Pink Floyd – Wish You Were Here
Tracklist
| Shine On You Crazy Diamond (1-5) | (13:12) | ||
| A1a | Part 1 | ||
| A1b | Part 2 | ||
| A1c | Part 3 | ||
| A1d | Part 4 | ||
| A1e | Part 5 | ||
| A2 | Welcome To The Machine | 7:13 | |
| B1 | Have A Cigar | 5:03 | |
| B2 | Wish You Were Here | 5:27 | |
| Shine On You Crazy Diamond (6-9) | (12:08) | ||
| B3a | Part 6 | ||
| B3b | Part 7 | ||
| B3c | Part 8 | ||
| B3d | Part 9 |
Companies, etc.
- Phonographic Copyright ℗ – Pink Floyd Music Ltd.
- Copyright © – Pink Floyd Music Ltd.
- Marketed By – EMI
- Distributed By – EMI
- Published By – Muziekuitgeverij Artemis B.V.
- Published By – Pink Floyd Music Publishers Inc.
- Published By – Pink Floyd Music Publishers Ltd.
- Published By – Roger Waters Music Overseas Ltd.
- Published By – Warner/Chappell Music Publishing Ltd.
- Published By – Warner-Tamerlane Publishing Corp.
- Recorded At – Abbey Road Studios
- Mastered At – Das Boot Recording
- Mastered At – The Mastering Lab
- Lacquer Cut At – The Mastering Lab
- Pressed By – Optimal Media GmbH – BB 48587
Credits
- Backing Vocals – Venetta Fields
- Design [Sleeve, Assisted By], Photography By [Assisted By] – Richard Manning (3)
- Design [Sleeve], Photography By – Hipgnosis (2)
- Engineer – Brian Humphries
- Engineer [Assisted By] – Peter James
- Graphics – George Hardie
- Lyrics By – Roger Waters
- Mastered By – Joel Plante
- Producer – Pink Floyd
Notes
Pressed on 180 gram vinyl.
Issued in a resealable stickered black plastic bag.
Includes printed cardboard inner sleeve with lyrics, pictures, and credits.
Also includes postcard, poster, and card with code for a 320kbps MP3 of the album.
Some copies have a barcode sticker with marketing and distribution details.
Shine On You Crazy Diamond Parts 1 - 4, Parts 6 - 8 and Wish You Were Here published by Pink Floyd Music Publishers Limited/Roger Waters Music Overseas Limited, Artemis Muziekuitgeverj B.V. (BUM/STE), istered by Warner/Chappell Music Publishing Limited for the World excluding USA & Canada. USA & Canada: Pink Floyd Music Publishers Inc./Roger Waters Music Overseas Limited, Artemis Muziekuitgeverj B.V. (BUM/STE). All rights on behalf of Artemis Muziekuitgeverj B.V. istered by Warner-Tamerlane Publishing Corp.
Welcome To The Machine, Have A Cigar, Shine On You Crazy Diamond Part 5 published by Roger Waters Music Overseas Limited, Artemis Muziekuitgeverj B.V. (BUM/STE), istered by Warner/Chappell Music Publishing Limited for the World excluding USA & Canada. USA & Canada: Roger Waters Music Overseas Limited, Artemis Muziekuitgeverj B.V. (BUM/STE). All rights on behalf of Artemis Muziekuitgeverj B.V. istered by Warner-Tamerlane Publishing Corp.
Shine On You Crazy Diamond Part 9 published by Pink Floyd Music Publishers Limited for the World excluding USA & Canada. USA & Canada: Pink Floyd Music Publishers Inc.
No durations listed on release. Track durations given above are self-timed.
The following info on the printed inner sleeve appears to be "legacy artwork" and not actually valid for this release:
Printed and made in Great Britain
Garrod and Lofthouse Limited
Label shows songwriting credit for Shine On You Crazy Diamond Part 5 as Waters-Gilmour-Wright, but publishing details imply it is by Waters only.
Released on 04-11-11 in Europe.
Released on 07-11-11 in the U.K.
Runout strings are hand-etched, "TML-M" laser etched.
Issued in a resealable stickered black plastic bag.
Includes printed cardboard inner sleeve with lyrics, pictures, and credits.
Also includes postcard, poster, and card with code for a 320kbps MP3 of the album.
Some copies have a barcode sticker with marketing and distribution details.
Shine On You Crazy Diamond Parts 1 - 4, Parts 6 - 8 and Wish You Were Here published by Pink Floyd Music Publishers Limited/Roger Waters Music Overseas Limited, Artemis Muziekuitgeverj B.V. (BUM/STE), istered by Warner/Chappell Music Publishing Limited for the World excluding USA & Canada. USA & Canada: Pink Floyd Music Publishers Inc./Roger Waters Music Overseas Limited, Artemis Muziekuitgeverj B.V. (BUM/STE). All rights on behalf of Artemis Muziekuitgeverj B.V. istered by Warner-Tamerlane Publishing Corp.
Welcome To The Machine, Have A Cigar, Shine On You Crazy Diamond Part 5 published by Roger Waters Music Overseas Limited, Artemis Muziekuitgeverj B.V. (BUM/STE), istered by Warner/Chappell Music Publishing Limited for the World excluding USA & Canada. USA & Canada: Roger Waters Music Overseas Limited, Artemis Muziekuitgeverj B.V. (BUM/STE). All rights on behalf of Artemis Muziekuitgeverj B.V. istered by Warner-Tamerlane Publishing Corp.
