Jean-Michel Jarre – Revolutions
Label: |
Disques Dreyfus – POLH 45 |
|---|---|
Format: |
Vinyl
, LP, Album, Stereo
|
Country: |
Europe |
Released: |
|
Genre: |
Electronic |
Style: |
Ambient |
Tracklist
| Industrial Revolution: | |||
| A1a | Ouverture | 5:20 | |
| A1b | Part 1 | 5:08 | |
| A1c | Part 2 | 2:18 | |
| A1d | Part 3 | 3:47 | |
| A2 | London Kid | 4:34 | |
| B1 | Revolutions | 5:01 | |
| B2 | Tokyo Kid | 5:22 | |
| B3 | Computer Weekend | 5:00 | |
| B4 | September | 3:52 | |
| B5 | The Emigrant | 3:56 |
Companies, etc.
- Phonographic Copyright ℗ – Disques Dreyfus
- Copyright © – Disques Dreyfus
- Pressed By – PDO,
- Published By – Francis Dreyfus Music
- Recorded At – Croissy Studio
- Mixed At – Croissy Studio
- Mixed At – Studio Guillaume Tell
- Mixed At – Studio Davout
- Lacquer Cut At – PDO,
Credits
- Art Direction – Mark Fisher (5)
- Bass – Guy DeLacroix
- Choir – The Bruno Rossignol Choir (tracks: A1, A2, B5)
- Composed By, Producer – Jean-Michel Jarre
- Design – 4i Collaboration
- Directed By [Choir Direction] – Bruno Rossignol (tracks: A1, A2, B5)
- Drums, Synthesizer [Simmons SDX, Dynacord ADDI] – Jo Hammer*
- Engineer [Outdoor Recordings], Advisor [Ethnic Musical Advisor] – Xavier Bellenger
- Engineer [Sound] – Denis Vanzetto
- Music Director [Musical Director For Choir Recordings] – Sylvain Durand
- Musical Assistance [Artistic Collaboration] – Michel Geiss
- Photography By – Oliviero Toscani (2)
- Programmed By [Additional Synthesizer Programming] – Francis Rimbert
- Synthesizer [ARP 2600, Kawai K5, Geiss Matrisequencer, Cavagnolo MIDY 20, Elka AMK 800] – Michel Geiss
- Synthesizer [Emulator, Fairlight, Ensoniq ESQI, Roland D-50, Roland D550, Synthex, Oscar], Programmed By [Akai MPC-60] – Dominique Perrier
- Synthesizer [Roland D-50, Fairlight CMI II, III, Synthex, AKS, Oscar, EMS Vocoder, Dynacord ADDI, Akai MPC-60], Idiophone [Cristal Baschet] – Jean-Michel Jarre
- Technician [Technical Assistance] – Patrick Pelamourgues
Notes
Embossed no-ink stamp "PRS HANNOVER" present in the lower left on the back cover.
This record is dedicated to all the children of the revolution;
To the children of the industrial revolution,
To those of the 1960's and the computer age,
To the children of emigrants,
And to those of Dulcie September.
'September': A tribute to Dulcie September, one of the many South
African victims dedicated to the fight against apartheid. She was
assassinated in Paris on 29th March 1988.
There will only ever be one revolution - The revolution that
the children carry within them.
'Revolutions': Computer voice designed by Street Electronics, California.
Ney (Turkish Flute): Used for Sufi rituals and Whirling Dervishes.
Cristal Baschet: Designed by François Baschet.
Recorded and mixed at Croissy Studio, .
Recorded and mixed on Studer A820 Dolby SR.
'Ouverture' and 'Tokyo Kid' mixed at Guillaume Tell Studio, Paris.
'Revolutions' mixed at Studio Davout, Paris.
Hank Marvin appears with special courtesy of Polydor Ltd. (UK).
Published by Francis Dreyfus Music
℗ 1988 Disques Dreyfus, Paris
© 1988 Disques Dreyfus, Paris
Printed in West
Made in West
Some copies come with a Polydor promo folder (German) and the back sleeve bar code struck out
This record is dedicated to all the children of the revolution;
To the children of the industrial revolution,
To those of the 1960's and the computer age,
To the children of emigrants,
And to those of Dulcie September.
'September': A tribute to Dulcie September, one of the many South
African victims dedicated to the fight against apartheid. She was
assassinated in Paris on 29th March 1988.
There will only ever be one revolution - The revolution that
the children carry within them.
'Revolutions': Computer voice designed by Street Electronics, California.
Ney (Turkish Flute): Used for Sufi rituals and Whirling Dervishes.
Cristal Baschet: Designed by François Baschet.
Recorded and mixed at Croissy Studio, .
Recorded and mixed on Studer A820 Dolby SR.
'Ouverture' and 'Tokyo Kid' mixed at Guillaume Tell Studio, Paris.
'Revolutions' mixed at Studio Davout, Paris.
Hank Marvin appears with special courtesy of Polydor Ltd. (UK).
