Tracklist
| A1 | Devil's Haircut | 3:14 | |
| A2 | Hotwax | 3:49 | |
| A3 | Lord Only Knows | 4:15 | |
| A4 | The New Pollution | 3:39 | |
| A5 | Derelict | 4:13 | |
| A6 | Novacane | 4:37 | |
| A7 | Jack-Ass | 4:12 | |
| B1 | Where It's At | 5:30 | |
| B2 | Minus | 2:32 | |
| B3 | Sissyneck | 3:57 | |
| B4 | Readymade | 2:37 | |
| B5 | High 5 (Rock The Catskills) | 4:11 | |
| B6 | Ramshackle | 4:47 |
Companies, etc.
- Record Company – Universal Music
- Phonographic Copyright ℗ – Geffen Records
- Copyright © – Geffen Records
- Published By – Youthless
- Published By – Kobalt Music Publishing
- Published By – Dust Brothers Music
- Recorded At – P Labs
- Recorded At – G-Son Studios
- Recorded At – The Shop
- Recorded At – Sunset Sound
- Recorded At – Conway Studios
- Mixed At – Conway Studios
- Manufactured By – Pallas USA
- Pressed By – Schallplattenfabrik Pallas GmbH – 40188
- Distributed By – Universal Music Distribution
Credits
- Acoustic Guitar, Slide Guitar, Electric Guitar, Vocals, Harmonica, Bass, Drums, Percussion, Keyboards [Analog Keyboards], Electric Piano, Clavinet, Organ, Celesta – Beck Hansen
- Art Direction, Design – Robert Fisher (4)
- Artwork [Collage Images] – Zarim Osborn
- Bass – Charlie Haden (tracks: B6)
- Coordinator [LP Coordinator] – Surfer Brad
- Drums – Joey Waronker (tracks: A6, B2)
- Lacquer Cut By – BG*
- Layout [LP Layout] – Susannah Layne
- Layout [Poster Layout] – Marine Derrick
- Mastered By – Richard Simpson
- Mixed By – Tom Rothrock (tracks: B6)
- Musician [The Wizard] – Ross Harris
- Organ – Mike Boito (tracks: B3, B5)
- Painting [Inlay Painting] – Manuel Ocampo
- Percussion – Joey Waronker (tracks: A3, B5, B6)
- Photography By [Beck Photos] – Nitin Vadukul
- Photography By [Cover Photo] – Ludwig*
- Producer – Tom Rothrock (tracks: B6)
- Trumpet, Organ – Mike Boito (tracks: B1)
- Written-By – Simpson* (tracks: A1, A2, A4 to B1, B3 to B5)
Notes
Includes a 12" printed insert.
℗ © 2016 Geffen Records
All songs [...] published by Youthless/Kobalt Music Publishing/Dust Brothers Music ASCAP except "Ramshackle," "Lord Only Knows" and "Minus" [...] published by Youthless/Kobalt Music Publishing ASCAP
Recorded in 1994/1995 at P Labs Mixed at Conway Studios [...] except "Minus" [...] Recorded at G-Son Studios and "Ramshackle" [...] Recorded at The Shop, Sunset Sound and Conway Studios and mixed at Conway Studios.
"Devil's Haircut" contains a sample from "Out Of Sight" (James Brown) published by Fort Knox Music BMI, performed by Them, courtesy of the Decca Record Co.; a sample from "Soul Drums" (Bernard Purdie) published by Tenryk Music BMI, performed by Pretty Purdie, courtesy of Sony Music; and elements from "I Can Only Give You Everything" (Philip Coulter/Thomas Scott) published by Carbert Music ASCAP.
"Hotwax" contains a sample from "Song For Aretha" (Bernard Purdie/Horace Ott/Robert Thiele) published by Tenryk Music/Well Made Music BMI, performed by Pretty Purdie; and a sample from "Up On The Hill" (Monk Higgins/Alexandra Brown) published by Special Agent Co./Tippy Music Publishing ASCAP, performed by Monk Higgins & The Specialties, courtesy of Blue Note Records, a division of Capitol Records, Inc.
"Lord Only Knows" contains elements from "Lookout For Lucy" (Mike Millius/Don Thomas) published by by Southern Music Publishing Company, Inc. ASCAP performed by Mike Millius, courtesy of MCA Records, Inc.
"The New Pollution" contains a sample from "Venus" (Brad Baker) published by Sonny Lester Music Publishing Co. ASCAP, performed by Joe Thomas, courtesy of LAC Ltd.
