Gainsbourg*Lemon Incest

Label:

Philips – 884 129-7

Format:

Vinyl , 7", 45 RPM, Single, Stereo

Country:

Released:

Genre:

Pop

Style:

Synth-pop

Tracklist

A Gainsbourg* Lemon Incest
Lyrics ByGainsbourg*
Music ByChopin*
Music By, Arranged By [D'après L'Étude N° 3 En Mi Majeur Op. 10 De Chopin]Gainsbourg*
5:11
B Gainsbourg* Hmm Hmm Hmm
Written-ByGainsbourg*
2:49

Companies, etc.

  • Phonographic Copyright ℗Phonogram S.A.
  • Published ByMelody Nelson Publishing
  • Record CompanyPhonogram
  • Printed ByImp. Polygram
  • Lacquer Cut AtPolygram Industries Messageries
  • Pressed ByPolygram Industries Messageries

Credits

  • Arranged BySerge Gainsbourg
  • Photography ByJean Ber
  • ProducerPhilippe Lerichomme
  • VocalsGainsbourg*

Notes

Extraits de l'album 822 849-2

Imprimé en
publication phonogram

Also exists with paper center labels

Barcode and Other Identifiers

  • Barcode (Printed Text): 0 42288 41297 7
  • Barcode (Scanned): 042288412977
  • Price Code: PG 102
  • Rights Society: SACEM SACD SDRM SGDL
  • Matrix / Runout (Label side A): 884 129-7 1
  • Matrix / Runout (Label side B): 884 129-7 2
  • Matrix / Runout (Stamped side A variant 1): 001 884129 7 // 1 380 POLYGRAM
  • Matrix / Runout (Stamped side B variant 1): 001 884129 7 // 2 380 POLYGRAM B
  • Matrix / Runout (Stamped side A variant 2): A 001 884129 7 // 1 380 POLYGRAM
  • Matrix / Runout (Stamped side B variant 2): A 001 884129 7 // 2 380 POLYGRAM

Other Versions (5 of 7)

View All
Title (Format) Label Cat# Country Year
Lemon Incest (12", 45 RPM, Maxi-Single, Promo) Philips 6863 264-1 1984
New Submission
Lemon Incest (7", 45 RPM, Single, Promo, Stereo) Phonogram 884 129-7 1985
New Submission
Lemon Incest (7", 45 RPM, Single, Stereo) Philips 884129-7, 884 129-7 1985
New Submission
Lemon Incest (CDV, 5", Single, PAL) Philips 080418 2 1988
New Submission
Lemon Incest (CD, Single, Reissue) Philips 858 454 - 2 1994

Recommendations

  • Vertige De L'amour
    1980
    Vinyl —
    7", Single, 45 RPM
    Shop
  • Gaby Oh! Gaby
    1980
    Vinyl —
    7", 45 RPM, Single
    Shop
  • Un Autre Monde
    1984
    Vinyl —
    7", 45 RPM, Single, Stereo
    Shop
  • Chacun Fait (C'qui Lui Plait)
    1981
    Vinyl —
    7", 45 RPM, Single
    Shop
  • Sweet Dreams
    1983
    Vinyl —
    7", 45 RPM, Single
    Shop
  • Video Killed The Radio Star
    1979
    Vinyl —
    7", 45 RPM, Single
    Shop
  • L'aventurier
    1983
    Vinyl —
    7", 45 RPM, Single
    Shop
  • Voyage Voyage
    1986 Europe
    Vinyl —
    7", 45 RPM, Single, Stereo
    Shop
  • Marcia Baïla
    1984
    Vinyl —
    7", 45 RPM, Single
    Shop
  • I Was Made For Lovin' You
    1979
    Vinyl —
    7", 45 RPM, Single
    Shop

Reviews

  • maxal's avatar
    maxal
    [Regarding what picdisc65 says: “Charlotte later denied claims that the song was actually about incest, saying that, although the song uses the word "incest", "[Serge is] just talking about the infinite love of a father for his daughter and of a daughter for her father." According to The Guardian's Francine Gorman, "Lemon Incest" "caused one of the biggest scandals of [Serge] Gainsbourg's career" and was "his most highly contested release". So there you go!”]

