Weezer – Weezer
Label: |
Geffen Records – B0025433-01 |
|---|---|
Series: |
GAIN 2™ Ultra Analog LP 180g Series |
Format: |
Vinyl
, LP, Album, Limited Edition, Numbered, Reissue, Remastered, Special Edition
, Blue Solid, 180g, Gatefold
|
Country: |
US |
Released: |
|
Genre: |
Rock |
Style: |
Indie Rock |
Tracklist
| A1 | My Name Is Jonas | 3:23 | |
| A2 | No One Else | 3:14 | |
| A3 | The World Has Turned And Left Me Here | 4:26 | |
| A4 | Buddy Holly | 2:40 | |
| A5 | Undone (The Sweater Song) | 4:55 | |
| B1 | Surf Wax America | 3:04 | |
| B2 | Say It Ain't So | 4:18 | |
| B3 | In The Garage | 3:56 | |
| B4 | Holiday | 3:26 | |
| B5 | Only In Dreams | 8:03 |
Companies, etc.
- Recorded At – Electric Lady Studios
- Mixed At – Electric Lady Studios
- Published By – Publishing Designee
- Mastered At – Mobile Fidelity Sound Lab
- Produced For – Mobile Fidelity Sound Lab
- Distributed By – Mobile Fidelity Sound Lab, Inc.
- Licensed From – Universal Music Enterprises
- Phonographic Copyright ℗ – Geffen Records
- Copyright © – Geffen Records
- Manufactured By – Universal Music Enterprises
- Record Company – UMG Recordings, Inc.
- Pressed By – Record Technology Incorporated – 20551
- Pressed By – Record Technology Incorporated – 20520
Credits
- A&R [Artist & Repertoire] – Todd Sullivan (2)
- Art Direction – Michael Golob
- Band [Weezer:], Bass, Vocals – Matt Sharp
- Band [Weezer:], Drums – Patrick Wilson*
- Band [Weezer:], Guitar, Vocals – Brian Bell
- Band [Weezer:], Vocals, Guitar – Rivers Cuomo
- Design – Karl Koch (4)
- Design [For MFSL] – John A. Beck
- Engineer – Chris Shaw
- Engineer [Assistant] – Hal Belknap
- Lacquer Cut By, Mastered By – KW*
- Mastered By [Assisted] – Rob LoVerde
- Photography By [Cover Photo] – Peter Gowland
- Photography By [Inside Photo] – Peter Orth
- Producer – Ric Ocasek
- Written-By – Rivers Cuomo (tracks: A2, A4, A5, B2 to B5)
Notes
1/2" / 30 IPS analog master to DSD 64 to analog console to lathe
Numbered limited edition on solid blue vinyl. Mastered from the original master tapes and pressed on 180g vinyl in a gatefold sleeve. Silver hype sticker on poly bag "Special Blue Vinyl Edition." (SAME AS Marbled edition but w/ SOLID blue vinyl)
℗ & © 1994 Geffen Records
Recorded and Mixed at Electric Lady Studios, NYC, August - September 1993
All Songs Pub. Designee.
Mastered at Mobile Fidelity Sound Lab, Sebastapol, CA on THE GAIN 2 ULTRA ANALOG SYSTEM™
Production and Mastering by Mobile Fidelity Sound Lab
Specially Plated and Pressed on 180 grams of High Definition Vinyl • Special Static
Free - Dust Free Inner Sleeve • Heavy Duty Protective Packaging • Mastered from the
Original Master Tapes • Distributed by Mobile Fidelity Sound Lab, Inc.,
under license from Universal Music Enterprises
Mobile Fidelity Sound Lab gratefully acknowledges and thanks these individuals and companies for their technical and expertise: Tim de Paravicini, Edmund Meitner, Labs, EgglestonWorks, Sound Application, clear audio, STAX, Linn & Z-Systems,. Any sonic artifacts present are a product of the original master tape. Attempts to eliminate them would have negatively impacted the integrity of the presentation.
Numbered limited edition on solid blue vinyl. Mastered from the original master tapes and pressed on 180g vinyl in a gatefold sleeve. Silver hype sticker on poly bag "Special Blue Vinyl Edition." (SAME AS Marbled edition but w/ SOLID blue vinyl)
℗ & © 1994 Geffen Records
Recorded and Mixed at Electric Lady Studios, NYC, August - September 1993
All Songs Pub. Designee.
