Cecil Taylor – Unit Structures
Tracklist
A1 | Steps | |
A2 | Enter Evening (Soft Line Structure) | |
B1 | Unit Structure / As Of A Now / Section | |
B2 | Tales (8 Whisps) |
Companies, etc.
- Record Company – Liberty Records (3)
- Record Company – Universal Music
- Record Company – Universal International Music B.V.
- Record Company – Capitol Records, LLC
- Record Company – Blue Note Records Inc.
- Copyright © – Capitol Records, LLC
- Mastered At – Cohearent Audio
- Lacquer Cut At – Cohearent Audio
- Pressed By – Optimal Media GmbH – BN92090
Credits
- Alto Saxophone – Jimmy Lyons (2)
- Alto Saxophone, Oboe, Bass Clarinet – Ken McIntyre
- Bass – Henry Grimes
- Design [Cover] – Reid Miles
- Drums – Andrew Cyrille
- Lacquer Cut By – KPG*
- Mastered By [LP Mastering] – Kevin Gray
- Photography By [Cover Photo By], Cover [Cover Photo By] – Francis Wolff
- Piano, Bells, Liner Notes, Composed By [All Compositions By] – Cecil Taylor
- Recorded By [Recording By] – Rudy Van Gelder
- Trumpet – Eddie Gale Stevens Jr.*
Notes
Recorded on May 19, 1966.
[On rear sleeve]
A Blue Note Records release; Originally released in 1966 on Blue Note Records
© 2023 Capitol Records, LLC., Universal International Music B.V.
Blue Note® is a ed trademark of Capitol Records, LLC.
Made in the E.U.
[On hype sticker]
Mastered from the original analog tapes by Kevin Gray at Cohearent Audio
[Rear sticker on shrinkwrap]
Made in
Runouts are etched.
[On rear sleeve]
A Blue Note Records release; Originally released in 1966 on Blue Note Records
© 2023 Capitol Records, LLC., Universal International Music B.V.
Blue Note® is a ed trademark of Capitol Records, LLC.
Made in the E.U.
[On hype sticker]
Mastered from the original analog tapes by Kevin Gray at Cohearent Audio
[Rear sticker on shrinkwrap]
Made in
Runouts are etched.
Barcode and Other Identifiers
- Barcode (Text): 6 02455 23657 9
- Barcode (Scanned, UPC-A): 602455236579
- Label Code: LC00133
- Rights Society: BIEM/SDRM
- Matrix / Runout (A-side label): BNST 84237-A
- Matrix / Runout (B-side label): BNST 84237-B
- Matrix / Runout (A-side runout, variant 1): BN92090-01 A1 5523657 00602455236579-A KPG@CA 1I
- Matrix / Runout (B-side runout, variant 1): BN92090-01 B1 5523657 00602455236579-B KPG@CA 1I
- Matrix / Runout (Side A runout, variant 2): BN92090-01 A1 5523657 00602455236579-A KPG@CA 1V
- Matrix / Runout (Side B runout, variant 2): BN92090-01 B1 5523657 00602455236579-B KPG@CA 1X
Other Versions (5 of 43)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Recently Edited
|
Unit Structures (LP, Album, Stereo) | Blue Note | BST 84237 | US | 1966 | ||
Recently Edited
|
Unit Structures (LP, Album, Mono) | Blue Note | BLP 4237 | US | 1966 | ||
New Submission
|
Unit Structures (LP, Album, Stereo) | Blue Note | BST 84237, BLP 4237, BST-84237 | Japan | 1966 | ||
New Submission
|
Unit Structures (LP, Album, Reissue, Stereo) | Blue Note | BST 84237 | US | 1967 | ||
New Submission
|
Unit Structures (LP, Album, Reissue, Stereo) | Blue Note | BST 84237 | US | 1967 |
Recommendations
Reviews
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This is the avant garde if there ever was. There is something so unique and otherworldly about this music. The jagged rhythms, abrupt changes, it sounds like a 100 songs put in one. There are so many special moments, this is one to sit down and really listen to. I really love how this group gives so much room for all the players to be heard. It's not probably the easiest stuff for a casual jazz fan but if you give it a chance prepare to have your mind blown. My copy is perfect and this is the way to hear it for sure. I've had the CD for years but this is a new experience hearing it from a great vinyl pressing as this.
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Optimal is still up to their same tricks, which means your chances of getting a "good" copy of this are probably around 50/50. The first copy I received was badly dished. Second copy largely fine.
As for this music it's great and I'm glad to have this on KG mastered vinyl to supplement my old CD version. Myopic Blue Note fans and folks new to jazz might have a hard time with this one... -
perfectly flat pressing of this one, no flaws whatsoever.. this record is super "out there", not for the new listener lol..
Release
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