done | 3:25 | |
| C4 | Qwerty | 3:22 | |
| C5 | One Step Closer | 2:37 | |
| D1 | New Divide | 4:29 | |
| D2 | Leave Out All The Rest | 3:29 | |
| D3 | Lost | 3:19 | |
| D4 | Numb | 3:07 | |
| D5 | Friendly Fire | 2:56 |
Companies, etc.
- Record Company – Warner Music Group
- Phonographic Copyright ℗ – Warner Records Inc.
- Copyright © – Warner Records Inc.
- Recorded At – NRG Studios
- Recorded At – The Mansion
- Recorded At – The Stockroom
- Recorded At – Mr. Hahn's DMZ Safe House
- Recorded At – Chung King Studios
- Recorded At – Sono Studio
- Recorded At – Tritonus Tonstudio
- Recorded At – The Pool, London
- Recorded At – The Warehouse Studio
- Recorded At – Larrabee North
- Recorded At – Sphere Studios
- Recorded At – Korn Studios
- Recorded At – Baseline Studios
- Recorded At – Record Plant, Los Angeles
- Mastered At – Dave Collins Mastering
- Mastered At – Universal Mastering Studios
- Mastered At – Sterling Sound Edgewater, NJ
- Mixed At – Larrabee North
- Mixed At – Soundtrack Studios
- Mixed At – Paramount Recording Studios
- Mixed At – Manhattan Center Studios
- Mixed At – Baseline Studios
- Lacquer Cut At – Bernie Grundman Mastering
- Pressed By – GZ Media – 276645E
Credits
- A&R [Coordination] – Ryan DeMarti
- Arranged By – Brad Delson (tracks: A3)
- Arranged By [Strings] – Mike Shinoda (tracks: A2, A5, D2)
- Backing Vocals – Rob Bourdon (tracks: A2, A5, B2 to B5, C3, D2, D4, C2, C3)
- Band – Rob Bourdon
- Bass – Scott Koziol (tracks: C5)
- Booking [Booking Agency] – Michael Arfin
- Booking [Europe Booking Agency] – Scott Thomas (5)
- Cello – Suzie Katayama (tracks: D2)
- Co-producer, Programmed By [Additional Programming] – Andrew Dawson (tracks: D5)
- Conductor [All Strings] – David Campbell (tracks: D2)
- Coordinator [Album Production Coordinator] – Ryan DeMarti (tracks: B4, B5, C2)
- Coordinator [Studio Production Coordinator] – Stephanie Luby (tracks: B2, C3, D2)
- Creative Director, Design – Frank Maddocks
- Edited By [Additional Pro Tools Editing (And Lots Of Automation)] – Brad Delson (tracks: B4)
- Engineer – Steve Sisco (tracks: A1, A3, B1, C5)
- Engineer [2nd Engineer] – Phillip Broussard, Jr.* (tracks: C4)
- Engineer [Additional Engineering & Pro Tools] – John Ewing Jr. (tracks: A1, A3, B1, C5)
- Engineer [Additional Engineering By] – Dana Nielsen (tracks: C4)
- Engineer [Assistant Engineer] – Matt Griffin (tracks: A1, A3, B1, C5)
- Engineer [Assistant Engineer], Editor – Andrew Hayes (2) (tracks: B5, C2)
- Engineer [Assistant Pro Tools] – Mike Shinoda (tracks: A1, A3, B1, C5)
- Engineer [Assistant] – Phillip Broussard Jr.* (tracks: B2, C3, D2)
- Engineer [Engineering And Pro Tools Editing] – Mike Shinoda (tracks: B4)
- Engineer [Mix Engineering] – Ryan Castle (tracks: D1)
- Engineer [Protools] – Erich Talaba (tracks: B2, C3, D2)
- Engineer [Studio B Assistant] – Warren Willis (tracks: C1, D5)
- Executive-Producer – Shawn Carter (tracks: A3)
- Lacquer Cut By – CB*
