James Mason – Rhythm Of Life

I can't believe the silly prices being asked for original copies. The LP is clearly not that rare and to be fair it only has maybe two standout tracks. Come on people get a grip. This insanity needs to stop. This is coming from someone who owns an original copy.

I. Just. Can't. Believe. It.
Today, I must have been one of the luckiest records digger in the whole world.
Today, I found a 1977 original copy of one of my favourite records ever, James Mason's "Rhythm Of Life", in NM condition, still in shrink, for.... 30 €. Yes, you read it right.
It was in a junk shop, ok, but the dealer knew a bit about records and prices. So, the only explanation that comes to my mind is that he got mistaken by thinking it was one of the numerous later reissues. But I have checked carefully, and everything matches, label, writings on runouts, stamps, fonts, logo's position - and it looks obviously like a vintage pressing, with an old importation sticker on shrink, and the unmistakable smell of a cover done decades ago.
Man, I just can't believe it.
To whoever God, Spirit, or Holy Ghost who made that happen, THANK YOU. Such wonders happen only once in a lifetime.
Oh, and just for the information : Yes, it sounds as wonderful as you would expect.
Today, life is just BEAUTIFUL.

Stevie Wonder pastiche. I've never understood the demand for this LP.

People keep asking for a review of the best and worst sounding vinyl copies.

Judging these from experience of having owned 3 originals at one time, all of the below and a lesser fun time taking a punt on the worst ones. I kept one original, one Japanese and one official 2019 re-release version.

Hopefully i can shed a fair light on all of them although i know, what we hear and what on, is subjective.
My equipment is all analog, 1984 formula sound pm80, Technics 1210, Audio Technica 95e, 1980s Pioneer amp and speakers.

#1 Original 1977 Although some of these had a little light noise on the quiet intros... luck of the draw?

#2 Japanese 2012 Shout versions, is almost 99,9 percent true to the original, perfection in every way packaging with textured sleeve just like original, and sounds fabulous, not sure it can it be as good as pressed from the 77 master? Probably not quite, but if you can afford one go for it.

#3 Sure Shot 1993 Nice sound, just silver label without chiaroscuro design.

#4 Soul Brother - 1999 release (Some of the vinyl presses from this label in the past have had their problems, luck of the draw, but sound is OK)

#5 Official re-release 2019* White labels with black text version. and printed CHIAROSCURO / CR-189 front of sleeve bottom left. (well made music stamped in run-out) Not bad overall, the difference is night and day compared to the ones below. Nice budget version.
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EBAY sellers have been using the re- release picture and sending out scorpio unofficial so be careful and ask.
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All down hill from here

2014 / 2017 / unofficial, have repro labels. Flat sounding, bumpy vinyl, distortion on highs. BIG TELL,,, the unofficial ones. DO NOT have Chiaroscuro / CR-189 on front sleeve at bottom left. (See above for official re-release.

A true musical gem that unfortunately slipped through the cracks. This guy was on par with Norman Connors, George Duke & Donald Byrd of the Mizell years. Whatever happened to him? PLEASE! Someone tell me!

Could someone please comment on the sound quality of the 1999 Soul Brother Records reissue? Cheers

read al the comments but no mention about the quality or bootleg or not rom the 1999 soul brother release,any comments

Hi Rick, I'm not too sure what you're disagreeing with. But yep (aside from your numbers) your comments are accurate. Wow!! 50 sealed copies, is a great one off find (I doubt whether anyone else found similar a haul), even in the eighties when only UK collectors were interested in this album. Thanks for clarifying further checkable info people can use to find out if they have the original. BTW the originals were pressed in just one run and was never repressed. The fairly recent Japanese 'Shout! Productions' reissue of the LP and 7" promos were limited to 1000 copies as Shout! wanted to mirror the production and original release of the album and promo 7"s as closely as possible therefore James Mason supervised the reissue personally. So yes I also agree 1000 (total number of LP and 7"s together and NOT JUST the LP) are likely to have been pressed. Considering a fair number of those copies are likely to have been 'junked' as you put it. I suppose this vindicates my view that true originals are a pretty rare find nowadays. Maybe there were more around during the 80's, but I still doubt, considering the likelyhood years of attrition etc, there is much more than 100 genuine original pressings floating around.

Hi Alan, don't think it's as rare as you think, I found 50+ copies of it in the U.S. at various locations in the late 80's exactly as you describe - in one-stop distributors (sealed) or the occasional shop, (cut outs) with the tell-tale Dennis King mastering stamp on the A-side. There is another shape stamped on both sides that I can only describe as looking like an open book ? Have to look it up; maybe the metalwork processing plant stamp. I think it's likely there were 1000 pressed as an initial, probably had a re-press too - but that's peanuts for a territory as big as the US. Many of the cutouts also showed slight signs of water damage so it's possible some got junked..

LONDON is where the cult of 'Rhythm of Life' really begun to explode, during the glorious Jazz-Funk years of the early eighties. No one was remotely interested in this album until then.

During that period, you could still travel to the USA and find this (if you were lucky) normally gathering dust in 'mom and pops' stores or distributor warehouses, where many neglected and forgotten vinyl releases saw their final days for $2 and less. (The irony of today's world where many are now as sought after holy grails :-)

Today, 40 years later.....
Thank you to ALL the London based pirate radio, street DJ's and collectors for one of the greatest finds in modern black music.