New Order – Jetstream
Label: |
Warner Bros. Records – NUCDP14 |
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Format: |
|
Country: |
UK & Europe |
Released: |
|
Genre: |
Pop |
Style: |
Synth-pop |
Tracklist
1 | Jetstream (Jacques Lu Cont Remix) | 8:21 | |
2 | Jetstream (Richard X Remix) | 7:39 | |
3 | Jetstream (Tom Neville Remix) | 7:33 | |
4 | Jetstream (Arthur Baker Remix) | 7:02 | |
5 | Jetstream (Original) | 5:22 | |
Video | Jetstream |
Companies, etc.
- Phonographic Copyright ℗ – London Records 90 Ltd.
- Copyright © – London Records 90 Ltd.
- Published By – New Order
- Published By – Warner/Chappell Music Ltd.
- Published By – Ultra Maria Music
- Published By – EMI Music Publishing Ltd.
- Glass Mastered At – Deluxe, Blackburn
- Pressed By – Deluxe, Blackburn
Credits
- Art Direction – Peter Saville (2)
- Design – Saville Associates*
- Photography By – Parris Wakefield
- Producer – Stuart Price
- Vocals [Additional] – Ana Matronic
- Written-By – S Price*
Notes
Released in a regular jewel case with clear tray.
This enhanced CD contains video footage and exclusive U-Myx software to create your own mix of Jetstream which can only be played on equipment with a multisession compatible CD-ROM drive.
Ana Matronic appears courtesy of Polydor Ltd.
Published New Order / Warner/Chappell Music Ltd / Ultra Maria Music / EMI Music Publishing
℗ 2005 London Records 90 Ltd.
© 2005 London Records 90 Ltd.
The coypright in this product including without limitation all text, sound recordings, audio visual recordings and artwork is owned by London Records 90 Ltd. A Warner Music Group Company.
Manufactured in the EU.
This enhanced CD contains video footage and exclusive U-Myx software to create your own mix of Jetstream which can only be played on equipment with a multisession compatible CD-ROM drive.
Ana Matronic appears courtesy of Polydor Ltd.
Published New Order / Warner/Chappell Music Ltd / Ultra Maria Music / EMI Music Publishing
℗ 2005 London Records 90 Ltd.
© 2005 London Records 90 Ltd.
The coypright in this product including without limitation all text, sound recordings, audio visual recordings and artwork is owned by London Records 90 Ltd. A Warner Music Group Company.
Manufactured in the EU.
Barcode and Other Identifiers
- Barcode: 5 050467 855427
- Rights Society: GEMA
- Rights Society: GEMA/MS (UK)
- Label Code: LC00253
- Matrix / Runout: deluxe NUCDP14 01
- Matrix / Runout (Inner Ring [Mould]): MADE IN THE UK
- Mastering SID Code: IFPI L135
- Mould SID Code (Mirrored Outer Ring): IFPI 04AR
- Mould SID Code (Inner Ring): IFPI 0473
Other Versions (5 of 36)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Recently Edited
|
Jetstream (12", Promo) | Warner Bros. Records | PR015402 | UK & Europe | 2005 | ||
Jetstream (CD, Single, CD1) | Warner Bros. Records | NUOCD14 | UK & Europe | 2005 | |||
Recently Edited
|
Jetstream (12", 33 ⅓ RPM, Single) | Warner Bros. Records | NUOX14 | UK | 2005 | ||
Jetstream (2×12") | Warner Bros. Records | 0-42813, 42813-0 | US | 2005 | |||
Recently Edited
|
Jetstream (CD, Maxi-Single, HDCD) | Warner Bros. Records | 42813-2 | US | 2005 |
Recommendations
Reviews
-
Edited one year agoIsn't it funny how the worst track on an album is often the most malleable in the hands of remixers?
The Jacques Lu Cont remix is by far the best, taking only the bones of Jetstream. Which is odd considering he co-produced the album version under his other name; Stuart Price. He loops a few vocal lines over an up-tempo beat and a daft keyboard line.
Richard X's take is a simpler affair. He extends the intro and adds lots of reverb to everything, but otherwise leaves the original mix alone. A small improvement though nothing compared to his Bizarre Love Triangle remix.
Tom Neville, on the other hand cuts almost everything back except the vocal. Sumner's voice is dropped a semitone or two, he adds a slow stomping beat, and sprinkles over some lovely bleeping noises. This one is the closest anyone gets to making Jetstream into the "sexy song" it was envisioned as.
Long time NO collaborator Arthur Baker, like Richard X, keeps it recognisable. He replaces most of the keyboard lines with a distinctive riff. It's the most laid back of the four mixes and the most forgettable.
Finally, for anyone who has forgotten what it's supposed to sound like, the album version turns up. It's so-so and according to Stephen Morris begun by him as a bit of joke. The song has it's charms though, a nice guitar-break plus Ana Matronic sounds more at ease with the attempted sexy groove than Sumner. Lyrically it recalls Electronic's Until the End of the Time as both have clumsy lyrics like "you're my jetstream lover" or "you're driving me crazy oh baby". For my money Barney has only ever managed to sound sexy on Spooky from 1993.
Still, five songs is not bad value for a CD. All are a whole lot better than the remixes produced for the Krafty CD. Those mixes managed to drain the life from the song's nifty and driving cut-up keyboard hook.
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