engers – Original Soundtracks 1

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Label:	Polygram – 524 166-2
Format:	CD , Album, Reissue
Country:	Brazil
Released:	1998
Genre:	Stage & Screen
Style:	Ambient

Tracklist

1	United Colours Saxophone – David Herbert (2) Synthesizer [Rhythm] – Larry Mullen Jnr*	5:31
2	Slug	4:41
3	Your Blue Room Narrator – Adam Clayton Organ – The Edge	5:28
4	Always Forever Now Arranged By [Strings] – Paul Barrett Sequenced By [Sequencer] – Des Broadbery	6:24
5	A Different Kind Of Blue Vocals – Brian Eno	2:02
6	Beach Sequence Piano – Bono	3:25
7	Miss Sarajevo Arranged By [Strings] – Craig Armstrong Other [Italian Translation] – Anna Mazzarotto Tenor Vocals – Luciano Pavarotti	5:41
8	Ito Okashi Vocals, Written-By [Co-writer] – Holi (2)	3:25
9	One Minute Warning Sequenced By [Rhythm Sequence] – Larry Mullen Jnr* Synthesizer [Additional] – Holger Zschenderlein Voice – Holi (2)	4:40
10	Corpse (These Chains Are Way Too Long) Saxophone – David Herbert (2) Vocals – The Edge	3:35
11	Elvis Ate America Engineer, Vocals [Call Vocal], Recorded By [Rhythm Track], Written-By [Co-writer] – Howie B*	2:59
12	Plot 180	3:41
13	Theme From The Swan	3:24
14	Theme From Let's Go Native	3:07

Companies, etc.

Manufactured By – Microservice - Microfilmagens E Reproduções Técnicas Da Amazônia Ltda.
Licensed From – Polygram do Brasil Ltda.
Distributed By – Fonobrás, Distribuidora Fonográfica Brasileira Ltda.

Credits

Art Direction [Sleeve & Concept] – Cally
Bass – Adam Clayton
Chorus, Sequenced By, Synthesizer, Other [Strategies, Treatments] – Brian Eno
Coordinator [Studio Co-ordinator] – David Herbert (2)
Design [Apple Mapping] – Rob Crane
Design [Cutting Floor] – Richard Baker (14)
Design [Front Cover Illustration] – Theodor Rotrekl
Drums, Percussion – Larry Mullen Jnr*
Edited By – Rob Kirwan
Edited By [Digital] – Stewart Whitmore
Engineer – Danton Supple (tracks: 1 to 10, 12 to 14)
Engineer [Assistant At Metropolis] – Ruadhri Cushnan
Engineer [Assistant To Howie B] – Fiach Cooling
Engineer [Assistant] – Rob Kirwan
Featuring [Extra engers] – Luciano Pavarotti
Guitar, Chorus [Chorus Voices] – The Edge
Management [Album Production Manager] – Anne-Louise Kelly
Management [Assistant Album Production Manager] – Candida Bottaci
Management [Manager Of U2] – Paul McGuinness (2)
Mastered By – Arnie Acosta
Mixed By – Howie B*
Music By – The Edge
Recorded By [Assistant On Original Recordings] – Lee Philips
Scratches, Other [Treatments] – Howie B*
Technician [Post Production And Supervision] – Cheryl Engels
Technician [Studio Crew] – Stuart Morgan
Vocals, Guitar – Bono

Notes

On the back: Fabricado pela Microservice - Microfilmagens e Reproduções Técnicas da Amazônia Ltda., na Zona Franca de Manaus - C.G.C. 34.525.444/0001-62 - Distribuído pela Fonobrás Distribuidora Fonográfica Ltda. - C.G.C. 29.010.519/0004-85 - São Paulo - Sob licença da Polygram do Brasil Ltda. - Indústria Brasileira - SCDP.PF 159/RJ - Made in Brazil.

On the disc: Fabricado pela Microservice - Microfilmagens e Reproduções Técnicas da Amazônia Ltda. - C.G.C. 34.525.444/0001-62 - Manaus - Distribuído pela Polygram do Brasil Ltda. - C.G.C. 33.177.411/0005-30 - São Paulo - Indústria Brasileira. Todos os direitos do produtor fonográfico e do proprietário da obra gravada são reservados. A reprodução, a locação, execução pública e radioteledifusão deste disco estão proibidas.

Front Cover Illustration c/o Aura•Pont, Prague
Includes a 10 Insert which features front cover art, descriptions of the films, credits and artwork.

Original Soundtracks 1:
1: From The Film "United Colours Of Plutonium"
2: From "Slug" (Peter Von Heineken, )
3: From "Par-Delà Les Nuages/Beyond The Clouds" (Michelangelo Antonioni, Wim Wenders, Italy)
4: End Titles From "Always Forever Now" (John Leng Qi, Hong Kong)
5: From "An Ordinary Day" (Lurlene Clewman, USA)
6: From From "Par-Delà Les Nuages/Beyond The Clouds" (Michelangelo Antonioni, Wim Wenders, Italy)
7: From The Film "Miss Sarajevo" (Bill Carter, USA)
8: From "Ito Okashi/Something Beautiful" (Rita Takashina, Fukushima)
9: From "Ghost In The Shell" (Mamuri Oshii, Japan)
10: From "Gibigiane/Reflections" (Aldo Gianniccolo, Milan)
11: From The Film "Elvis Ate America" (Jeff Koons, New York)
12: From "Hypnotize (Love Me 'Til Dawn)" (Peter Sedgeley, London)
13: From "The Swan" (Joseph Mamat, Hungary)
14: From "Let's Go Native" (Rodger Vuijkers, South Africa, Unreleased)

Recorded and mixed at Westside Studios (London) and Hanover, Dublin.

Thanks to Robbie Adams, Marius De Vries, Nick Angel, Gavin Friday, Candice Hanson, Osmond J. Kilkenny III

Brian Eno's company is Opal Ltd, London.

Thank you to Anthea Norman-Taylor and James Topham

All tracks published by Blue Mountain Music (UK), Mother Music (Rep. Of Ireland), Taiyo Music Uni. (Japan) and PolyGram International Music Publishing B.V. (R.O.W.) and Opal Music, except in North America by Upala Music Inc./BMI.

℗ 1995 PolyGram International Music B.V. © 1995 PolyGram International Music B.V.
The coypright in this sound recording and artwork is owned by PolyGram International Music B.V. and is exclusively licensed to Island Records Ltd in the UK.

Barcode and Other Identifiers

Barcode: 7 31452 41662 9
Matrix / Runout: 17350A MICROSERVICE 02/524166-2 043108
Mastering SID Code: IFPI L362
Mould SID Code: IFPI 540G

Other Versions (5 of 41)

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	Title (Format)	Label	Cat#	Country	Year
Recently Edited	Original Soundtracks 1 (LP, Album)	Island Records	524 166-1, ILPS 8043	Europe	1995
Recently Edited	Original Soundtracks 1 (CD, Album)	Island Records	314-524 166-2	US	1995
	Original Soundtracks 1 (CD, Album, Stereo)	Island Records	CID 8043, 524 166-2	Europe	1995
Recently Edited	Original Soundtracks 1 (LP, Album)	Island Records	314-524 166-1	US	1995
Recently Edited	Original Soundtracks 1 (CD, Album, Promo)	Island Records	OST 1	UK	1995