Counting Crows – August And Everything After
Label: |
DGC – DGCD-24528 |
|---|---|
Format: |
CD
, Album
|
Country: |
US |
Released: |
|
Genre: |
Rock |
Style: |
Alternative Rock |
Tracklist
| 1 | Round Here | 5:36 | |
| 2 | Omaha | 3:44 | |
| 3 | Mr. Jones | 4:36 | |
| 4 | Perfect Blue Buildings | 5:05 | |
| 5 | Anna Begins | 4:35 | |
| 6 | Time And Time Again | 5:19 | |
| 7 | Rain King | 4:20 | |
| 8 | Sullivan Street | 4:34 | |
| 9 | Ghost Train | 4:07 | |
| 10 | Raining In Baltimore | 4:46 | |
| 11 | A Murder Of One | 5:43 |
Companies, etc.
- Copyright © – Geffen Records, Inc.
- Phonographic Copyright ℗ – Geffen Records, Inc.
- Manufactured By – Uni Distribution Corp.
- Distributed By – Uni Distribution Corp.
- Pressed By – DADC – DIDX-020421
- Overdubbed At – Kiva West
- Overdubbed At – Conway Studios
- Overdubbed At – The Village Recorder
- Overdubbed At – Sunset Sound
- Mixed At – Ocean Way Recording
- Mastered At – Precision Mastering
- Copyright © – EMI Blackwood Music Inc.
- Copyright © – Jones Falls Music
- Copyright © – Free Ohio Publishing
- Copyright © – This Ought To Get Me A New Guitar Music
- Copyright © – Pork Chops And Apple Sauce Publishing
- Copyright © – Knucklevision Music
- Copyright © – Puppet Head Songs
- Copyright © – Siren Says Music
- Copyright © – Lava Head Music
- Published By – Bug Music
Credits
- Art Direction – Larry Vigon
- Bass, Guitar, Vocals – Matt Malley
- Creative Director [Creative Direction] – Robin Sloane
- Design – Larry Vigon
- Drums, Vocals – Steve Bowman
- Engineer [Additional Engineer] – Steve Holroyd
- Engineer [Second Engineer] – Mark Guilbeault
- Executive-Producer – Gary Gersh
- Guitar [Guitars], Vocals – David Bryson
- Management – Steven Jensen
- Mastered By – Stephen Marcussen
- Mixed By – Scott Litt (tracks: 1, 3, 6 to 8, 11)
- Musician [Additional Musician], Backing Vocals [Background Vocals] – Mark Olson (2)
- Musician [Additional Musician], Drums – Denny Fongheiser (tracks: 3)
- Musician [Additional Musician], Guitar – T-Bone Burnett
- Musician [Additional Musician], Guitar [Guitars], Mandolin [Mandolins], Pedal Steel Guitar, Mandocello, Vocals – David Immerglück
- Musician [Additional Musician], Guitar, Guitar [Guitorgan] – Bill Dillon
- Musician [Additional Musician], Percussion – Denny Fongheiser
- Photography By – Michael Tighe (2)
- Piano, Organ [Hammond B-3 Organ], Accordion [Accordian], Chamberlin [Chamberlain], Vocals – Charlie Gillingham*
- Producer [Produced By] – T-Bone Burnett
- Recorded By – Pat McCarthy
- Vocals, Piano, Harmonica – Adam Duritz
Notes
Recorded in the living room of our big house on a hill in Los Angeles.
Overdubs at Kiva West Recording Studios, Conway Recording Studios, Village Recorders, Sunset Sound, Los Angeles
Mixed at Ocean Way Recording Studios, Los Angeles
Mastered at Precision Mastering, Los Angeles, CA
"August And Everything After" words & music by Adam Duritz © 1993 EMI Blackwood Music Inc./Jones Falls Music BMI
Track 1 © 1993 EMI Blackwood Music Inc./Jones Falls Music/ Free Ohio Publishing/This Ought To Get Me A New Guitar Music/Pork Chops and Apple Sauce Publishing BMI
Tracks 2 to 4, 7 to 11 © 1993 EMI Blackwood Music Inc./Jones Falls Music BMI
Track 5 © 1993 EMI Blackwood Music Inc./Jones Falls Music/Knucklevision Music/Puppet Head Songs/Siren Says Music BMI
Track 6 © 1993 EMI Blackwood Music Inc./Jones Falls Music/Lava Head Music BMI istered by Bug Music
Mark Olson and Gary Louris appear courtesy of Def American Recordings, Inc.
Maria McKee appears courtesy of Geffen Records, Inc.
David Immerglück appears with special thanks to Monks of Doom and IRS Records.
Manufactured and distributed in the United States by Uni Distribution Corp.
