New Order – Music Complete
Label: |
Mute – STUMM390 |
|---|---|
Format: |
|
Country: |
Europe |
Released: |
|
Genre: |
Rock |
Style: |
Tech House |
Tracklist
| A1 | Restless | 5:26 | |
| A2 | Singularity | 5:37 | |
| A3 | Plastic | 6:58 | |
| B1 | Tutti Frutti | 6:22 | |
| B2 | People On The High Line | 5:41 | |
| B3 | Stray Dog | 6:14 | |
| C1 | Academic | 5:54 | |
| C2 | Nothing But A Fool | 7:42 | |
| D1 | Unlearn This Hatred | 4:18 | |
| D2 | The Game | 5:06 | |
| D3 | Superheated | 5:03 |
Companies, etc.
- Copyright © – New Order Ltd.
- Licensed To – Mute Artists Ltd.
- Phonographic Copyright ℗ – New Order Ltd.
- Pressed By – Optimal Media GmbH – BF94880
- Published By – Universal Music Publishing
- Published By – BMG Rights Management (UK) Limited
- Published By – Universal - Polygram International Publishing, Inc.
- Mastered At – Abbey Road Studios
- Lacquer Cut At – Abbey Road Studios
Credits
- Arranged By [String Arrangements], Conductor [Strings] – Joe Duddell (tracks: A1, B1, B2, C3, D2)
- Art Direction – Peter Saville (2)
- Backing Vocals – La Roux (tracks: A3)
- Cello – Nathaniel Boyd (tracks: A1, B1, B2, C3, D2)
- Design – Paul Hetherington
- Double Bass – Daniel Storer (tracks: A1, B1, B2, C3, D2)
- Engineer – George Atkins (tracks: A1, B1, B2, C3, D2)
- Engineer [Additional Engineering] – Steve Dub
- Engineer, Producer [Pre-Production] – Danny Davies
- Executive-Producer – Daniel Miller
- Lacquer Cut By – FA*
- Management [Managed By] – Rebecca Boulton
- Mastered By – Frank Arkwright
- Mixed By – Stuart Price (tracks: D3)
- Mixed By [Assistant] – Eduardo de la Paz (tracks: A1, A2, B1 to D2)
- Producer – New Order (tracks: A1, A3 to C2, D2, D3)
- Producer [Additional Production] – Stuart Price (tracks: D3)
- Strings – Manchester Camerata Strings* (tracks: A1, B1, B2, C3, D2)
- Viola – Rachel Jones (3) (tracks: A1, B1, B2, C3, D2)
- Violin – Sophie Mather (tracks: A1, B1, B2, C3, D2)
- Vocals – La Roux (tracks: B1, B2)
- Vocals [Italian Spoken Vocal] – Giacomo Cavagna (tracks: B1)
- Written-By – New Order
- Written-By, Producer – Tom Rowlands (tracks: A2, D1)
- Written-By, Vocals – Brandon Flowers (tracks: D3)
Notes
Managed by Rebecca Boulton and Andrew Robinson at Prime Management.
New Order published by Universal Music Publishing. Tom Rowlands published by BMG Rights Management (UK) Limited. Brandon Flowers published by Universal-PolyGram International Publishing, Inc. (ASCAP).
Addiltonal engineering by Jim Spencer at Eve Studios, Stockport, Rafael Pereira at Elite Music Studios, Miami, Robert Root at Battle Born Studios, Las Vegas, and Steve Dub at Rowlands Audio Research.
Mixed by Craig Silvey and assisted by Eduardo de lo Paz at Toast Studios, London.
Strings recorded at 80 Hertz Studios, The Sharp Project, Manchester.
℗ 2016 New Order Ltd under exclusive license to Mute Artists Ltd
© 2016 New Order Ltd under exclusive license to Mute Artists Ltd
Gatefold sleeve. Includes a 12 Page booklet and digital copy.
Made in the EU.
Printed in the EU.
Cat.no. LSTUMM390 is found on a sticker on the front of the cover on the shrink wrap.
Cat.no. LSTUMM390 and Barcode 5051083095648 are found on a sticker on the back of the cover on the shrink wrap, covering the cat.no. STUMM390 and Barcode 5051083094740, which are both printed on the cover.
