U2 – Achtung Baby
Label: |
Island Records – 212 110 |
---|---|
Format: |
Vinyl
, LP, Album
|
Country: |
Europe |
Released: |
|
Genre: |
Rock |
Style: |
Arena Rock |
Tracklist
A1 | Zoo Station | 4:36 | |
A2 | Even Better Than The Real Thing | 3:41 | |
A3 | One | 4:36 | |
A4 | Until The End Of The World | 4:39 | |
A5 | Who's Gonna Ride Your Wild Horses | 5:16 | |
A6 | So Cruel | 5:49 | |
B1 | The Fly | 4:29 | |
B2 | Mysterious Ways | 4:04 | |
B3 | Tryin' To Throw Your Arms Around The World | 3:53 | |
B4 | Ultra Violet (Light My Way) | 5:31 | |
B5 | Acrobat | 4:30 | |
B6 | Love Is Blindness | 4:23 |
Companies, etc.
- Record Company – BMG Ariola München GmbH
- Recorded At – Hansa Tonstudios
- Recorded At – Dog Town
- Recorded At – STS Dublin
- Recorded At – Windmill Lane Studios
- Lacquer Cut At – A&M Mastering Studios
- Mastered At – A&M Mastering Studios
- Mastered At – Specialty Records Corporation
- Edited At – A&M Mastering Studios
- Published By – Blue Mountain Music Ltd.
- Phonographic Copyright ℗ – Island Records Ltd.
- Copyright © – Island Records Ltd.
- Designed At – Works Associates
- Pressed By – Sonopress
- Marketed By – BMG Ariola
- Distributed By – BMG Records
- Distributed By – BMG Ariola
Credits
- Bass – Adam Clayton
- Composed By – U2
- Coordinator [Recording Facilities And Co-ordination Berlin] – Joe O'Herlihy
- Coordinator [Recording Facilities And Co-ordination Dublin] – Terry Cromer
- Design [Works Associates (Dublin)] – Steve Averill
- Drums, Percussion – Larry Mullen
- Edited By [Digital Editing] – Stewart Whitmore
- Engineer – Robbie Adams (tracks: A2, A5)
- Engineer [Additional] – Robbie Adams (tracks: A3, A4, A6 to B5)
- Engineer [Assistant] – Shannon Strong (tracks: A1, A3 to B6)
- Guitar, Keyboards, Vocals – The Edge
- Illustration [Label] – Charlie Whisker
- Lacquer Cut By – AA*
- Management – Paul McGuinness (2)
- Management [Principle Management Dublin] – Maria Duffy
- Management [Principle Management New York] – Sheila Roche
- Mastered By – Arnie Acosta
- Mixed By – Edge* (tracks: B2)
- Mixed By [Assistant] – Shannon Strong (tracks: A1, A3, A4, A6, B2, B4 to B6)
- Photography By – Anton Corbijn
- Photography By [Label Illustrations] – Ritchie Smith
- Producer – Steve Lillywhite (tracks: A5)
- Production Manager [Album] – Anne-Louise Kelly
- Technician [Bass & Guitar], Crew [Studio] – Fraser McAlister
- Technician [Drums], Crew [Studio] – Sam O'Sullivan
- Technician [Keyboard & Guitar], Crew [Studio] – Des Broadbery
- Technician [Monitoring], Crew [Studio] – Joe O'Herlihy
- Technician [Quality Control] – Cheryl Engels
- Vocals, Guitar, Lyrics By [Words] – Bono
Notes
- Mat cover except the U2 finger rings which are glossy
- Housed in a printed inner sleeve with photos & credits, manufacturing# 212110-8
- Including printed black lyric sheet with manufacturing# 212110-7
- Label rim printed in German, English and French language
- One pressing ring with 32mm in diameter
Recorded in:
Hansa Ton Studios Berlin, Dog Town Dublin, S.T.S. Dublin, Windmill Lane Studios Dublin.
Mastering, Digital Editing and Quality Control at A&M Mastering Studios, L.A.
On labels:
Published by Blue Mountain Music Ltd.
Made in
On rear cover
℗ 1991 Island Records Ltd.
© 1991 Island Records Ltd.
