Solange (2)A Seat At The Table

Label:

Columbia – C179231

Format:

2 x Vinyl , LP, Album

Country:

Europe

Released:

Genre:

Funk / Soul

Style:

Soul

Tracklist

A1 Rise
ProducerSolange Knowles
Producer, Bass [Additional], Vocals [Additional]Raphael Saadiq
Synth [Additional]Sir Dylan
1:41
A2 Weary
ProducerSolange Knowles
Vocals [Additional]Tweet
3:14
A3 Interlude: The Glory Is In You
PerformerMaster P
ProducerSolange Knowles
0:17
A4 Cranes In The Sky
Edited By [Additional Synth Editing]Adam Bainbridge
ProducerSolange Knowles
SynthRogét Chahayed*
4:10
A5 Interlude: Dad Was Mad
PerformerMatthew Knowles*
ProducerSolange Knowles
0:46
B1 Mad
FeaturingLil Wayne
ProducerSolange Knowles
Vocals [Additional]Tweet
Written-By [Verse]Dwayne Carter
3:55
B2 Don't You Wait
BassPatrick Wimberly
ProducerSolange Knowles
Producer, BassTroy Johnson (3)
Producer, Bass, Vocals [Additional]Olubenga*
Producer, GuitarDave Longstreth*
4:05
B3 Interlude: Tina Taught Me
PerformerTina Knowles
ProducerSolange Knowles
1:14
B4 Don't Touch My Hair
Bass [Additional]Raphael Saadiq
Featuring, ProducerSampha
FlugelhornTodd Simon
ProducerSolange Knowles
Producer, Bass [Additional], Cowbell [Additional]Bryndon Cook
SaxophoneSam Robles
TrumpetTodd Simon
Written-By [Hook]Sampha Sisay
4:17
C1 Interlude: This Moment
PerformerSampha
ProducerSolange Knowles
0:49
C2 Where Do We Go
ProducerSolange Knowles
Producer, Vocals [Additional]Sean Nicholas Savage
4:24
C3 Interlude: For Us By Us
PerformerMaster P
ProducerSolange Knowles
0:52
C4 F.U.B.U.
FeaturingThe Dream*
OrganRostam Batmanglij
PianoRostam Batmanglij
ProducerSolange Knowles
Producer [Additional Horn Production]Rostam Batmanglij
ShakerRostam Batmanglij
Vocals [Additional]Tweet
Written-By [Verse]Terius Nash
5:13
C5 Borderline (An Ode To Self Care)
BassJosh David
Bass [Additional]Raphael Saadiq
Featuring, Producer, Keyboards, DrumsQ-Tip
GuitarChris Sholar*
KeyboardsCasey Benjamin
PianoJohn Kirby*
ProducerSolange Knowles
3:02
D1 Interlude: I Got So Much Magic, You Can Have It
PerformerSolange Knowles
Performer, FeaturingNia Andrews
0:26
D2 Junie
ProducerSolange Knowles
Producer, SynthJohn Kirby*
3:06
D3 Interlude: No Limits
PerformerMaster P
ProducerSolange Knowles
0:39
D4 Don't Wish Me Well
ProducerSolange Knowles
4:15
D5 Interlude: Pedestals
PerformerMaster P
Producer, PianoSolange Knowles
0:57
D6 Scales
Edited By [Additional Vocal Editing]Adam Bainbridge
FeaturingKelela
ProducerSolange Knowles
3:39
D7 Closing: The Chosen Ones
HornsLeon Silva*
PerformerMaster P
ProducerTroy Johnson (3)
0:42

Companies, etc.

  • Phonographic Copyright ℗Columbia Records
  • Copyright ©Columbia Records
  • Manufactured ByColumbia Records
  • Distributed ByColumbia Records
  • Record CompanySony Music
  • Record CompanySony Music Entertainment
  • Record CompanySony Music Entertainment International Services GmbH
  • Pressed ByOptimal Media GmbH – BG55635

Credits

  • Design [Uncredited]Querida (2)
  • Engineer [Mastering]Dave Kutch
  • Engineer [Mixing], Engineer [Recording]Mikaelin "Blue" Bluespruce*
  • Engineer [Recording]Victor Wainstein
  • Executive-ProducerRaphael Saadiq
  • ProducerTroy "R8DIO" Johnson*
  • Producer [Assistant]Kevin Peterson
  • Written-By, Executive-Producer, Arranged BySolange Knowles

Notes

Printed innersleeves.
Some copies include digital , others do not as stated (or not) on translucent hype sticker.
Durations not on product.
C179231 on labels.
℗& © 2016 Columbia Records, a Division of Sony Music Entertainment.
Made in the EU.