Published by Francis Dreyfus Music
℗ 1988 Disques Dreyfus, Paris
© 1988 Disques Dreyfus, Paris
Printed in West
Made in West
Some copies come with a Polydor promo folder (German) and the back sleeve bar code struck out
Barcode and Other Identifiers
- Barcode (Text): 0 42283 70981 2
- Barcode (Scanned): 042283709812
- Price Code (Boxed on back sleeve): Y
- Label Code: LC 0309
- Rights Society: BIEM STEMRA
- Matrix / Runout (Side A runout, stamped, variant 1): 837 098 - 1 S 1 = 2 320 1 >
- Matrix / Runout (Side B runout, stamped, variant 1): 837 098 - 1 S 2 = 3 320 1 >
- Matrix / Runout (Side A runout, stamped, variant 2): 837 098 - 1 S 1 = 2 320 2 1 >
- Matrix / Runout (Side B runout, stamped, variant 2): 837 098 - 1 S 2 = 3 320 1 < >
- Matrix / Runout (Side A runout, stamped, variant 3): 837 098 - 1 S 1 = 3 320 1 P
- Matrix / Runout (Side B runout, stamped, variant 3): 837 098 - 1 S 2 = 3 320 2 A * D
- Matrix / Runout (Side A runout, stamped, variant 4): 837 098 - 1 S 1 = 2 320 3 AB
- Matrix / Runout (Side B runout, stamped, variant 4): 837 098 - 1 S 2 = 2 320 1 C
- Matrix / Runout (Side A runout, stamped, variant 5): 837 098 - 1 S 1 = 2 320 4 AC
- Matrix / Runout (Side B runout, stamped, variant 5): 837 098 - 1 S 2 = 2 320 1 AF
- Matrix / Runout (Side A runout, stamped, variant 6): 837 098 - 1 S 1 = 3 320 1 T
- Matrix / Runout (Side B runout, stamped, variant 6): 837 098 - 1 S 2 = 2 320 3 AD
- Matrix / Runout (Side-A runout, stamped, variant 7): 837 098 - 1 - S - 1 = 2 320 3 DK
- Matrix / Runout (Side-B runout, stamped, variant 7): 837 098 - 1 - S - 2 = 2 320 3 = >
- Matrix / Runout (Side-A runout, stamped, variant 8): 837 098 - 1 S 1 = 2 320 2 1 A
- Matrix / Runout (Side-B runout, stamped, variant 8): 837 098 - 1 S 2 = 3 320 1 V A
- Matrix / Runout (Side-A runout, stamped, variant 9): 837 098 - 1 S 1 = 2 320 4 C
- Matrix / Runout (Side-B runout, stamped, variant 9): 837 098 - 1 S 2 = 3 320 1 A
- Matrix / Runout (Side-A runout, stamped, variant 10): 837 098 - 1 S 1 = 2 320 A V 4
- Matrix / Runout (Side-B runout, stamped, variant 10): 837 098 - 1 S 2 = 3 320 A U 1
- Matrix / Runout (Side-A runout, stamped, variant 11): 837 098 - 1 S 1 = 2 320 B F 3
- Matrix / Runout (Side-B runout, stamped, variant 11): 837 098 - 1 S 2 = 2 320 3 A I
- Matrix / Runout (Side-A runout, stamped, variant 12): 837 098 - 1 S 1 = 2 320 1A A P
- Matrix / Runout (Side-B runout, stamped, variant 12): 837 098 - 1 S 2 = 3 320 A R 2
- Matrix / Runout (Side-A runout, stamped, variant 13): 837 098 - 1 S 1 = 2 320 3 AE
- Matrix / Runout (Side-B runout, stamped, variant 13): 837 098 - 1 S 2 = 2 320 3 8
Other Versions (5 of 135)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
Recently Edited
|
Revolutions (Cassette, Album) | Disques Dreyfus | 837 421-4 | 1988 | |||
|
Recently Edited
|
Revolutions (LP, Album) | Disques Dreyfus | POLH 45, 837 098-1 | UK | 1988 | ||
|
Recently Edited
|
Revolutions (CD, Album, PDO) | Disques Dreyfus | CD 837 098-2, 837 098-2 | US | 1988 | ||
|
Recently Edited
|
Révolutions (LP, Album) | Disques Dreyfus | 837 421-1 | 1988 | |||
| Revolutions (CD, Album, Stereo) | Disques Dreyfus | CD 837 098-2, 837 098-2 | Europe | 1988 |
Recommendations
Reviews
-
Such an underrated album. Jarre pushed his music style to new direction, touching cultural fabric in society, very refreshing as well high audio standard. To me this is his 3rd best album, only after Oxygene and Equinoxe.
-
In my view this is Jean-Michel Jarre's last really exceptional album. Sound quality is fantastic as with the other Jean-Michel Jarre pressings from the 80s ( Zoolook, Magnetic Fields, etc. ). This is an exceptional pressing quality-wise. It has a very analogue airy sound with an incredible amount of detail. [ Playing this using an Ortofon 2M Black cartridge ]
-
One of my favorite albums. If anybody wants to know what a Roland D-50 sounds at its best this it the album to go for. Nice different orchestral vibe compared to JMJs other albums.
-
Not one of his most memorable albums, definitely not on the same level as Oxygene. It's more or less the same run-on of electronic synth music that seems to be lost in of direction and creativity. You'd buy this just to fill out your collection if your a JMJ fan but it's not worth special ordering for.
-
Release
See all versions
Data Correct
Data Correct
For sale on Discogs
Sell a copy
102 copies from €3.56