Andrew HillPoint Of Departure

Label:

Blue Note – 84167

Series:

Blue Note Classic Vinyl Series

Format:

Vinyl , LP, Album, Reissue, Stereo , 180 g

Country:

Worldwide

Released:

Genre:

Jazz

Style:

Avant-garde Jazz

Tracklist

A1 Refuge
A2 New Monastery
B1 Spectrum
B2 Flight 19
B3 Dedication

Companies, etc.

  • Record CompanyUniversal International Music B.V.
  • Record CompanyBlue Note Records Inc.
  • Record CompanyUniversal Music
  • Record CompanyCapitol Records, LLC
  • Copyright ©Capitol Records, LLC
  • Mastered AtCohearent Audio
  • Lacquer Cut AtCohearent Audio
  • Pressed ByOptimal Media GmbH – BM76183

Credits

  • Alto Saxophone, Flute, Bass ClarinetEric Dolphy
  • BassRichard Davis (2)
  • Design [Cover], Photography By [Cover Photo], Cover [Cover Photo]Reid Miles
  • DrumsAnthony Williams
  • Lacquer Cut ByKPG*
  • Liner NotesNat Hentoff
  • Mastered By [LP Mastering]Kevin Gray
  • Piano, Written-ByAndrew Hill
  • Recorded By [Recording By]Rudy Van Gelder
  • Tenor SaxophoneJoe Henderson
  • TrumpetKenny Dorham

Notes

Recorded March 21, 1964.

A Blue Note Records release. Originally released in 1965 on Blue Note Records. ©2022 Capitol Records, LLC. [..address..] All rights reserved. 4535330. Universal International Music B.V. [..address..] BIEM/SDRM. Made in the EU. LC00133. 00602445353309

From front sticker:
-Audiophile vinyl reissues
from the finest in Jazz since 1939
-Mastered from original analog tapes
by Kevin Gray at Cohearent Audio
-180 gram vinyl

Rear sticker:
Made in

Barcode and Other Identifiers

  • Barcode (Text): 6 02445 35330 9
  • Barcode (Scanned, UPC-A): 602445353309
  • Label Code: LC00133
  • Rights Society: BIEM/SDRM
  • Matrix / Runout (Side A label): BST 84167-A
  • Matrix / Runout (Side B label): BST 84167-B
  • Matrix / Runout (Side A runout, etched, variant 1): 00602445353309-A KPG@CA BM76183-01 A1 4535330
  • Matrix / Runout (Side B runout, etched, variant 1): 00602445353309-B KPG@CA BM76183-01 B1 4535330 lΛ
  • Matrix / Runout (Side A runout, etched, variant 2): 00602445353309-A lΛ KPG@CA BM76183-01 A1 4535330
  • Matrix / Runout (Side B runout, etched, variant 2): 00602445353309-B KPG@CA lΛ BM76183-01 B1 4535330

Other Versions (5 of 58)

View All
Title (Format) Label Cat# Country Year
Recently Edited
Point Of Departure (LP, Album, Mono) Blue Note BLP 4167 US 1965
New Submission
Point Of Departure (LP, Album, Stereo) Blue Note BST 84167 US 1965
New Submission
Point Of Departure (LP, Album, Repress, Mono) Blue Note BLP 4167 US 1966
New Submission
Point Of Departure (LP, Album, Reissue, Repress, Stereo) Blue Note BST 84167 US 1966
New Submission
Point Of Departure (LP, Album, Reissue, Repress, Stereo) Blue Note BST 84167, ST-84167 US 1967

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Reviews

  • GoodRecordsOakland's avatar
    I just picked this up through BN's spring sale direct from the label. I just spun it twice straight out of the shrink. Lays flat, plays perfectly, sounds great. Maybe these pressings are dicey, I don't know, but I had zero issues. Also this music is unreal. Dolphy & Henderson! Wow!
    • HectorSuzuki's avatar
      HectorSuzuki
      Significant warpage on side B. Please do better, folks. Don’t make me regret vinyl.
      • Dzubox's avatar
        Dzubox
        I usualy buy everything by Eric Dolphy, but here we have Kenny Dorham, Joe Henderson, Richard Davis and Anthony Williams too. This is a great jazz record. Rudy Van Gelder, Kevin Gray,...and of course Andrew Hill on piano.
        • pshico87's avatar
          pshico87
          Just bough this from January sales for 10€.
          After the first listen I was disappointed. All the B-side with distortion and I was going to leave a bad review like some others have done here for the same reasons, and ask for a product return...
          But before that, I wanted to do a serious cleaning, without hoping too much, to be certain that it was a defective pressing. I always use a vinyl gel cleaner which is unrivaled for optimal cleaning.
          I was amazed at how effective it was!
          Not only have the unbearable distortions disappeared, but the entire disc has found all its dynamism and revealed all its clarity!
          This pressing is wonderfully well balanced, the soundstage is detailed with Dolphy and Dorham on the left, Hendersen and Williams on the right and Hill and Davis on the center.
          The drums are very readable and ultra detailed with the cymbals, very clear and never tiring, a little further to the right and the bass drums slightly more central. The bass is vibrant.
          Kevin Gray has, once again, done a sumptuous job. This man is a genius.
          This Classic series version doesn't benefit from the superb presentation of the Tone Poet series but, for the price, it's fantastic.
          Thanks to the quality of this pressing I loved this album which, at first listen, was not the easiest to access. Now, it's probably one of my favorite Hill's album.
          I highly recommend this pressing... provided it undergoes a serious and deep cleaning.

          Marantz PM8005
          Rega P3
          Ortofon 2M Bronze
          Dali Ikon MKII
          • maxDaxe's avatar
            maxDaxe
            Completely amazing in all aspects. Bizarre music. Top recording. Thank you!
            • clloydb's avatar
              clloydb
              Solid record. Great pressing. No issues on either side. When I first heard this record years ago I couldn’t get into it. Now I can’t get enough.
              • Zachsyracuse10's avatar
                Zachsyracuse10
                man I've gotten two in a row that have warps.. phenomenal record but want a flat copy of this..
                • McHomie's avatar
                  McHomie
                  A vast majority of the jazz in my collection would probably be classified as 'soul jazz' (McDuff, McGriff, Holmes, all the Smiths), but POINT OF DEPARTURE has enough post-bop at its roots to make it approachable, and what an incredible group of musicians. This is a fantastic pressing, extremely quiet, with crystal clear percussion and bass, and nice stereo separation, resulting in a wide, spacious soundstage. My copy has zero issues in regards to non-fill, stitching, etc. Flawless.
                  • FransZappa's avatar
                    FransZappa
                    I bought Evolution by Grachan Moncur III and Anthony Williams' Spring from this Blue Note series and they were perfect. Followed through with this Andrew Hill record and unfortunately this one has so much distortion, they sound like digital glitches, that it just unlistenable. I guess it is hit and miss with the Classic (classick?) Vinyl Series. What is up with Optimal (? ... what's in a name) Media, where is quality control and pride in pressing records? Approach with caution!
                    • JamesBlast's avatar
                      JamesBlast
                      Picked up a flawless copy today. DEAD quiet. Sounds as good as any expensive audiophile pressings in my collection. Most important: great music. A joy to listen to.

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