Shine On You Crazy Diamond Part 9 published by Pink Floyd Music Publishers Limited for the World excluding USA & Canada. USA & Canada: Pink Floyd Music Publishers Inc.
No durations listed on release. Track durations given above are self-timed.
The following info on the printed inner sleeve appears to be "legacy artwork" and not actually valid for this release:
Printed and made in Great Britain
Garrod and Lofthouse Limited
Label shows songwriting credit for Shine On You Crazy Diamond Part 5 as Waters-Gilmour-Wright, but publishing details imply it is by Waters only.
Released on 04-11-11 in Europe.
Released on 07-11-11 in the U.K.
Runout strings are hand-etched, "TML-M" laser etched.
Barcode and Other Identifiers
- Barcode (Text on sticker): 5 099902 988016
- Barcode (Scanned): 5099902988016
- Label Code: Lc0542
- Rights Society: Sdrm-biem
- Matrix / Runout (Runout side A): 0298801 A RE1 BB 48587-01 A1
- Matrix / Runout (Runout side B): 0298801 B RE2 TML-M BB 48587-01 B3
Other Versions (5 of 1029)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
Recently Edited
|
Wish You Were Here (LP, Album, Stereo) | Harvest | 2C 068-96 918, 2C 068 - 96918 | 1975 | |||
|
Recently Edited
|
Wish You Were Here (LP, Album) | Columbia | PC 33453 | US | 1975 | ||
|
Recently Edited
|
Wish You Were Here (LP, Album, Stereo) | Harvest | SHVL 814 | UK | 1975 | ||
| Wish You Were Here (LP, Album) | CBS | CBS 80955, 80955 | Israel | 1975 | |||
|
Recently Edited
|
Wish You Were Here (LP, Album, Stereo) | Harvest | 1C 062-96 918, 5C 062-96918 | Netherlands | 1975 |
Recommendations
Reviews
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Re-visiting this pressing & must say this version is superior in every way to the 1981 Columbia reissue I have. $Money$ well spent. The '81 reissue sounds tinny & shallow compared to this. At least on my setup (a refurbished Pioneer SX1000TW/EPE Speaks & a modest Sony PS-LX3).
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A classic LP that belongs in every vinyl collection. Extremely well produced LP with amazing sound -
Edited one year agoNice sounding, nice extras, and heavy card package, but the cover images are printed too dark and too high contrast
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I have 1976 UK reissue copy for years. Side one of that copy is pretty clean but side 2 unfortunately has some distracting noise. Recently I bought this 2011 copy (super mint, looks unplayed). I think it's "partially" digitally remastered (original tape -> DSD conversion -> lacquer cut, by same original people), similar to MoFi practice nowadays. Anyways upon ultrasound cleaning I did AB comparison, to my ear in my system my 1976 UK copy wins on side one with more bass weight, bigger sound and simply rocks harder. On side two this 2011 delivers better sounding: more vocal clarity and sax texture, equal sound stage as 1976 UK. New vinyl of the 2011 is dead quiet so it helps a lot. Now I have two copies to play on each best side.
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Edited 2 years agoI seem to have got unlucky, got hold of a new sealed copy, full of pops and crackles 😔 Have cleaned twice but not helping much. Guess I’ll have to try again! When it’s not popping and crackling it sounds fantastic… disappointed. -
Edited 2 years agoThis issue has all of the extras ..unlike the 2016 reissue which did not have the post cards etc. Also this version sounds smooth and analog. My version came with a post card. Poster. Mp3 and beautiful cardboard inner. My 2016 did not come with a poster or an mp3 card. I will say that I just did a 3 album shootout between an 80s columbia version this version and the 2016. The 80s version kicks this and the 2016 version. Although...this version came in a close second. Doug Sax managed to keep the instruments in the mix. IMO the 2016 version deletes most of the bass guitar into the bass drums and brings the mix to a modern "flat across the screen" sound. In other words there is no "depth perception" as is true of most new recordings. This version keeps much of the 3d feel of the 80s disc but still lacks the instrument separation..especially if you want to actually hear RW's bass lines...which I do..Also...all you have to do is go right to the sax solo on this version and the 2016 and it just doesnt feel "real" it truly is shocking. That being said. This version has a much more "analog" sound than the 2016. Which one do I like better...obviously the Columbia pressing...but it depends on what you like and if you care about hearing everything in the mix. Again this is a back to back listening session on the same gear. Oh.. and what I mean by all the goodies is the Poster and the MP3 card. -
Seriously wicked-sounding LP, super-holographic & punchy, with dead-silent vinyl as well. Can't believe I got this at the drugstore for $19 ten years ago... -
Outstanding reissue, clear, detailed and dynamic sound in a natural way, printing is also excellent. The vinyl itself may be heavier. I highly recommend this release anyway. -
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Edited 4 years agoI have never owned the original, so I have nothing to compare this release to. What I can say is that it sounds fantastic; dead-quiet pressing, great soundstage and sonics. As others have said here, the tight inner jacket is a pain in the arse, and will mark, though not damage the record. A truly great album that belongs in any record collection.
Release
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