Distributed by BMG Records
Distribué par BMG Ariola
Vertrieb durch BMG Ariola
Printed in
020 in runouts indicates that the metals have been manufactured somewhere else (here at Specialty Records Corporation) for a pressing by Sonopress.
Runouts are etched except stamped trumpet logo and stamped SRC logo.
- Housed in a printed inner sleeve with photos & credits, manufacturing# 212110-8
- Including printed black lyric sheet with manufacturing# 212110-7
- Label rim printed in German, English and French language
- One pressing ring with 32mm in diameter
Recorded in:
Hansa Ton Studios Berlin, Dog Town Dublin, S.T.S. Dublin, Windmill Lane Studios Dublin.
Mastering, Digital Editing and Quality Control at A&M Mastering Studios, L.A.
On labels:
Published by Blue Mountain Music Ltd.
Made in
On rear cover
℗ 1991 Island Records Ltd.
© 1991 Island Records Ltd.
Distributed by BMG Records
Distribué par BMG Ariola
Vertrieb durch BMG Ariola
Printed in
020 in runouts indicates that the metals have been manufactured somewhere else (here at Specialty Records Corporation) for a pressing by Sonopress.
Runouts are etched except stamped trumpet logo and stamped SRC logo.
Barcode and Other Identifiers
- Barcode (Text): 4 007192 121106
- Barcode (Scanned): 4007192121106
- Label Code: LC 0407
- Pressing Plant ID (Embossed on label side B): Bass clef
- Price Code (D): 630
- Rights Society: BIEM/GEMA
- Other (On inner sleeve): 212 110-8
- Other (On lyric sheet): 212 110-7
- Matrix / Runout (Variant 1: runout side A): 020 212110 A-1 II (U2 8-A-9) ℗ [illegible] [SRC logo] AA 314-510-347-I-AS-SP2 1-1 SMI-2
- Matrix / Runout (Variant 1: runout side B): 020 212110-B-1 (U2 8-B-9) ℗ [illegible] [SRC logo] 314-510-347-I-BS-SP2 AA 1-1 SMI-1
- Matrix / Runout (Variant 2: runout side A): 020 212110-1A-1 212110 A-2 (U2 8-A-10) ℗ [illegible] [SRC logo] AA 314-510-347-1-AS-SP3 1-1 SMI-1
- Matrix / Runout (Variant 2: runout side B): 020 212110-1B-1 212110 B-2 (U2 8-B-10) ℗ [illegible] [SRC logo] AA 314-510-347-1BS-SP3 1-S
- Matrix / Runout (Variant 3: runout side A): 020 212110 A-1 II (U2 8-A-9) ℗ [illegible] [SRC logo] AA 314-510-347-I-AS-SP2#
- Matrix / Runout (Variant 3: runout side B): 020 212110-B-1 (U2 8-B-9) ℗ [illegible] [SRC logo] aa 314-510-347-I-aS-SP2 1-1 SMI-2
- Matrix / Runout (Variant 4: runout side A): 020 212110 A-1 (U2 8-A-9) ℗ [illegible] [SRC logo] AA 314-510-347-I-AS-SP2 1-1 SMI-2
- Matrix / Runout (Variant 4: runout side B): 020 212110-1 B-1 II 212110 B-2 (U2 8-B-10) ℗ [illegible] [SRC logo] AA 314-510-347-I-BS-SP3
- Matrix / Runout (Variant 5: runout side A): 020 212110-1A-1 212110 A-2 (U2 8-A-10) ℗ [illegible] [SRC logo] AA 314-510-347-1-AS-SP3 1-1 SMI-1
- Matrix / Runout (Variant 5: runout side B): 020 212110-B-1 II (U2 8-B-9) ℗ [illegible] [SRC logo] 314-347-1-BS -SP2 ̶I̶I̶ ̶ 1SMI-1
- Matrix / Runout (Variant 6: runout side A): 020 212110 A-1 II (U2 8-A-9) ℗ [illegible] [SRC logo] AA 314-510-347-I-AS-SP2 1-1 SMI-2
- Matrix / Runout (Variant 6: runout side B): 020 212110-1 B-1 212110 B-2 (U2 8-B-10) ℗ [illegible] [SRC logo] AA 314-510-347-1-BS -SP3 1-5
- Matrix / Runout (Variant 7: runout side A): 020 212110 A-1 (U2 8-A-9) ℗ [Trumpet] [SRC logo] AA 314-510-347-1-AS-SP2 1-1 SMI-2
- Matrix / Runout (Variant 7: runout side B): 020 212110-B-1 II (U2 8-B-9) ℗ [Trumpet] [SRC logo] 314-510-347-1-BS -SP21̶1̶ 1-1 SMI-I
- Matrix / Runout (Variant 8: runout side A): 020 212110 A-1 (U2 8-A-9) ℗ [illegible] [SRC logo] AA 314-510-347-1-AS-SP2 1-1 SMI-2
- Matrix / Runout (Variant 8: runout side B): 020 212110 -B-1 (U2 8-B-9) ℗ [illegible] [SRC logo] 314-510-347-1-BS -SP2 AA 1-1 SMI-1
