Tracklist
1 | Machine Messiah | 5:55 | |
2 | I Am The Enemy | 2:28 | |
3 | Phantom Self | 5:30 | |
4 | Alethea | 4:32 | |
5 | Iceberg Dances | 4:42 | |
6 | Sworn Oath | 6:09 | |
7 | Resistant Parasites | 4:58 | |
8 | Silent Violence | 3:46 | |
9 | Vandals Nest | 2:48 | |
10 | Cyber God | 5:23 |
Companies, etc.
- Phonographic Copyright ℗ – Nuclear Blast Records
- Copyright © – Nuclear Blast Records
- Record Company – Nuclear Blast America
- Record Company – Nuclear Blast Europe
- Produced At – Fascination Street Studios
- Mixed At – Fascination Street Studios
- Mastered At – Fascination Street Studios
- Recorded At – Dynamic Studios, Santo André
- Designed At – hkbdesign.com
- Published By – Edition MusiConsult
- Licensed From – Sepultura US Inc.
- Manufactured By – The ADS Group – 17406-CD-0154
Credits
- Arranged By [Horn Quintet, Mini Moog And Hammond Arranged By], Horn [Horn Quintet], Synthesizer [Mini Moog], Organ [Hammond], Conductor [Horn Quintet, Mini Moog And Hammond Conducted By] – Renato Zanuto
- Bass – Paulo Xisto*
- Composed By [Violins Composed By], Arranged By [Violins Arranged By] – Kevin Codfert
- Conductor [Conducted By] – Kevin Codfert
- Drums, Percussion – Eloy Casagrande
- Edited By [Editing By], Mixed By [Mixing Assistance By] – Linus Corneliusson
- Engineer [Additional Engineering] – Viktor Stenquist
- Engineer [Drum Engineering By] – David Castillo (5)
- Guitar [Guitars] – Andreas Kisser
- Horn [Horn Quintet] – Rafael Nascimento
- Layout [@], Artwork [Additional Artwork, @] – hkbdesign.com*
- Layout, Design, Artwork [Additional Artwork] – Javier Andrés
- Management – Tom Gil (2)
- Management [International Business Affairs & Licensing] – Musiconsult Network
- Marketing [Digital Marketing For Artists] – Agência 1 A 1
- Mastered By – Tony Lindgren
- Painting [Front Cover Artwork Is A Painting By] – Camille Della Rosa
- Performer [Myrath Orchestra is] – Youssef Belheni
- Photography By [Back Cover Photos By] – David Owen Blakley
- Photography By [Back Cover Photos For] – "Her Name Is Murder" Productions
- Photography By [Band Live Photo By] – Dedè Moreira*
- Photography By [Front Cover Artwork Is A Painting, Photographed By] – Erik Cupino
- Photography By [Individual Live Photos By] – Gorka Rodrigo
- Producer [Produced By], Mixed By – Jens Bogren
- Programmed By [Additional Programming By] – André Alvinzi
- Technician [Drum Tech] – Ludwig Näsvall
- Violin [Violins Performed By] – Myrath Orchestra
- Vocals – Derrick Green
Notes
Produced and mixed at Fascination Street Studios and Örebro, Sweden.
Mastered at Fascination Street Studios, Sweden.
Horn quintet, mini moog and hammond recorded at Dynamic Studios, Santo André, SP. Brazil.
Sepultura is published by Edition Musiconsult,
Licensed from Sepultura US Inc., Culver City CA 90232 USA
℗+© 2017 Nuclear Blast Records
Mastered at Fascination Street Studios, Sweden.
Horn quintet, mini moog and hammond recorded at Dynamic Studios, Santo André, SP. Brazil.
Sepultura is published by Edition Musiconsult,
Licensed from Sepultura US Inc., Culver City CA 90232 USA
℗+© 2017 Nuclear Blast Records
Barcode and Other Identifiers
- Barcode (Scanned): 727361364021
- Barcode (Text): 7 27361 36402 1
- Matrix / Runout: 17406-CD-0154 16-338-02 3640-2
- Mastering SID Code: IFPI LK13
- Mould SID Code: none
Other Versions (5 of 27)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Recently Edited
|
Machine Messiah (2×LP, Album) | Nuclear Blast | NB 3640-1, 27361 36401 | Europe | 2017 | ||
Machine Messiah (2×LP, Album, Limited Edition, Picture Disc) | Nuclear Blast | NB 3640-4, 27361 36404 | Europe | 2017 | |||
New Submission
|
Machine Messiah (CD, Album) | Nuclear Blast | GQCS-90263 | Japan | 2017 | ||
New Submission
|
Machine Messiah (2×LP, Album, Limited Edition, Blue/Blue-light) | Nuclear Blast | NB 3640-1, 27361 36401 | Europe | 2017 | ||
Recently Edited
|
Machine Messiah (CD, Album) | Nuclear Blast | NB 3640-2, 27361 36402 | Europe | 2017 |
Recommendations
Reviews
-
Edited one year agoSepultura have ARISEN
Sepultura started out as death/thrash metal, eventually mixing-in their Brazilian influences and apex-ing with CHAOS A.D. (1993) and ROOTS (1996). They started apex-ing again with the outstanding NATION (2001) and a string of quality concept albums where their death/thrash/groove metal is excellently crossed with power/prog.
Released in 2017, MACHINE MESSIAH is Sepultura's fourteenth full-length album and the eighth with Derrick Green from Cleveland, Ohio, on vocals. It didn't take long for the band to ARISE to greatness after the departure of original main-man Max Cavalera, but Andreas Kisser & the boys eventually did just that; and albums like NATION and MACHINE MESSIAH are Exhibit A.
What makes this album a winner is that it's not one-dimensional. There are all kinds of songs of varying speeds on the album mixed with various stylings, which keeps the soundscapes interesting. Sure, they're still death/thrash/groove, for the most part, but they're also MORE than that. Derrick, for instance, doesn't stick to his gruff voice, but throws-in several different vocalizations.
The opening title cut is one of my favorites, starting out acoustically and a tad eerie before kickin' in to overdrive. "I am the Enemy" is akin to Bathory's speedy material on, say, 2001's DESTROYER OF WORLDS. "Phantom Self" starts out with some symphonic elements before morphing into a catchy, speedy ditty. "Alethea" also has an interesting intro before going heavy. The instrumental "Iceberg Dances" is a death/prog cut and one of highlights of the album. "Sworn Oath" is one of my favorites, again starting acoustic & eerie before the heavy guitars kick-in; Green switches off the gruff vocals near the end.
"Resistant Parasites" is a cool death/doom hybrid. "Silent Violence" and "Vandal's Nest" are quality numbers with a couple highlights while closer "Cyber God" is another favorite with Green starting out with low vocals and, later, regular singing.
My CD includes two bonus tracks: "Chosen Skin" is as good as anything else on the album and "Ultraseven No Uta" is a sorta joke song, which nicely shows that the band have a humorous side.
GRADE: A
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