Crosby, Stills, Nash & Young – Déjà Vu
Tracklist
| A1 | Carry On | 4:25 | |
| A2 | Teach Your Children | 2:53 | |
| A3 | Almost Cut My Hair | 4:25 | |
| A4 | Helpless | 3:30 | |
| A5 | Woodstock | 3:52 | |
| B1 | Deja Vu | 4:10 | |
| B2 | Our House | 2:59 | |
| B3 | 4 + 20 | 1:55 | |
| Country Girl | (5:05) | ||
| B4a | Whiskey Boot Hill | ||
| B4b | Down, Down, Down | ||
| B4c | "Country Girl" (I Think You're Pretty) | ||
| B5 | Everybody I Love You | 2:20 |
Companies, etc.
- Copyright © – Atlantic Recording Corporation
- Recorded At – Wally Heider Recording Studio, Los Angeles
- Manufactured By – Atlantic Recording Corporation
- Lacquer Cut At – Atlantic Studios
- Pressed By – Specialty Records Corporation
- Record Company – Warner Communications
- Published By – Gold Hill Music
- Published By – Giving Room Music
- Published By – Guerilla Music
- Published By – Broken Arrow Music
- Published By – Siquomb Music
- Published By – Ten East
- Published By – Cotillion
Credits
- Art Direction, Design – Gary Burden
- Bass – Gregory Reeves*
- Engineer – Bill Halverson
- Lacquer Cut By – GP* (tracks: B1 to B5)
- Management [Agent & Friend] – David Geffen
- Management [Direction] – Elliot Roberts & Associates
- Percussion – Dallas Taylor
- Photography By [Cover] – Tom Gundelfinger
- Photography By [Inside 2 In Lower Right Corner] – Sally Sachs*
- Photography By [Inside] – Henry Diltz
- Producer – Stephen Stills
Notes
Faux leather textured gatefold sleeve with pasted group photo
Atlantic logo and cat# top center of jacket front
Copyright 1970 Atlantic Recording Corp. Printed in U.S.A. Mfg. by Atlantic Recording Corp., a Warner Communications company.
Recorded at Wally Heiders Studio III, LA.
Tracks A1, B3 published by Gold Hill Music.
Tracks A2, B2 published by Giving Room Music.
Tracks A3, B1 published by Guerilla Music.
Tracks A4, B4.3 published by Broken Arrow-Cotillion.
Track A5 published by Siquomb Music.
Tracks B4.1, B4.2 published by Ten-East/Broken Arrow-Cotillion.
Track B5 published by Gold Hill Music/Broken Arrow-Cotillion.
All tracks BMI.
Jerry Garcia & John Sebastian courtesy of Warner Brothers.
Atlantic logo and cat# top center of jacket front
Copyright 1970 Atlantic Recording Corp. Printed in U.S.A. Mfg. by Atlantic Recording Corp., a Warner Communications company.
Recorded at Wally Heiders Studio III, LA.
Tracks A1, B3 published by Gold Hill Music.
Tracks A2, B2 published by Giving Room Music.
Tracks A3, B1 published by Guerilla Music.
Tracks A4, B4.3 published by Broken Arrow-Cotillion.
Track A5 published by Siquomb Music.
Tracks B4.1, B4.2 published by Ten-East/Broken Arrow-Cotillion.
Track B5 published by Gold Hill Music/Broken Arrow-Cotillion.
All tracks BMI.
Jerry Garcia & John Sebastian courtesy of Warner Brothers.
Barcode and Other Identifiers
- Pressing Plant ID (Label matrix suffix): SP
- Pressing Plant ID (Stamped in runouts): [SRC logo]
- Rights Society: BMI
- Matrix / Runout (Label side A): ST-A-701829 SP
- Matrix / Runout (Label side B): ST-A-701830 SP
- Matrix / Runout (Side A runout etched, variant 1): [SRC logo] ST-A-701829-P
- Matrix / Runout (Side B runout etched, variant 1): [SRC logo] ST-A-701830-Q @t GP
- Matrix / Runout (Side A runout etched, variant 2): [SRC logo] ST-A-701829-P
- Matrix / Runout (Side B runout etched, variant 2): [SRC logo] ST-A-701830-P
- Matrix / Runout (Side A runout etched, variant 3): [SRC logo] ST-A-701829-T sf/atl.
- Matrix / Runout (Side B runout etched, variant 3): [SRC logo] ST-A-701830-S @t GP
- Matrix / Runout (Side A runout etched, variant 4): [SRC logo] ST-A-701829-R
- Matrix / Runout (Side B runout etched, variant 4): [SRC logo] ST-A-701830-R
- Matrix / Runout (Side A runout etched, variant 5): [SRC logo] ST-A-701829-D WL AT a3 W
- Matrix / Runout (Side B runout etched, variant 5): [SRC logo] ST-A-701830-D WL AT W PRIX c3
- Matrix / Runout (Side A runout etched, variant 6): [SRC logo] ST-A-701829-P 1-2
- Matrix / Runout (Side B runout etched, variant 6): [SRC logo] ST-A-701830-P 1-1
- Matrix / Runout (Side A runout etched, variant 7): [SRC logo] ST-A-701829-T 1-3 sf/atl.
- Matrix / Runout (Side B runout etched, variant 7): [SRC logo] ST-A-701830-T 1-3 sf/atl.
Other Versions (5 of 483)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
Recently Edited
|
Déjà Vu (LP, Album, Gatefold) | Atlantic | HAT 421-45 | Spain | 1970 | ||
| Déjà Vu (LP, Album, Stereo, PR - Presswell Pressing, Faux-Leather Gatefold) | Atlantic | SD 7200 | US | 1970 | |||
|
Recently Edited
|
Déjà Vu (LP, Album, Stereo, Faux-Leather Gatefold ) | Atlantic | 2401 001 | UK | 1970 | ||
|
Recently Edited
|
Déjà Vu (LP, Album, Gatefold) | Atlantic | 50 001, SD 7200 | Netherlands | 1970 | ||
| Déjà Vu (LP, Album, Stereo, Gatefold) | Atlantic | SD-7200, SD 7200, SD. 7200 | Canada | 1970 |
Recommendations
Reviews
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Edited 9 days agoI got this one by chance in a department store in rural Virginia in 1980 (still have it in NM condition) and always thought it sounded quite good. Recently, for a lark, I have compared this to two different 1971 pressings, and a Pittman is dark, with recessed drums and a generally "is this a third generation cassette copy?!" kind of sound; a 1971 Monarch is better. My judgment: a) people who complain about some early pressings of this are *not* hyper-sensitive and b) the 1977 Speciality pressing (I am not sure which others have this same master etc.) is much better. -
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Very good. Sound is dynamic. There are better pressings but you’ll pay much higher prices while this pressing is very good and likely more affordable. Worth seeking out. -
I have A/B tested this press vs an OG, and it’s much bigger and brighter. Really highlights drums and vocals
Release
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