Barcode and Other Identifiers

  • Barcode (Scanned): 889853874712
  • Barcode (Printed): 8 89853 87471 2
  • Label Code: LC00162
  • Matrix / Runout (Side A runout, Handwritten, Var.1): AL 88985387471 S BG55635 - 01 A1
  • Matrix / Runout (Side B runout, Handwritten, Var.1): BL 88985387471 S BG55635 - 01 B1
  • Matrix / Runout (Side C runout, Handwritten, Var.1): CL 88985387471 S BG55635 - 02 C1
  • Matrix / Runout (Side D runout, Handwritten, Var.1): DL 88985387471 S BG55635 - 02 D1
  • Matrix / Runout (Side A runout, Handwritten, Var.2): AL 88985387471 TI1 Sw BG55635 - 01 A1
  • Matrix / Runout (Side B runout, Handwritten, Var.2): BL 88985387471 △I1 Sw BG55635 - 01 B1
  • Matrix / Runout (Side C runout, Handwritten, Var.2): CL 88985387471 T1 Sw BG55635 - 02 C1
  • Matrix / Runout (Side D runout, Handwritten, Var.2): DL 88985387471 XI1 Sw BG55635 - 02 D1
  • Matrix / Runout (Label A): AL88985387471
  • Matrix / Runout (Label B): BL88985387471
  • Matrix / Runout (Label C): CL88985387471
  • Matrix / Runout (Label D): DL88985387471
  • Rights Society: BIEM/GEMA

Other Versions (5 of 18)

View All
Title (Format) Label Cat# Country Year
New Submission
A Seat At The Table (21×File, FLAC, Album) Columbia none 2016
New Submission
A Seat At The Table (21×File, AAC, Album, 256 kbps) Columbia none 2016
New Submission
A Seat At The Table (CD, Album, Digipak) Saint Records (6) 88985 38746 2 US 2016
Recently Edited
A Seat At The Table (CD, Album, Digipak) Saint Records (6) 88985 38746 2, 88985387462 Europe 2016
A Seat At The Table (2×LP, Album) Saint Records (6) 88985387471 US 2016

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Reviews

  • stehly's avatar
    stehly
    Edited one year ago
    With the help of a magnifying glass you might be able to determine what side of record you just hold in your hands. I hate these “just fancy design” records, wth? (I'm just a old grumpy bastard)
    Also at the spine, font size is something like 3-4pt.
    Or is it just me being too much human? If I was a robot I’m sure this wouldn’t be a problem.

    The album itself is very nice I love e the musical content a lot..
    • MRCY's avatar
      MRCY
      Mastering is fine. Quite a few pops on my copy though.
      • RGSVinyl's avatar
        RGSVinyl
        I'll it, I didn't know any of her songs but was intrigued when I saw the review for this album in '1001 Records' and ended up purchasing it with no regrets. The music is absolutely fantastic and this pressing flawless in the most brilliant way. And the bass.....that glorious bass......high recommended!
        • patvan's avatar
          patvan
          Very well mastered release with stunning dynamics. Added reason for the sound quality is that they haven't pressed more then 15 minutes on a single side, meaning no or less volume reduction needed resulting in better noise floor and overall dynamics. I wish they would print more albums on two LPs...
          • saangel's avatar
            saangel
            Floored by this album and pressing. Spot on. Only downside is that my copy came without code
            • martiL21's avatar
              martiL21
              Beautiful pressing. Huge soundstage. Hearing instruments that I didn't in the digital version.
              • senfol's avatar
                senfol
                Anyone else noticing that side B has more noise? Other than that, this release is great.
                • wassim_elia's avatar
                  wassim_elia
                  Phenomenal, simply phenomenal! Glory runs in the family it seems.

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