Joni Mitchell – The Hissing Of Summer Lawns
Label: |
Asylum Records – 7E-1051 |
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Format: |
|
Country: |
US |
Released: |
|
Genre: |
Folk, World, & Country |
Style: |
Contemporary Jazz |
Tracklist
A1 | In They Kiss On Main Street | 3:17 | |
A2 | The Jungle Line | 4:20 | |
A3 | Edith And The Kingpin | 3:35 | |
A4 | Don't Interrupt The Sorrow | 4:04 | |
A5 | Shades Of Scarlet Conquering | 4:57 | |
B1 | The Hissing Of Summer Lawns | 3:00 | |
B2 | The Boho Dance | 3:56 | |
B3 | Harry's House / Centerpiece | 6:52 | |
B4 | Sweet Bird | 4:10 | |
B5 | Shadows And Light | 4:15 |
Companies, etc.
- Published By – Crazy Crow Music
- Published By – Caphryl Music
- Published By – Mad Man's Drum Music
- Manufactured By – Elektra/Asylum/Nonesuch Records
- Pressed By – Specialty Records Corporation
Credits
- Acoustic Guitar – Joni Mitchell (tracks: A1 to A4, B4)
- Bass – Wilton Felder (tracks: A3, A4)
- Drums – John Guerin (tracks: A1, A3 to B3)
- Electric Guitar – Larry Carlton (tracks: A3 to A5, B4)
- Electric Piano – Victor Feldman (tracks: A1, A5)
- Engineer [Assistant] – Ellis Sorkin
- Engineer, Mixed By – Henry Lewy
- Flute – Bud Shank (tracks: A3, B1 to B2)
- Mastered By – Bernie Grundman
- Photography By – Norman Seeff
- Piano – Joni Mitchell (tracks: A5, B4)
- Trumpet – Chuck Findlay* (tracks: B1, B3)
- Vocals, Mixed By, Design, Illustration – Joni Mitchell
- Written-By – Joni Mitchell (tracks: A1 to A5, B2, B4 to B5)
Notes
Embossed gatefold cover.
Spelling variation: track title for A5 spells name as "Scarlet" on rear cover and lyric sheet, and "Scarlett" on center labels (see images).
Runouts are etched except [SRC logo] is stamped.
Spelling variation: track title for A5 spells name as "Scarlet" on rear cover and lyric sheet, and "Scarlett" on center labels (see images).
Runouts are etched except [SRC logo] is stamped.
Barcode and Other Identifiers
- Rights Society (A1 to ): BMI
- Rights Society (B1, B3): ASCAP
- Price Code (Spine): 0698
- Pressing Plant ID (Labels): SP
- Matrix / Runout (Side A label): 7E-1051-A SP
- Matrix / Runout (Side B label): 7E-1051-B SP
- Matrix / Runout (Side A runout, variant 1): 7E-1051 A RE SP B1 [SRC logo]
- Matrix / Runout (Side B runout, variant 1): 7E-1051 B RE SP 1-2 [SRC logo]
- Matrix / Runout (Side A runout, variant 2): 7E-1051 A RE SP A2 [SRC logo]
- Matrix / Runout (Side B runout, variant 2): 7E-1051 B RE SP B1 [SRC logo]
- Matrix / Runout (Side A runout, variant 3): 7E-1051 A RE SP [SRC logo] 1-2
- Matrix / Runout (Side B runout, variant 3): 7E-1051 B RE SP [SRC logo] 1-1
- Matrix / Runout (Side A runout, variant 4): 7E-1051 A RE SP [SRC logo] 1-2
- Matrix / Runout (Side B runout, variant 4): 7E-1051 B RE SP [SRC logo] 1-2
- Matrix / Runout (Side A runout, variant 5): 7E-1051 A RE SP [SRC logo] 1-1
- Matrix / Runout (Side B runout, variant 5): 7E-1051 B RE SP [SRC logo] 1-1
Other Versions (5 of 111)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
The Hissing Of Summer Lawns (LP, Album, Gatefold) | Asylum Records | 53018, AS 53018, 7E-1051 | Netherlands | 1975 | |||
Recently Edited
|
The Hissing Of Summer Lawns (LP, Album, Gatefold) | Asylum Records | 7ES-1051 | Canada | 1975 | ||
The Hissing Of Summer Lawns (LP, Album, Quadraphonic, SP - Specialty Press) | Asylum Records | EQ-1051 | US | 1975 | |||
Recently Edited
|
The Hissing Of Summer Lawns (LP, Album, Gatefold) | Asylum Records | 7E-1051 | Australia | 1975 | ||
New Submission
|
The Hissing Of Summer Lawns (LP, Album, Gatefold) | Asylum Records | 53 018, 7E-1051 | 1975 |
Recommendations
Reviews
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I've heard this described as "easy listening". Track two is tribal drums, synth, and video game sounds for Christ's sake!
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Just heard this vinyl version for the first time (thanks Discogs seller Vinyl_Fever), sounds wonderful to my ears and superior to the CD. An extraordinary album.
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Edited one year agoReferencing https://discogs.sitiodesbloquea.com/release/1455268-Joni-Mitchell-The-Hissing-Of-Summer-Lawns
I have all of Joni's music digital/CDs and "Blue" on vinyl. Just picked up a minty OG locally. Wow very dynamic, nobody like Joni and her productions always top notch. Sweet music virtuosity. -
Fairly surprised how good this sounds. Nice separation of instruments, good sounding bass clear hi hats. Very surprised.
There is some surface noise but it’s not distracting
Personally not my favorite Mitchell album but also not as familiar with it. Seeing as how it sounds quite good, I’ll probably give it more play time than I’d thought. -
what a fantastic record this is. Everything of this pressing is terrific: the sound quality, the embossed cover, the artists and the songs themselves. i bought this cheap but it's one of my all time favorites. I cannot imagine there is a better sounding version of this album out there.
Edit: I seem to be right: the album in the new asylum years boxset has the same quality (not better, but surely a little more quiet). So if you are just looking for this record this seems the one to go for. -
One of THE great unappreciated albums of the 70's (or dare I say, of all time?). Some say you need to know her early work but you can come to this album from anywhere. When I first heard this Punk was emerging & as much as I loved punk it could never push this music out of my mind. I had never heard any of her early LP's & although everyone knew her pop songs from the radio, this was something new & strange. Very smooth, lush, "state of the art" U.S. recording, not to the average rock fan's taste for sure but it repays repeated listening. The brilliant lyrics are beautifully descriptive & underneath the glare of California sun they draw dark pictures of women from youth to middle age. Women as objects of men's desires, as objecting to & complicit in their own domestic & male society's imprisonment; sensual, frustrated, desperate, angry, scornful, dissenting. Apart from the opening track - very much typical slightly OTT "FM" radio fare of the time but perhaps representing "youth", the music conjures huge vistas. Drums pound through the jungle. Melodies are long & meandering, Mitchell's voice clear & fluid, jazz inflected, the guitars & horns swoop & shimmer, Hollywood-esque orchestrations flower & fade, piano's punctuate the spaces & Mitchell's subtle guitar underpins everything, until the final strange synthetic "Darkness & Light". Soul Music. Not the hollerin' chest-beating sort but soul music nonetheless. Everyone should have a copy. And listen to it. A lot.
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