- Legal [For Linkin Park] – Mitch Tenzer
- Management [Worldwide Representation] – Machine Shop Entertainment
- Marketing [Director] – Peter Standish
- Mastered By – Vlado Meller (tracks: B4)
- Mastered By [Assisted By] – Mark Santangelo (tracks: B4)
- Mastered By, Edited By [Digital Editing] – Brian "Big Bass" Gardner* (tracks: A1, A2, A3, A5, B1, B3, C5, D4)
- Mixed By – Neal Avron (tracks: B2, B4, C3, D2)
- Mixed By [Additional Mixing] – Mike Shinoda (tracks: D1)
- Mixed By [Assistant] – Steve Sisco (tracks: A2, A5, B3, D4)
- Mixed By [Assisted By] – Robin Florent (tracks: C1)
- Mixed By [Assisted] – Nicolas Fournier (tracks: B2, B4, C3, D2)
- Mixed By [Mix Engineer] – Chris Galland (tracks: C1)
- Mixed By, Arranged By – Mike Shinoda (tracks: A3)
- Photography By – Brian Ziff
- Producer – Rick Rubin (tracks: B2, B4, B5, C2, C3, C4, D2)
- Producer [Additional Production By] – Brad Delson (tracks: B5, C2)
- Producer [Additional Production] – Jon Green (tracks: D5)
- Producer [Additional Production], Programmed By [Additional Programming] – Corin Roddick (tracks: D5)
- Producer [Vocal Production] – Emily Wright (tracks: C1)
- Public Relations [Publicity] – Laura Swanson
- Public Relations [UK Publicity] – Lauren Hales
- Recorded By – Gimel "Young Guru" Katon* (tracks: A3)
- Strings, Horns – Mike Shinoda (tracks: B5)
- Technician [Studio Drum Tech] – Jerry Johnson (4) (tracks: B4, B5, C1, C2, D5)
- Viola – Bob Becker* (tracks: A2, A5)
- Violin – Songa Lee-Kitto (tracks: D2)
- Vocals [Additional] – Leonard Harris (tracks: A3)
- Written-By – S. Carter* (tracks: A3)
Notes
Singles collection 2000-2023.
Released in a semi glossy gatefold sleeve with printed inner sleeves and a printed 4-page foldout insert.
"Friendly Fire" is previously unreleased. This is the first time "Qwerty" has appeared on vinyl.
Unlike the North American version, this version has "Made in Czech Republic" printed on the back of the gatefold sleeve, labels, inner sleeves and foldout insert.
On gatefold sleeve back:
Warner Records Inc., A Warner Music Group Company. 777 S. Santa Fe Ave., Los Angeles, CA 90021; 1633 Broadway, New York, NY 10019-6708. © 2024 Warner Records Inc. This Compilation ℗ 2024 Warner Records Inc.
Runout markings are machine etched, except these hand etched parts of the string:
093624846000-A CB
093624846000-B CB
093624846000-C CB
093624846000-D CB
Released in a semi glossy gatefold sleeve with printed inner sleeves and a printed 4-page foldout insert.
"Friendly Fire" is previously unreleased. This is the first time "Qwerty" has appeared on vinyl.
Unlike the North American version, this version has "Made in Czech Republic" printed on the back of the gatefold sleeve, labels, inner sleeves and foldout insert.
On gatefold sleeve back:
Warner Records Inc., A Warner Music Group Company. 777 S. Santa Fe Ave., Los Angeles, CA 90021; 1633 Broadway, New York, NY 10019-6708. © 2024 Warner Records Inc. This Compilation ℗ 2024 Warner Records Inc.