- Matrix / Runout (Variant 9: runout side A): 020 212110 A-1 II (U2 8-A-9) ℗ [illegible] [SRC logo] AA 314-510-347-I-AS-SP2
- Matrix / Runout (Variant 9: runout side B): 020 212110-B-1 (U2 8-B-9) ℗ [illegible] [SRC logo] 314-510-347-I-BS-SP2 AA
- Matrix / Runout (Variant 10: runout side A): 020 212110 A-1 II (U2 8-A-9) trumpet logo SRC logo AA 314-510-347-1-AS-SP2 1-1 SMI-2
- Matrix / Runout (Variant 10: runout side B): 020 212110-B-1 II (U2 8-B-9) trumpet logo SRC logo 314-510-1-BS-SP2 A̶A̶ 1-1 SM1-1
Other Versions (5 of 405)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Recently Edited
|
Achtung Baby (LP, Album) | Island Records | 510 347-1 | US | 1991 | ||
Achtung Baby (CD, Album) | Island Records | 262 110 | Europe | 1991 | |||
Recently Edited
|
Achtung Baby (CD, Album, Digi-Trak) | Island Records | 314-510 490-2 | US | 1991 | ||
Recently Edited
|
Achtung Baby (Cassette, Album) | Island Records | 510 347-4, UC 28 | UK | 1991 | ||
Recently Edited
|
Achtung Baby (Cassette, Album, SR, Chrome, Dolby System) | Island Records | 314-510 347-4 | US | 1991 |
Recommendations
Reviews
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What is the difference to this pressing from 1991? Both issues with the uncensored Adam Clayton nude image on back sleeve?
<https://discogs.sitiodesbloquea.com/de/U2-Achtung-Baby/release/1435215> -
I am not enthusiastic about the sound of the vinyl. It sounds a bit pinched or compressed. There is sufficient bass but I miss dynamics and it is not sparkling. I am not sure if this is specifically related to the vinyl, too many songs per side, or to the mastering. I am not able to compare it with the CD sound.
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I’ve loved this band since seeing them on a tv show in the late 70’s in N. Ireland but as U2 records go.. this is shite... sorry.!
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Wow, this sounds really nice. I always thought the sound of both the initial CD version and the remastered CD version were much to dense and compressed, surely owed to the very "fat" multi-track production. This vinyl version sounds much more open and wide, drums and bass guitar i.e. on "So cruel" are so alive and kicking.
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Referencing Achtung Baby LP Translucent Vinyl U28 510347-1
The cover is poor coloured, but the record's sound is fine, I have re-issue Netherland and no have much different, rich bass, light trebles.
Track A1 have a hum aat beging the song. -
Edited 12 years agoU2 never was a rock'n'roll band in the early Stones sense of the genre, they were and are a pop band. Their early records do sound like the 80`s, little cheesy but very popular. Good music, reaches far, and carry mild political "soft riot" messages. It works. U2 is purifying music, puts you in a nice contemplative mood, it flows and you're feeling good.
Every old band went through changes in their career to update software and hardware. Depeche Mode is a good example or the U2. I grew up on my dad's early hard rock tapes went through goa and now into experimental electronica, I do like this electro-pop-rock U2, same little cheese as in the 80's but rich. So I don't see the point blaming them for playing popular music. It's not politics after all, being a populist in music, if it's honest, is totally acceptable. U2 sounds true, it's genuine, honest music.
My favorite song on this album is Acrobat. it's simple, powerful, emotional, all you need from the modern Western Pop-Zen
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