Funkadelic – Cosmic Slop
Label: |
Westbound Records – SEWA 035 |
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Format: |
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Country: |
Europe |
Released: |
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Genre: |
Funk / Soul |
Style: |
Psychedelic |
Tracklist
A1 | Nappy Dugout | 4:31 | |
A2 | You Can't Miss What You Can't Measure | 2:54 | |
A3 | March To The Witches Castle | 5:54 | |
A4 | Let's Make It Last | 4:10 | |
B1 | Cosmic Slop | 5:16 | |
B2 | No Compute | 3:01 | |
B3 | This Broken Heart | 3:39 | |
B4 | Trash A Go Go | 2:23 | |
B5 | Can't Stand The Strain | 3:28 |
Companies, etc.
- Phonographic Copyright ℗ – Westbound Records
- Phonographic Copyright ℗ – Westbound Records, Inc.
- Copyright © – Westbound Records
- Published By – Bridgeport Music, Inc.
- Published By – Warner/Chappell Music Ltd.
- Published By – Tristan Music Ltd.
- Licensed To – Ace Records Ltd.
- Recorded At – United Sound Systems
- Recorded At – Manta Sound
- Produced At – The Digital Editing Suite
- Pressed By – Record Industry – 54319
Credits
- Art Direction – Neil Terk
- Artwork [Album Art] – Pedro Bell
- Bass – "Boogie" Mosson*
- Coordinator [Album Coordination] – Mia Krinsky
- Design [Album Concept] – Pedro Bell
- Engineer – Lee De Carlo*
- Guitar – Ron Bykowski
- Keyboards, Melodica – Bernard Worrell*
- Liner Notes – Sir Lleb, Maggot Minister Of Funkadelia*
- Percussion – Tyrone Lampkin
- Producer – George Clinton
- Producer [Post Production] – Duncan Cowell
- Supervised By [Production] – Bob Scerbo
Notes
All titles published by Bridgeport Music, Inc. except track A4 Bridgeport Music, Inc./Southfield Music Inc.
The copyright in this sound recording is owned by Westbound Records and is licensed to Ace Records Ltd
Spine: The entire spine is brown, unlike the original which is part of the gatefold artwork. "Funkadelic Cosmic Slop SEWA 035"
Made In England [sleeve] Made in UK [labels]
Direct Metal Mastered from digital tapes transferred from original analogue master tapes.
Post Production at The Digital Editing Suite.
℗ & © 1973 Westbound Records
Track titles as per labels. "March To The Witch's Castle" and "Trash A Go-Go" on sleeve.
All runout data is stamped.
The copyright in this sound recording is owned by Westbound Records and is licensed to Ace Records Ltd
Spine: The entire spine is brown, unlike the original which is part of the gatefold artwork. "Funkadelic Cosmic Slop SEWA 035"
Made In England [sleeve] Made in UK [labels]
Direct Metal Mastered from digital tapes transferred from original analogue master tapes.
Post Production at The Digital Editing Suite.
℗ & © 1973 Westbound Records
Track titles as per labels. "March To The Witch's Castle" and "Trash A Go-Go" on sleeve.
All runout data is stamped.
Barcode and Other Identifiers
- Barcode (Scanned): 029667373517
- Barcode (Text): 0 29667 37351 7
- Matrix / Runout (Side A runout): 54319 1A1 SEWA 035
- Matrix / Runout (Side B runout): 54319 1B1 SEWA 035
Other Versions (5 of 49)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
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Recently Edited
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Cosmic Slop (LP, Album, Pitman Pressing) | Westbound Records | WB 2022 | US | 1973 | ||
Recently Edited
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Cosmic Slop (8-Track Cartridge, Album, Quadraphonic) | Westbound Records | C 7198-2022 | US | 1973 | ||
Cosmic Slop (LP, Album, Stereo, Gatefold) | Westbound Records | WB 2022 | US | 1973 | |||
Recently Edited
|
Cosmic Slop (8-Track Cartridge, Album, Stereo) | Westbound Records | M 8198-2022 | US | 1973 | ||
Recently Edited
|
Cosmic Slop (LP, Album, Promo) | Westbound Records | WB 2022 | US | 1973 |
Recommendations
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2010 USLP, Album, Reissue, Remastered, Stereo
Reviews
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This sounds really good with one caveat. The bass and drums hit hard, instrument separation is good, and it does not sound brickwalled (although, DR rating is 5 on this for those curious--but it's a funk album). The vinyl is dead silent. The only thing I don't like is it sounds like the high frequencies (or maybe upper mids) are elevated. I had to turn it down on a few tracks.
That being said, this is probably one of the better sounding modern reissues. I would be curious to compare it to an OG. -
Picked up a copy of this yesterday, and it sounds incredible!! Its honestly hard to imagine it sounding any better than this... It sounds so ALIVE👌🏿👌🏿especially when you flip to side B and you hear the lead in to a Cosmic Slop, you know you're in for a treat!
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Edited 20 days agofor a revisionist digital reissue, this sounds really good, and the pressing is flawless. this is the only Funkadelic LP that ive never had an OG pressing of. im sure theres subtle differences when compared to an original pressing, just like the similar reissues of the first 4 LPs. but it really does sound good; much more open and uncompressed when compared to my CD version from the same era. very enjoyable and recommended.
EDIT- ive recently gotten a decent VG original US pressing, and this reissue has a very similar sound. there are some nit-picky differences, but this really does sound comparable to an original pressing. and FWIW, the blue-label US pressing from 1976 sounds pretty weak and compressed in comparison to either one of the previously mentioned pressings. -
This version sounds pretty good. I bet this album could sound better, but not by much, and it certainly smashes the 1991 Let's Take It to the Stage I have. The bass is ample enough and the drums sound really nice and punchy. Vocals go from grainy and poor to decently clear, but I'm pretty sure that's just the recording. This isn't an audiophile's band no matter what you do, but they do still have cool production in of atmospherics and musicality for sure. Surface noise is also impressively minimal.
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What is the difference between this version and this - https://discogs.sitiodesbloquea.com/Funkadelic-Cosmic-Slop/release/1098526
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Excellent pressing - quiet and clear, a dynamically sound. I've always kind of liked stuff mastered with DMM.
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