Nitro DeluxeLet's Get Brutal

Label:

Cutting Records – CR-210

Format:

Vinyl , 12", 33 ⅓ RPM

Country:

US

Released:

Genre:

Electronic

Style:

House

Tracklist

A1 Let's Get Brutal 7:10
A2 Let's Get Brutal (Dub) 9:58
AA The Brutal House 14:07

Companies, etc.

  • Copyright ©Cutting Records, Inc.
  • Phonographic Copyright ℗Cutting Records, Inc.
  • Recorded AtAIM Studios, NYC
  • Mixed AtAIM Studios, NYC
  • Edited AtAIM Studios, NYC
  • Produced ForCutting Music Productions
  • Published ByCutting Records Music
  • Pressed ByHauppauge Record Manufacturing Ltd.

Credits

  • Arranged By [Arrangement By]M.S.*
  • Executive-ProducerAmado Marin
  • Lacquer Cut ByHerbie Jr*
  • Mastered ByHerb Power Jr.*
  • PerformerNitro Deluxe
  • Producer [Produced By]Aldo Marin
  • Recorded By, Mixed By, Edited ByBenji Candelario
  • Written-ByY.M. Scretching*

Notes

Recorded, mixed and edited at A.I.M. Studios
Produced for Cutting Music Productions
Cutting Records Music / ASCAP
©℗ 1986 Cutting Records, Inc.
104 Vermilyea Ave.
N.Y., N.Y. 10034

Barcode and Other Identifiers

  • Matrix / Runout (Runout Side A): A- ▷ CR-2I0-A HERbIE Jr :v)
  • Matrix / Runout (Runout Side AA): A- ▷ CR-2I0-AA HERbIE Jr :v)
  • Rights Society: ASCAP

Other Versions (5 of 27)

View All
Title (Format) Label Cat# Country Year
Recently Edited
Let's Get Brutal (12", 33 ⅓ RPM, Promo) Cutting Records CR-210-DJ US 1986
Let's Get Brutal (12", Repress, 33 ⅓ RPM) Cutting Records CR-210 US 1986
Recently Edited
Let's Get Brutal / The Brutal House (12", 33 ⅓ RPM, Test Pressing) Cutting Records CR-210 US 1986
Recently Edited
This Brutal House (Remix) (12", 45 RPM, Reissue) Cooltempo COOLR 142 UK 1987
Recently Edited
Let's Get Brutal (12", 45 RPM, Single) Cooltempo COOLD 142 UK 1987

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Reviews

  • funkygog's avatar
    funkygog
    Information about the song "Let's get Brutal" / "This Brutal House" and the US and UK releases.
    https://house-of-chicago.de/nitro-deluxe-brutal-with-melody/
    • monacular's avatar
      monacular
      This was such a classic even years after it first did the rounds in the UK and made its way around the world. Trying to work out that vocal was always a laugh in those post-rave chats. The record is getting another run of popularity as the source of the Big Fun chord sample (as confirmed by Kevin Saunderson himself on a few YouTube videos in 2020).
      • chrisnova777's avatar
        chrisnova777
        Edited 5 years ago
        this song will always remind me of Deadly hedley on CFNY in early 1990s (Toronto CA) i used to record his radio show onto cassette from the radio around midnight on friday nights i think?
        • Erik-Satire's avatar
          Erik-Satire
          I'm endlessly searching for a track that sampled Let's Get Brutal and I can't find it. It is actually an african rap (maybe Nigeria) or kwaito song I think but not very sure. Nothing on whosampled... If anyone knows, let me know, even in 5 years :)
          • defendergroove's avatar
            defendergroove
            still love this track. First House track i heard back in 1986 when i was 13years old.
            i has reconized the Electro elements but did not knew about this house chords..fantastic.
            never forget. One of my nr. 10 Tracks ever.
            • dylaf's avatar
              dylaf
              Edited 9 years ago
              This was a definitive NYC (not Chicago) project. Aldo & Amado Marin both ran seminal NYC electro label 'Cutting Records' & produced most of the labels content, however Nitro Deluxe is Manny Scretching's project. Most of the Cutting Records output was electro & freestyle, bar a few house releases including this one- the Marin bro's tape to tape skills & dub work turned anything to gold & lent an electro sensibility to house cuts like this (and the equally brilliant 'On A Mission'), due to using the same equipment & production techniques as their regular label output. Every year that es, this ages like a very, very fine wine, & despite its instantly recognisable sound, owes much to the NYC electro & hip-hop production of the golden era- its also mastered by Herb Power Jr, of NYC's Frankford & Wayne fame. The pitch keyed vocals, overdubbed drums & simple effects make for a solid & raw jam that contains the vibe of the era perfectly.
              • AndrewHP's avatar
                AndrewHP
                I'm 95% confident that Inner City sampled the low synth stab at the very end of Lets Get Brutal and used it as the main riff in Good Life.

                Sample at C; play back D# - A# - C# - G# - bit of delay, bit of eq and you're away!
                • undercover1's avatar
                  undercover1
                  Wonderfully trippy House/Electro tune, why it's 'Brutal' is beyond me?
                  • pmpants's avatar
                    pmpants
                    The first house tune I ever heard, in sleepy Sussex in the UK it blew me away, my original 12" is nearly see through, I've played it sooo much! At 14 years old it was incredible and it still is. No one else understood the vibe, my musical direction was dictated by this tune and the early house tunes coming over, I still love and dj house/techno and this tune is largely to blame for my fascination with all things house. Thanks so much Nitro Deluxe you have a lot to answer for!!! ;)
                    • tony.lee's avatar
                      tony.lee
                      Edited 13 years ago
                      At the time of it's release in 1986 this record blew me away. With it's ground shaking basslines, it's simplistic monotony and hypnotising synth chords it did everything to satisfy the dancer (and music freak) in me.
                      I getting into heated debates with my closest friend of the time as to whether this was a 'House' or an 'Electro' release. Thankfully my music tastes have broadened since 1986 and I no longer feel I have to put everything into it's specific genré. I can now see this for what it was. A genré breaking release that should not, and doesn't deserve to, be put in a category.
                      2008 and I still find I'm putting this on the turntable and trying to educate people in what real music is. An amazing release that, in the right setting, still sounds true to form to this day.

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