    Yes, words can be used in many ways maybe Serge has an infinite love for zesty lemons as well. It’s ‘true’ love is infinite, in one sense, but perhaps it is advisable to put some limits on love – between father and daughter say? Up for discussion . . .

    "Incest" means incest, there is no way round it. The song writers intended for the audience to be baffled into thinking about the subject of incest and the subject’s proximity to love. The Serge Team make pop songs, which also make money. The Serge Team wanted the result they got: for people to be provoked, inflamed and cause a sensation within the French culture of that time; and also for people to buy their record in a competitive market.

    1969. There are not many husband and wife teams who would use this cover, in this way, to sell their pop song:

    https://discogs.sitiodesbloquea.com/release/11962952-Jane-Birkin-Serge-Gainsbourg-Je-TaimeMoi-Non-Plus

    1968, Yoko Ono and Lennon did a controversial naked photographic session, TOGETHER, and that was not sexualised; it was more about the emotional bond of love (more “infinite”?).

    It is also worth stating that though sex is part of love, it is also a separate aspect of love. Je t’aime is more about the sexualised aspect of love. The Serge Team use sex as one of their many tools for selling product. In a way, it is a more bland, up-market kind of prostitution – selling your sex from a distanced position, safer, easier, reaching a larger audience, more lucrative. Charlotte continues that trend and does it fairly well. She is a provocative Rock Chic also aiming high with her acting career. Think of her roles for Lars von Trier, particularly Nymphomaniac, seeing the poster alone is enough to understand. She lives the High Life in a privileged, elite, artistic family, that is her legacy.

    It’s all part of ’s rich heritage, continuing with vive la revolution, De Sade, more recently Jean Genet being released from prison because Sartre proclaimed it was a travesty to imprison an ARTIST. I am not casting a negative judgement, the Serge Team’s role in French culture is central. The ordinary people, less privileged, then assess the artistic / moral worth accordingly and dip into their pockets. Charlotte now an adult, defends her close family life, past and present, she is not married to her male partner in respect of her own parents, also not married.
    • maxal's avatar
      maxal
      This is a single I have refrained from writing anything about for ages, because . . . . . ermmmmm . . . . . . I dunno . . . . what on earth . . .

      "Only in ", would put the nut in the shell.

      I'm still going to have to refrain from the actual song. So, it's the video; it's jam-packed with subtle metaphors. What a lovely bedroom you have Serge, all bright and sunny. No, it's black, a deep dark cave. It probably has a mirrored ceiling, but you don't see it because it's so enormous. Truly cavernous, this deep, dark cave. All black. But note the stalagmites, with their fools gold. Is that reflective of all the dosh they will make from selling the song? (So much shocking money from je t'aime, it'd be great to make even more money . . . how can we shock them again, it'd have to be more shocking - and maybe that is the simple raison d'etre, ce n'est pas profund).

      That black cave is great. And at the end, things are resolved a bit, the black leather sheets are replaced with clean white cotton. Sleep well . . . . . . .
      • PatronSaintofScratch's avatar
        Edited 2 years ago
        Lot of talent here... but was everyone out to the cafe at Philips the day this was made and released? Serge is a cool guy but this... eek.
        • tibbar's avatar
          tibbar
          Just gotta say, I love the Gainsbourgs and all... but the cover and title are TRES UNCOMFORTABLE. Yikes.

          Release

          See all versions
          Data Correct

          For sale on Discogs

          Sell a copy

          110 copies from $0.95

          Statistics

          • Have:2470
          • Want:289
          • Avg Rating:4.1 / 5
          • Ratings:173

          Videos (21)

          Edit

          Contributors