RadioheadKarma Police

Label:

Capitol Records – 509996 93535 12

Series:

From The Capitol Vaults

Format:

Vinyl , 12", EP, 45 RPM, Limited Edition, Reissue , 180 gram

Country:

Europe

Released:

Genre:

Rock

Style:

Alternative Rock

Tracklist

A Karma Police 4:23
B1 Meeting In The Aisle
Programmed BySam Hardaker
3:08
B2 Lull 2:28

Companies, etc.

  • Pressed ByRecord Industry – 84023

Credits

  • ProducerNigel Godrich
  • Producer, Written-ByRadiohead

Notes

Karma Police - EP1

Originally released in 1997.

Per release backside:
Endgames imagined by dumb computers.

Presented in a lavish sleeve embossed with a silver Radiohead logo and a 10" x 5" wrap-around replica of the original release artwork attached to the sleeve.

Sticker Included

Published by Warner Chappell Music Publishing Ltd.
℗ © 1997 EMI Records Ltd.

Printed In The EU.

Barcode and Other Identifiers

  • Barcode: 509996 93535 12
  • Matrix / Runout (side A): 84023 1A 6935351
  • Matrix / Runout (side B): 84023 1B 6935351

Other Versions (5 of 22)

View All
Title (Format) Label Cat# Country Year
Recently Edited
Karma Police (CD, Single, CD2) Parlophone CDNODATA 03, 7243 8 84556 2 6 UK 1997
Recently Edited
Karma Police (CD, Single, Digipak) EMI 7243 8 84162 2 1 Europe 1997
Recently Edited
Karma Police (CD, Single, CD1) Parlophone CDODATAS 03, 7243 8 84555 2 7 UK 1997
Recently Edited
Karma Police (12", 45 RPM) Parlophone 7243 8 84555 6 5, 12NODATA 03 UK 1997
Recently Edited
Karma Police (7", 45 RPM, Single, Jukebox) Parlophone NODATALH 03 UK 1997

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Reviews

  • L33TH4X0R's avatar
    L33TH4X0R
    what is the difference between this release and thie release https://discogs.sitiodesbloquea.com/Radiohead-Karma-Police-EP1/release/5819275
    • Queasylistening's avatar
      Being a huge fan of the b-sides of OK Computer, I was really pleased when Capitol made the decision to re-issue these singles. Karma Police on the a-side; what more to say. It's a confirmed classic. On the flip side, Meeting In The Aisle. With hindsight this is a real signifier of the direction the band were about to take. Great instrumental, really evocative of the computer age. Then Lull feels like a complete about turn back to the pre-bends era. The two tracks are a real mish mash against each other.
      This is probably only going to be of interest to avid Radiohead fans.

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