"Jack-ass" contains a sample from "It's All Over Now, Baby Blue" (Bob Dylan) published by Special Rider Music SESAC, performed by Them, courtesy of Decca Record Co. Licensed from Exile Productions Limited.
"Where It's At" contains a sample from "Needle To The Groove" (Embden Toure/Khaleel Kirk) published by Hit And Hold Music, Inc. ASCAP, performed by Mantronix, courtesy of Warlock Records.
"Sissyneck" contains elements from "The Moog And Me" (Dick Hyman) published by Eastlake Music, Inc. ASCAP, performed by Dick Hyman, courtesy of MCA Records, Inc. and elements from "A Part Of Me" (Paris/Taylor) published by Zethus Music, istered by Chappell & Co., Inc. ASCAP. All Rights Reserved. Used by permission.
"Readymade" contains excerpts from "Desafinado" (Antonio Carlos Jobim/Newton Mendonca) published by Bendig Music/Carcovado Corp. BMI, performed by Laurindo Almeida And The Bossa Nova All Stars, courtesy of Blue Note Records, a division of Capitol Records, Inc.
"High 5 (Rock The Catskills)" contains elements from "Mr. Cool" (Vincent Willis) published by Cotillion Music Inc./NAP Publishing Co./ Sylheart Publishing Co., istered by Warner Tamerlane Publishing Co., Inc. BMI performed by Rasputin's Stash, courtesy of Atlantic Recording Corp., by arrangement with Warner Special Products, Inc.
℗ © 2016 Geffen Records
All songs [...] published by Youthless/Kobalt Music Publishing/Dust Brothers Music ASCAP except "Ramshackle," "Lord Only Knows" and "Minus" [...] published by Youthless/Kobalt Music Publishing ASCAP
Recorded in 1994/1995 at P Labs Mixed at Conway Studios [...] except "Minus" [...] Recorded at G-Son Studios and "Ramshackle" [...] Recorded at The Shop, Sunset Sound and Conway Studios and mixed at Conway Studios.
"Devil's Haircut" contains a sample from "Out Of Sight" (James Brown) published by Fort Knox Music BMI, performed by Them, courtesy of the Decca Record Co.; a sample from "Soul Drums" (Bernard Purdie) published by Tenryk Music BMI, performed by Pretty Purdie, courtesy of Sony Music; and elements from "I Can Only Give You Everything" (Philip Coulter/Thomas Scott) published by Carbert Music ASCAP.
"Hotwax" contains a sample from "Song For Aretha" (Bernard Purdie/Horace Ott/Robert Thiele) published by Tenryk Music/Well Made Music BMI, performed by Pretty Purdie; and a sample from "Up On The Hill" (Monk Higgins/Alexandra Brown) published by Special Agent Co./Tippy Music Publishing ASCAP, performed by Monk Higgins & The Specialties, courtesy of Blue Note Records, a division of Capitol Records, Inc.
"Lord Only Knows" contains elements from "Lookout For Lucy" (Mike Millius/Don Thomas) published by by Southern Music Publishing Company, Inc. ASCAP performed by Mike Millius, courtesy of MCA Records, Inc.
"The New Pollution" contains a sample from "Venus" (Brad Baker) published by Sonny Lester Music Publishing Co. ASCAP, performed by Joe Thomas, courtesy of LAC Ltd.
"Jack-ass" contains a sample from "It's All Over Now, Baby Blue" (Bob Dylan) published by Special Rider Music SESAC, performed by Them, courtesy of Decca Record Co. Licensed from Exile Productions Limited.
"Where It's At" contains a sample from "Needle To The Groove" (Embden Toure/Khaleel Kirk) published by Hit And Hold Music, Inc. ASCAP, performed by Mantronix, courtesy of Warlock Records.
"Sissyneck" contains elements from "The Moog And Me" (Dick Hyman) published by Eastlake Music, Inc. ASCAP, performed by Dick Hyman, courtesy of MCA Records, Inc. and elements from "A Part Of Me" (Paris/Taylor) published by Zethus Music, istered by Chappell & Co., Inc. ASCAP. All Rights Reserved. Used by permission.
"Readymade" contains excerpts from "Desafinado" (Antonio Carlos Jobim/Newton Mendonca) published by Bendig Music/Carcovado Corp. BMI, performed by Laurindo Almeida And The Bossa Nova All Stars, courtesy of Blue Note Records, a division of Capitol Records, Inc.