Runout markings are machine etched, except these hand etched parts of the string:
093624846000-A CB
093624846000-B CB
093624846000-C CB
093624846000-D CB
Barcode and Other Identifiers
- Barcode (On Hype Sticker): 0 93624 84600 0
- Matrix / Runout (Side A, variant 1): 276645E1 1868415 093624846000-A CB
- Matrix / Runout (Side B, variant 1): 276645E2 1877056 093624846000-B CB
- Matrix / Runout (Side C, variant 1): 276645E3 1850692 093624846000-C CB
- Matrix / Runout (Side D, variant 1): 276645E4 1848281 093624846000-D CB
- Matrix / Runout (Side A, variant 2): 276645E1 1884177 093624846000-A CB
- Matrix / Runout (Side B, variant 2): 276645E2 1877521 093624846000-B CB
- Matrix / Runout (Side C, variant 2): 276645E3 1850692 093624846000-C CB
- Matrix / Runout (Side D, variant 2): 276645E4 1848281 093624846000-D CB
- Matrix / Runout (Side A, variant 3): 276645E1 1866228 093624846000-A CB
- Matrix / Runout (Side B, variant 3): 276645E2 1877521 093624846000-B CB
- Matrix / Runout (Side C, variant 3): 276645E3 1876745 093624846000-C CB
- Matrix / Runout (Side D, variant 3): 276645E4 1848281 093624846000-D CB
- Matrix / Runout (Side A, variant 4): 276645E1 1884177 093624846000-A CB
- Matrix / Runout (Side B, variant 4): 276645E2 1877521 093624846000-B CB
- Matrix / Runout (Side C, variant 4): 276645E3 1872829 093624846000-C CB
- Matrix / Runout (Side D, variant 4): 276645E4 1861754 093624846000-D CB
Other Versions (5 of 24)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
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Recently Edited
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Papercuts (CD, Album, Compilation) | Machine Shop Recordings | 093624846017 | Worldwide | 2024 | ||
|
New Submission
|
Papercuts (2×LP, Album, Compilation, Limited Edition, Picture Disc, Zoetrope) | Warner Records | 093624846000 | USA & Canada | 2024 | ||
|
New Submission
|
Papercuts (2×LP, Compilation, Limited Edition, Stereo, Sky Blue & Tangerine Splatter) | Warner Records | 093624845737 | Europe | 2024 | ||
|
New Submission
|
Papercuts (2×LP, Compilation, Bone White) | Warner Records | 093624846000, 093624845683 | USA & Canada | 2024 | ||
|
New Submission
|
Papercuts (2×LP, Compilation, Limited Edition, Clear with Black & Red Splatter) | Warner Records | 093624846000, 093624845713 | Europe | 2024 |
Recommendations
Reviews
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Edited 6 months agoI'll try to brief. This compilation is a masterpiece.
Both vinyls are in same condition almost without any dust or dirt.
My copy have ZERO sound issue. Dynamic is perfect, absolutely zero surface noise, bass is punchy, vocal a little bit at the back. Of course every song was recorded differently in different time, it's audible for sure. But for example, What I've Done sounds here a bit better than my original CD from 2007.
However, I recommend it for sure. CZ viny production for most of the time makes a masterpiece, this time too.
Played on Technics 1200GR + AT33PTG/II + Project Tubebox S2 - NAD 375BEE - CANTON ERGO RC-L -
Solid pressing. good sound! and it's a decent LP too have more of the Hits ontro 1 release from Linkin' park for the people who only are looking for the known songs.
quality wise it's rather poor. Records Pressed by GZ media. rather noisy. came with Scratches on Disc A-B. Song A1 came with scratch over whole track. luckly not noticable. very dusty and poor quality cuts. i had too scrape away the center hole a bit too make it fit ontro my turntable's spindle.
it's worth a buy!
just Make sure your copy is perfect. GZ Media pressings are a very Hit or miss!!! -
Really great pressing and compilation, tracks from Hybrid Theory sounds better then Hybrid Theory vinyls (especially red Walmart variant) -
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Yeah the record comes a little dirty but after a thorough clean it’s literally flawless. Not a single pop or click, and the actual mastering is phenomenal. This is so worth it. -
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