Joni Mitchell – The Hissing Of Summer Lawns
Label: |
Nimbus Records – K53018 |
---|---|
Series: |
Supercut |
Format: |
|
Country: |
UK |
Released: |
|
Genre: |
Pop |
Style: |
Classic Rock |
Tracklist
A1 | In They Kiss On Main Street | 3:17 | |
A2 | The Jungle Line | 4:20 | |
A3 | Edith And The Kingpin | 3:35 | |
A4 | Don't Interrupt The Sorrow | 4:04 | |
A5 | Shades Of Scarlet Conquering | 4:57 | |
B1 | The Hissing Of Summer Lawns | 3:00 | |
B2 | The Boho Dance | 3:56 | |
B3 | Harry's House / Centerpiece | 6:52 | |
B4 | Sweet Bird | 4:10 | |
B5 | Shadows And Light | 4:15 |
Companies, etc.
- Record Company – Warner Communications
- Distributed By – WEA Records Ltd.
- Copyright © – Elektra/Asylum Records
- Phonographic Copyright ℗ – Elektra/Asylum Records
- Published By – Warner Bros. Music
- Published By – Carlin Music
- Mastered At – Nimbus Records
- Pressed By – Nimbus Records
- Printed By – Gothic Print Finishers Ltd.
- Lacquer Cut At – Nimbus
Credits
- Bass – Max Bennett (tracks: A1, A5, B1 to B3)
- Drums – John Guerin (tracks: A1, A3 to A5, B1 to B3)
- Guitar – Larry Carlton (tracks: A3 to A5, B4)
- Lacquer Cut By – JWG*
- Lead Vocals – Joni Mitchell
Notes
Publishers:
Warner Bros. Music - Tracks A1 to B2, B3a (Harry's House), B4, B5
Carlin Music - Track B3b (Centerpiece)
Nimbus Supercut audiophile limited edition pressing mastered from original source tapes limited edition available by mail-order only for readers of 'Practical Hi-Fi and 'Hi-Fi Today' magazine.
Nimbus mastered each release from the original master tapes using the best available mastering processes, employing many techniques for each release that were not commonly used. For example, generally when bass moves from channel to channel on an LP, groove modulation is employed to reduce the movement of the stylus and this results in this bass being centered more over both channels. Most audiophiles would argue that this - and in fact anything, which changes the original recording should be avoided although this is common practice on most LPs. On Nimbus Supercuts the bass can move from channel to channel, Nimbus did not limit this, resulting in an outstanding pressing. Nimbus also had the ICI company produce an extremely pure vinyl for the LPs, which has amazing frequency reproduction.
Gerald Reynolds, the owner of Nimbus record company, said to the English magazine Hi-Fi News & Record Review (July, 2010): "One of the hi-fi magazines in the 1970s, Practical Hi-Fi did a wonderful job in getting the original master tapes for LPs, from artists like Supertramp and Joan Armatrading and we cut and pressed them as supercuts. Although we archived one of everything, we did not keep stocks - which is a real pity because they now change hands at hundreds of pounds a time".
Sleeve printed and made in England by Gothic Print Finishers Ltd., London SE9 2EQ.
Warner Bros. Music - Tracks A1 to B2, B3a (Harry's House), B4, B5
Carlin Music - Track B3b (Centerpiece)
Nimbus Supercut audiophile limited edition pressing mastered from original source tapes limited edition available by mail-order only for readers of 'Practical Hi-Fi and 'Hi-Fi Today' magazine.
Nimbus mastered each release from the original master tapes using the best available mastering processes, employing many techniques for each release that were not commonly used. For example, generally when bass moves from channel to channel on an LP, groove modulation is employed to reduce the movement of the stylus and this results in this bass being centered more over both channels. Most audiophiles would argue that this - and in fact anything, which changes the original recording should be avoided although this is common practice on most LPs. On Nimbus Supercuts the bass can move from channel to channel, Nimbus did not limit this, resulting in an outstanding pressing. Nimbus also had the ICI company produce an extremely pure vinyl for the LPs, which has amazing frequency reproduction.
Gerald Reynolds, the owner of Nimbus record company, said to the English magazine Hi-Fi News & Record Review (July, 2010): "One of the hi-fi magazines in the 1970s, Practical Hi-Fi did a wonderful job in getting the original master tapes for LPs, from artists like Supertramp and Joan Armatrading and we cut and pressed them as supercuts. Although we archived one of everything, we did not keep stocks - which is a real pity because they now change hands at hundreds of pounds a time".
Sleeve printed and made in England by Gothic Print Finishers Ltd., London SE9 2EQ.
Barcode and Other Identifiers
- Matrix / Runout (A): NIMBUS ENGLAND K53018-A3 NRL JWG 3 MPT V JH
- Matrix / Runout (B): NIMBUS ENGLAND K53018-B2 NRL JWG 3 MPT V JH
Other Versions (5 of 111)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
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Recently Edited
|
The Hissing Of Summer Lawns (LP, Album, Stereo, SP - Specialty Pressing) | Asylum Records | 7E-1051 | US | 1975 | ||
The Hissing Of Summer Lawns (LP, Album, Gatefold) | Asylum Records | 53018, AS 53018, 7E-1051 | Netherlands | 1975 | |||
Recently Edited
|
The Hissing Of Summer Lawns (LP, Album, Gatefold) | Asylum Records | 7ES-1051 | Canada | 1975 | ||
The Hissing Of Summer Lawns (LP, Album, Quadraphonic, SP - Specialty Press) | Asylum Records | EQ-1051 | US | 1975 | |||
Recently Edited
|
The Hissing Of Summer Lawns (LP, Album, Gatefold) | Asylum Records | 7E-1051 | Australia | 1975 |
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