Bushwacka!Healer

Label:

Oblong Records – OBL12002

Format:

Vinyl , 12", 45 RPM

Country:

UK

Released:

Genre:

Electronic

Style:

Tech House

Tracklist

This Side
A Healer (House Mix)
Logo Side
B Healer (Tek Mix)

Companies, etc.

  • Phonographic Copyright ℗Oblong Records
  • Copyright ©Oblong Records
  • Distributed ByIntergroove UK

Credits

  • Producer, Written-ByMatthew Bushwacka! B*
  • Written ByBenjamin*

Notes

Mistakenly labelled as 33rpm.

Barcode and Other Identifiers

  • Barcode (Text): 5 033154 607257
  • Matrix / Runout (Side A runout stamped): 08 43326 20 2A1 OBL 12002
  • Matrix / Runout (Side B runout stamped): 08 43326 20 1B1 OBL 12002

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Reviews

  • dylaf's avatar
    dylaf

    I love that the bassline on the TEK mix is pretty much a replay of 'For The Love Of Money' by The O'Jays!

    An ironic underpinning to the Healer vocals. I think our Mathew B was in a cynical mood when penning this! :)

    The original mix reminds heavily of Funk D'void. Class.
    • juampadj's avatar
      juampadj
      Vocal FX sample on Tek Mix comes from https://discogs.sitiodesbloquea.com/master/514151-Butchwax-Hee-Haw-Brayks
      "DON´T STOP - ALL THAT - TERRIFIC" and a short scratch "ahhhh" sample.
      • irrelevant4's avatar
        irrelevant4
        amazing track, vocal comes from "alabama 3 - peace in the valley":

        Whatever that thing is that you allow to keep you sane
        Your ace in your hole
        The psyche that keeps you from trying to guess what your pimp has in store for you
        Whatever keeps you from screaming out at this very moment in absolute and sheer horror
        Whatever you fuck your brain with, whatever that is
        Whatever that is
        It's a lie
        It's a lie
        • aquagak's avatar
          aquagak
          wicked:) .
          • A.B1's avatar
            A.B1
            samples Alabama 3
            • Carrzinho's avatar
              Carrzinho
              A: The speed and the brooding Saunderson synths make this a Detroit-esque epic for me. Huge soaring synths. Large spoken male vocal. It's a monster throughout. [GOLDTEN]
              B: Big Tech-House. Almost disco bassline and vaguely familiar vocal sample handled confidently throughout until slightly techy ending takes the shine off for me. [SEVEN]
              • Bourbonman's avatar
                Bourbonman
                Next year it is 10 years since this was released. Quite amazing how time flies by.
                To me this track carry alot of memory. Poppin up on some Essential Mix or other mix CD, it was played everywhere from 99 trough the millenium by every big-jock there was but was equally loved by the underground as well. Nostalgia grips me everytime i hear it and was to me also, one of the quality staple that year that marked the ending era of a generation of house music before it got dragged into the whole commercialism of dance music
                As for the track itself, it the kind you don't hear so much anymore. Hard to describe it, Jazzy rhythms and tribal beats. Dark & broding tech monster that suits a pitch black room.
                Bushwacka's finest moments by far i'd say. Mainly because this is one track i can drag out frequently and it doesn't hurt to play it for people again 10 years after.
                Forever stapled into my mind.
                • the_dude's avatar
                  the_dude
                  Edited 20 years ago
                  What a tune - great to play to a messy dance floor to make it even messier. Starts of innocently enough with a Kevin Sanderson style rumbling, building bassline, before breaking down for a male vocal "Whatever you fuck your brain with ... Whatever that is ... It's a lie ... It's a lie!" Play, sit back, watch the mayhem. enjoy!

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