Tracklist
1 | Keep On Rotting In The Free World | 3:42 | |
2 | Tomorrow Belongs To Nobody | 4:17 | |
3 | Black Star | 3:29 | |
4 | Cross My Heart | 3:34 | |
5 | Childs Play | 5:43 | |
6 | Room 101 | 4:35 | |
7 | Polarized | 4:02 | |
8 | Generation Hexed | 3:48 | |
9 | Firm Hand | 5:22 | |
10 | R**k The Vote | 3:53 | |
11 | Don't Believe A Word | 3:57 | |
12 | Go To Hell | 3:22 |
Companies, etc.
- Phonographic Copyright ℗ – Earache
- Copyright © – Earache
- Recorded At – Rockfield Studios
- Recorded At – Battery Studios, London
- Mixed At – Battery Studios, London
- Mastered At – Transfermation
- Published By – Zomba Music Publishing Ltd.
- Glass Mastered At – Nimbus
Credits
- Bass, Vocals, Lyrics By – Jeff Walker
- Cover [Cover Painting] – Gee*
- Design – Antz*
- Drums – Ken Owen
- Engineer [Assistant At Battery] – Jim Brumby
- Engineer [Assistant At Rockfield] – Nick Brine
- Engineer [At Rockfield] – Stephen Harris
- Guitar – Carlo Regadas
- Mastered By – Noel Summerville
- Photography By [Band Photos] – Doralba Picerno
- Producer – Colin Richardson
Notes
Recorded at Rockfield Studios February 1995.
Recorded and mixed at Battery Studios February - April 1995.
Mastered at Transfermation.
The original jewel-case came with a sticker reading the following text: "CD-Extra™ combined cd audio and cd-rom".
Unfortunately, the enhanced CD-rom material cannot be found when using modern OS.
Recorded and mixed at Battery Studios February - April 1995.
Mastered at Transfermation.
The original jewel-case came with a sticker reading the following text: "CD-Extra™ combined cd audio and cd-rom".
Unfortunately, the enhanced CD-rom material cannot be found when using modern OS.
Barcode and Other Identifiers
- Barcode: 5 018615 116028
- Matrix / Runout (Variant 1): CDD12725 MOSH160CD 1:3 MASTERED BY NIMBUS
- Mastering SID Code (Variant 1): IFPI L123
- Mould SID Code (Variant 1): ifpi 2312
- Matrix / Runout (Variant 2): CDD12725 MOSH160CD 1:0 MASTERED BY NIMBUS
- Mastering SID Code (Variant 2): IFPI L122
- Mould SID Code (Variant 2): ifpi 2311
- Matrix / Runout (Variant 3): CDD12725 MOSH160CD 1:1 MASTERED BY NIMBUS
- Mastering SID Code (Variant 3): IFPI L123
- Mould SID Code (Variant 3): ifpi 2315
- Matrix / Runout (Variant 4): CDD12725 MOSH160CD 1:0 MASTERED BY NIMBUS
- Mastering SID Code (Variant 4): IFPI L122
- Mould SID Code (Variant 4): ifpi 2312
- Matrix / Runout (variant 5): CDD12725 MOSH160CD 1:2 MASTERED BY NIMBUS
- Matrix / Runout (Variant 6, mirrored): CDD12725 MOSH160CD 1:3 MASTERED BY NIMBUS
- Mastering SID Code (Variant 6, mirrored): IFPI L122
- Mould SID Code (Variant 6): ifpi 2323
Other Versions (5 of 60)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Recently Edited
|
Swansong (CD, Album) | Toy's Factory | TFCK-88789 | Japan | 1996 | ||
Recently Edited
|
Swansong (LP, Album) | Earache | MOSH 160 | UK | 1996 | ||
Recently Edited
|
Swansong (Cassette, Album) | Earache | MOSH 160MC | UK | 1996 | ||
Recently Edited
|
Swansong (CD, Album) | Shock (2) | MOSH 160CD | Australia | 1996 | ||
Recently Edited
|
Swansong (CD, Album) | Earache | MOSH 160CD | US | 1996 |
Recommendations
Reviews
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Very very very very low volume. Have to set the volume button to 2 o'clock for any normal listening. Normally it's a 10 or 11 setting on the volume dial.. Steer clear of this pressing.
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I think I have got something wrong with my copy of Swansong FDR. I recorded on Audacity a comparison with Heartwork FDR and with exactly the same record levels and preamp levels the Swansong recording is 12db quieter and the audio balance is 6db off with the right side being louder then the left. The Heartwork is pretty much level in balance by comparison so it's not the stylus setup. Never had a vinyl so quiet. is it normal for an FDR release to look like you cannot see the grooves? I know it's a silver vinyl but my copy looks like it's pressed wrong. It's a shame I can't add a picture to this but I will add it to the images above.
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Release
See all versions
Recently Edited
Recently Edited
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19 copies from €7.92