Jackie McLean – It's Time!
Tracklist
| A1 | Cancellation | |
| A2 | Das' Dat | |
| A3 | It's Time | |
| B1 | Revillot | |
| B2 | 'Snuff | |
| B3 | Truth |
Companies, etc.
- Record Company – Capitol Records, LLC
- Record Company – Blue Note Records Inc.
- Copyright © – UMG Recordings, Inc.
- Recorded At – Van Gelder Studio, Englewood Cliffs, New Jersey
- Printed By – Stoughton Printing Co.
- Mastered At – Cohearent Audio
- Lacquer Cut At – Cohearent Audio
- Pressed By – Record Technology Incorporated – 35145
Credits
- Alto Saxophone – Jackie McLean
- Bass – Cecil McBee
- Design [Cover Design], Cover [Cover Design] – Reid Miles
- Drums – Roy Haynes
- Lacquer Cut By – KPG*
- Mastered By [LP Mastering By] – Kevin Gray
- Photography By – Francis Wolff
- Piano – Herbie Hancock
- Recorded By – Rudy Van Gelder
- Sleeve Notes – Nat Hentoff
- Supervised By [LP Supervision] – Joe Harley
- Trumpet – Charles Tolliver
Notes
Recorded on August 5, 1964 at Van Gelder Studio, Englewood Cliffs, New Jersey.
Matrices in runouts are etched.
Matrices in runouts are etched.
Barcode and Other Identifiers
- Barcode (Text): 6 02508 65927 0
- Barcode (Scanned, UPC-A): 602508659270
- Matrix / Runout (Label side A): B0031655-01 A
- Matrix / Runout (Label side B): B0031655-01 B
- Matrix / Runout (Runout side A): B0031655-01-A KPG@CA 35145.1(3)...
- Matrix / Runout (Runout side B): B0031655-01-B KPG@CA 35145.2(3)...
Other Versions (5 of 28)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
| It's Time! (LP, Album, Stereo) | Blue Note | 84179, BST 84179, ST-84179 | US | 1965 | |||
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Recently Edited
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It's Time! (LP, Album, Mono) | Blue Note | BLP 4179, 4179 | US | 1965 | ||
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New Submission
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It's Time! (LP, Album, Mono, DG both sides) | Blue Note | 4179, BLP 4179 | US | 1965 | ||
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New Submission
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It's Time! (LP, Album, Mono, DG side 1) | Blue Note | 4179, BLP 4179 | US | 1965 | ||
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Recently Edited
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It’s Time (LP, Album, Reissue, Stereo) | Blue Note | BST-84179 | US | 1966 |
Recommendations
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2021 WorldwideVinyl —LP, Album, Reissue, Stereo -
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Reviews
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I had missed the original Tone Poet pressing of this and it's been on my list of ones to grab for quite some time. With Blue Note's "End Of Summer Sale" I decided to pick it up this week. WOW! Jackie McLean, Herbie Hancock, Roy Haynes, and Cecil McBee together is amazing. I have never listened to Charles Tolliver before but will definitely be checking out more of his work as well! I love this album after having only listened to it once... a perfect mix of hard bop and avant garde jazz that occasionally borders on free jazz (this style is the best thing about '60s Blue Note IMO). The album cover is also classic '60s Blue Note. Pressing wise... my copy is flat, dead silent and I love the gatefold photos. 10/10!! -
This just got a repress, don't pay scalper prices. Just paid $40 Canadian from my local record store.
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This just got a repress, don't pay scalper prices. Just paid $40 Canadian from my local record store.
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Great choice for a Tone Poet release, a touch avant-garde but not too out there. Drums and cymbals sound really clear and crisp. Horns well balanced. A reasonable piano sound considering RVG recorded it. Some have commented the bass is underdone - it’s a little reserved but it’s still clear and easily discernible in the mix, just not as focused in sound as the other instruments. -
Amazing recording quality and fantastic Blue Note reissue. Get your hands on this !! AAA+++
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As others have mentioned, bass is a little lost in the mix. More on some tracks than others. The rest of the instruments sparkle and sound incredible
Equipment used:
* Rega Planar 6 w/NEO PSU
* Rega Exact cartridge
* Rega Elex-R
* Dali Oberon 5
* Blue Jeans Cables + interconnects
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Edited 4 years agotone poet overhype train and kevins gray overall work on these albums... this ear piercing album sounds good but not amazing for sure, you can barely hear cecil mcbee bass and he has few minor solos as well. as for the album itself the annoying long boogaloo themes make this attempt to avangarde outdated and don't really fit the content. its like trying to mix hard bop with something out, it just does not work. you will find interesting solos here but that boogaloo junk on most of the tunes makes it a bad matching overall. scares me away from repeated listenings. if I want to hear some ear catching hard bop I will listen to a proper one, which blue note has plenty anyway. -
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Man the instruments fly off the album. The stereo separation is as distinct as I’ve ever heard. At one point I was startled by the horns and I’m not on a crazy expensive set up. Highly recommend
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Release
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Recently Edited
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