New Order published by Universal Music Publishing. Tom Rowlands published by BMG Rights Management (UK) Limited. Brandon Flowers published by Universal-PolyGram International Publishing, Inc. (ASCAP).
Addiltonal engineering by Jim Spencer at Eve Studios, Stockport, Rafael Pereira at Elite Music Studios, Miami, Robert Root at Battle Born Studios, Las Vegas, and Steve Dub at Rowlands Audio Research.
Mixed by Craig Silvey and assisted by Eduardo de lo Paz at Toast Studios, London.
Strings recorded at 80 Hertz Studios, The Sharp Project, Manchester.
℗ 2016 New Order Ltd under exclusive license to Mute Artists Ltd
© 2016 New Order Ltd under exclusive license to Mute Artists Ltd
Gatefold sleeve. Includes a 12 Page booklet and digital copy.
Made in the EU.
Printed in the EU.
Cat.no. LSTUMM390 is found on a sticker on the front of the cover on the shrink wrap.
Cat.no. LSTUMM390 and Barcode 5051083095648 are found on a sticker on the back of the cover on the shrink wrap, covering the cat.no. STUMM390 and Barcode 5051083094740, which are both printed on the cover.
Barcode and Other Identifiers
- Barcode: 5051083095648
- Barcode: 5051083094740
- Label Code: LC27959
- Matrix / Runout: BF94880-01 A1
- Matrix / Runout: BF94880-01 B1
- Matrix / Runout: BF94880-02 C1
- Matrix / Runout: BF94880-02 D1 FA ABBEY ROAD
Other Versions (5 of 36)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
New Submission
|
Music Complete (CD, Album) | Traffic (3) | TR 200 | Japan | 2015 | ||
|
New Submission
|
Music Complete (CD, Album, Limited Edition, M Size T-shirt) | Traffic (3) | TRTM-200 | Japan | 2015 | ||
|
Recently Edited
|
Music Complete (CD, Album) | Mute | 9628-2 | US | 2015 | ||
| Music Complete (2×LP, Album) | Mute | STUMM390 | Europe | 2015 | |||
|
New Submission
|
Music Complete (2×LP, Album) | Mute | 9628-1 | US | 2015 |
Recommendations
Reviews
-
Edited one year agoThe last New Order album that featured any decent PSA artwork was Technique in 1989. It's been downhill all the way ever since - the law of diminishing artistic returns I have to say. The obsession with white white white and lots of it (labels, covers, CD fronts and backs, booklets, and then centred Helvetica text at all costs) is now verging on not just the tedious but utterly self-parodic. That triple live album with Liam Gillick (with the stupid unpronounceable title) was taking the shiteness of whiteness to its ultimate limit. The booklet on this album is a classic example of a complete and utter waste of valuable paper and ink. At least have a few colour variations on the front design for crying out loud. Anything but yet more blasted boring acres of whiteness.
The music? Oh..... now you're asking. It's exactly what you'd expect from New Order. Nothing too remarkable. It's far better than the completely forgettable Lost Sirens and half better than the one before that. Suffice to say that their greatest days were already long behind them even before Hooky left. The fact that the critics were saying that this was the best NO album since Technique if anything damns it with faint praise. Technique had no fillers at all. This one has at least four. -
-
Agreed - the clear vinyl really does sound remarkably good. Silent background, sharp detail - a very satisfying overall mastering job. -
Bought this the day it came but only just had the opportunity to have a listen. It is a great record. I'm almost surprised by how great. And the clear vinyl, happily, sounds brilliant. I'm normally a bit skeptical about coloured vinyls and especially clear, but no problems here at all.
-
12 page booklet is pointless (the information you really want to know about is on the back page), the actual clear vinyl pressing is astonishing though from Mute Records - superb sonics throughout and a really consistent album.
Mostly all killer and no filler with so many standout tracks. Superb stuff from Bernard & co. -
Great return to form. The clear vinyl is well pressed and the sound quality is very good. Lovely package, although the 12 page booklet is slightly disappointing.
Release
See all versions
Recently Edited
Recently Edited
For sale on Discogs
Sell a copy
24 copies from $36.36