Mastered at Mobile Fidelity Sound Lab, Sebastapol, CA on THE GAIN 2 ULTRA ANALOG SYSTEM™
Production and Mastering by Mobile Fidelity Sound Lab
Specially Plated and Pressed on 180 grams of High Definition Vinyl • Special Static
Free - Dust Free Inner Sleeve • Heavy Duty Protective Packaging • Mastered from the
Original Master Tapes • Distributed by Mobile Fidelity Sound Lab, Inc.,
under license from Universal Music Enterprises
Mobile Fidelity Sound Lab gratefully acknowledges and thanks these individuals and companies for their technical and expertise: Tim de Paravicini, Edmund Meitner, Labs, EgglestonWorks, Sound Application, clear audio, STAX, Linn & Z-Systems,. Any sonic artifacts present are a product of the original master tape. Attempts to eliminate them would have negatively impacted the integrity of the presentation.
Barcode and Other Identifiers
- Barcode (Printed): 821797148016
- Matrix / Runout (Side A runout, etched): MFSL1-3̶9̶0̶ 480 A2̶.̶1̶ 3 KW @ MoFi 20551.1(3)
- Matrix / Runout (Side B runout, etched): MFSL1-3̶9̶0̶ 480 B2 KW @ MoFi 20520.2(3)
Other Versions (5 of 144)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
Recently Edited
|
Weezer (Cassette, Album, Dolby HX Pro, B NR) | DGC | DGCC-24629, dgcc-24629 | US | 1994 | ||
|
Recently Edited
|
Weezer (LP, Album) | Geffen Records | GEF 24629 | UK | 1994 | ||
|
Recently Edited
|
Weezer (CD, Album, Repress) | DGC | DGCSD 24629 | Canada | 1994 | ||
|
New Submission
|
Weezer (CD, Advance, Album, Promo) | DGC | DGCD-A-24629 | US | 1994 | ||
|
Recently Edited
|
Weezer (LP, Album, Stereo, Full Body Artwork ) | Geffen Records | GEF 24629 | UK | 1994 |
Recommendations
-
-
-
2020 USA & EuropeVinyl —LP, Album, Reissue, Remastered, Stereo -
-
2019 USVinyl —12", 45 RPM, Album, Numbered, Reissue, Remastered, Special Edition, Stereo -
-
2015 USVinyl —12", 45 RPM, Album, Limited Edition, Numbered, Reissue, Remastered -
2016 USVinyl —LP, Compilation, Limited Edition, Numbered, Reissue, Remastered, Special Edition -
-
Reviews
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Sounds pretty good. Depending on your system, you might want to bump up the treble. The bottom end is over-emphasized, in my opinion.
Rega P2
LP Gear AT-N3600DLXVL stylus
Yamaha RN303
Elac UF-51’s -
Can anyone who owns this please confirm that this version is _not_ translucent and actually different from the new version recently posted here: https://discogs.sitiodesbloquea.com/Weezer-Weezer/release/16987791 ? -
I have a to agree with previous posters in saying that this is a really fun edition. Sure it may not be the best example of an audiophile recording but this issue is so punchy and layered!! Can’t imagine it sounding better. -
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Been chasing a MOFI of this for a while, and was happy see if still available on the MOFI site for under $40 shipped. Glad I didn't get the DMM from Walmart for $17 and "splurged" on this... -
Mine looks very solid until I shine a light through it and then it appears marbled. Are we sure there are two different colors that warrant two different release pages?
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Typical MOFI low level with a bloated bottom end. The packaging and disc are gorgeous but I also felt a little let down with the sound on this one. Luckily it's going for $35. -
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Contrary to MichaelOC, I would say Krieg Wunderlich is pretty damn good... I have several of his remasters and they typically sound amazing. But I would also agree this pressing doesn't sound very good. It's nice that it's a colored MoFi release, a great collector's item at the very least, but the sound quality is inferior to the DMM version also released in 2016, for half the cost. I have both so no matter to me at this point but if it means being able to buy 2 records instead of this MoFi version, and the collector appeal doesn't mean much for you, then pick up a different copy. This is one of my worst-sounding MoFi releases. I also compared it to a digital version, which was just a hair below the DMM vinyl, and I mean it was splitting hairs. Alternating between the 3 in real-time, the MoFi just didn't have the brightness and clarity of the other two. A1 was MoFi, and the rest of side A was the DMM, with switchbacks to the digital version during both. Side B saw a return of the MoFi pressing, and it just didn't compare to the other 2. It had a muffled quality to it, and both people comparing the releases reached this same conclusion simultaneously.
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