© ℗ 1993 Geffen Records, Inc. Made in U.S.A.
Nearly identical to August And Everything After, but the credits printed on the rear artwork and CD are swapped around between these two versions.
This version has the credits on the rear artwork as "Mixed by Scott Litt (*) and Pat McCarthy", while the other version has it printed as "Mixed by Pat McCarthy and Scott Litt" (among other slight differences in the ordering of the credits).
Overdubs at Kiva West Recording Studios, Conway Recording Studios, Village Recorders, Sunset Sound, Los Angeles
Mixed at Ocean Way Recording Studios, Los Angeles
Mastered at Precision Mastering, Los Angeles, CA
"August And Everything After" words & music by Adam Duritz © 1993 EMI Blackwood Music Inc./Jones Falls Music BMI
Track 1 © 1993 EMI Blackwood Music Inc./Jones Falls Music/ Free Ohio Publishing/This Ought To Get Me A New Guitar Music/Pork Chops and Apple Sauce Publishing BMI
Tracks 2 to 4, 7 to 11 © 1993 EMI Blackwood Music Inc./Jones Falls Music BMI
Track 5 © 1993 EMI Blackwood Music Inc./Jones Falls Music/Knucklevision Music/Puppet Head Songs/Siren Says Music BMI
Track 6 © 1993 EMI Blackwood Music Inc./Jones Falls Music/Lava Head Music BMI istered by Bug Music
Mark Olson and Gary Louris appear courtesy of Def American Recordings, Inc.
Maria McKee appears courtesy of Geffen Records, Inc.
David Immerglück appears with special thanks to Monks of Doom and IRS Records.
Manufactured and distributed in the United States by Uni Distribution Corp.
© ℗ 1993 Geffen Records, Inc. Made in U.S.A.
Nearly identical to August And Everything After, but the credits printed on the rear artwork and CD are swapped around between these two versions.
This version has the credits on the rear artwork as "Mixed by Scott Litt (*) and Pat McCarthy", while the other version has it printed as "Mixed by Pat McCarthy and Scott Litt" (among other slight differences in the ordering of the credits).
Barcode and Other Identifiers
- Barcode (Text): 7 2064-24528-2 0
- Barcode (Scanned): 720642452820
- Other (DADC code): DIDX 020421
- Matrix / Runout (Variant 1): DIDX-020421 7
- Matrix / Runout (Variant 2): DIDX-020421 6
- Matrix / Runout (Variant 3): DIDX-020421 3
- Matrix / Runout (Variant 4): DIDX-020421 5
- Matrix / Runout (Variant 5): DIDX-020421 9
- SPARS Code: AAD
- Rights Society: BMI
Other Versions (5 of 108)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
| August And Everything After (LP, Album) | Geffen Records | GEF 24528 | Europe | 1993 | |||
| August And Everything After (CD, Album, MPO) | Geffen Records | GED24528 | Europe | 1993 | |||
|
Recently Edited
|
August And Everything After (CD, Album) | Geffen Records | GEFSD 24528 | Canada | 1993 | ||
|
Recently Edited
|
August And Everything After (CD, Album) | Geffen Records | DGCD-24528 | Australia | 1993 | ||
|
New Submission
|
August And Everything After (CD, Album) | DGC | DGCD-24528 | Argentina | 1993 |
Recommendations
Reviews
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As far as I can tell there is only one 2017 EU issue and it is the B2B 2 45 LP version. The US issue from 2017 is a 33 2 LP version. -
Please help, I need it urgently. I'm going to buy this album, but I'm not sure if it's what I'm looking for (2LPx45). How can I identify the 33 and 45 rpm versions of this vinyl record? Is it possible to identify the jacket without opening the sealed LP? Are there any differences in the indices or something else? Maybe the black sticker Back to Black it's mean (indicates) 45 rpm?
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This is a half of a weed cookie and two mojitos type of album. Kinda dad rock, but more introspective with lyrics in some regard. Do you have forty-eight minutes to rock out? Of course not. Your kids are tearing apart the yard and the dog threw up again. Put on August and Everything After and try to center yourself -
What an amazing album. This breakout album from Durtiz and the Counting Crows was a live studio album that define 90's pop/rock, and has stood the test of time. Singles are still in heavy rotation on the radio to this day, and likely will be for years to come. Not only did this album help define 90's music and the pop rock genre, it helped bring sing.songwriter music into a larger audience. This album defined the band and literally catapulted them into a worldwide spotlight. August, laid the groundwork for the Crows to continue making music for as long as they please and will always be known, not only as their breakout album, but their defining moment. A moment that they have tried to return to in other more recent album,s although never with as much success.
Truly a piece to hold onto.
Release
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