"High 5 (Rock The Catskills)" contains elements from "Mr. Cool" (Vincent Willis) published by Cotillion Music Inc./NAP Publishing Co./ Sylheart Publishing Co., istered by Warner Tamerlane Publishing Co., Inc. BMI performed by Rasputin's Stash, courtesy of Atlantic Recording Corp., by arrangement with Warner Special Products, Inc.
Barcode and Other Identifiers
- Barcode (Printed): 6 02547 93378 2
- Barcode (Scanned): 602547933782
- Matrix / Runout (Label, side A): B0025124-01-A
- Matrix / Runout (Label, side B): B0025124-01-B
- Matrix / Runout (Side A runout): B0025124-01-A-RE1 P. USA -40188- BG
- Matrix / Runout (Side B runout): B0025124-01-B-RE1 P. USA -40188- BG
- Rights Society: ASCAP
- Other (Back cover): B0025124-01JK02
Other Versions (5 of 113)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
Recently Edited
|
Odelay (CD, Album) | Geffen Records | GED 24908 | UK | 1996 | ||
| Odelay (CD, Album) | Bong Load Custom Records | DGCD-24823 | US | 1996 | |||
| Odelay (LP, Album, Limited Edition, 180 gram) | Bong Load Custom Records | BL30, BL 30 | US | 1996 | |||
|
Recently Edited
|
Odelay (CD, Album, Limited Edition) | Bong Load Records | GED 24926 | Europe | 1996 | ||
| Odelay (CD, Album, Club Edition) | Bong Load Records | DGCD-24823, *DGCD-24823 | US | 1996 |
Recommendations
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2020 USA & EuropeVinyl —LP, Album, Reissue, Remastered, Stereo
Reviews
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I think this one sounds great! Lost of clarity and fullness. Major props for this one being a 90's era album that isn't a reissue with 2-3 songs spread across each side of two albums. -
Fine sounding cut of the record, Bernie did a fantastic job with this. Huge nuanced soundstage, Beck teleporting like a ghost in and out between the speakers…. The bong load is cut hotter and seems to have more drive. That said the pressing quality here is outstanding thanks to the master pressers at pallas. Mine is flat quiet and with out no fill. -
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Got mine as a repackaged as new but used return from Walmart. Still sounds greadt. But runout is extended. Can't find anywhere: 40785 1(3)... blackbelt - levi -
Great pressing. Great soundstage imaging separation & detail. A lot of record for $19…
VPI / Soundsmith
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With all those rave reviews on these BG cuts including all color editions and EU edition, I was really curious about SQ.
my copy comes with double side insert instead of 1996 Bong Load 6 page insert. And the print of sleeve looks a bit saturated compared to the 1996 Bong Load.
SQ? well, if you have 1996 Bong Load, don't waste 20 something dollar on this.
This is just OK sounding release. Overall sound is subdued on this release
Right after playing this edition, I put 1996 Bong Load on the deck, the differences are pretty each catch. You will need max. 1 minutes to recognize the superiority of 1996 Bong Load. This shoot-out didn't even require several playbacks. Bong Load release just pops out.
This album is not another Sea Change or Morning Phase. BG seemed to treat this album as such. So the all the fun and dynamic interplay of sound effects lost its sparks and buried in this BG cut.
Go and get 1996 Bong Load which isn't much expensive. If anyone insists this is better sounding than 1996 OG. well... I won't argue. How could I argue with someone who can't even see this easiest shoot-out.
Modded RP6 with Nagaoka MP500. Sugden A21se Signiture. ATC SCM 19v2. GS Accession with proper cabling. -
This sounds really good! BG did a fantastic job. I also have the ORG 4LP version, but I reach for this single LP when I want to hear this music -
Just picked up a new copy of this at one of my local shops. Sounds amazing, super detailed and quiet pressing. Mine had a "Made in " sticker on the rear shrinkwrap, and the inner sleeve is poly-lined paper. -
Edited 5 months agoThis record sounds a bit flat and compressed unfortunately: subdued and bass heavy. I only have the cd to compare this to but was hoping for something better, brighter, and more separation. The disc did come clean and flat though. But I don’t think I”ll listen to this much unfortunately as it doesn’t sound that great. -
Good pressing however anyone else noticed static/noise on the left channel on side A? My copy only? No such issue on side B
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