Madvillain – Madvillainy
Label: |
Stones Throw Records – STH2065 |
|---|---|
Format: |
|
Country: |
US |
Released: |
|
Genre: |
Hip Hop |
Style: |
Leftfield |
Tracklist
| A1 | The Illest Villains | 1:55 | |
| A2 | Accordion | 1:58 | |
| A3 | Meat Grinder | 2:11 | |
| A4 | Bistro | 1:08 | |
| A5 | Raid | 2:35 | |
| B1 | America's Most Blunted | 3:54 | |
| B2 | Sickfit (Inst.) | 1:21 | |
| B3 | Rainbows | 2:51 | |
| B4 | Curls | 1:33 | |
| B5 | Do Not Fire! (Inst.) | 0:52 | |
| B6 | Money Folder | 2:41 | |
| C1 | Scene Two (Voice Skit) | 0:20 | |
| C2 | Shadows Of Tomorrow | 2:36 | |
| C3 | Operation Lifesaver AKA Mint Test | 1:30 | |
| C4 | Figaro | 2:25 | |
| C5 | Hardcore Hustle | 1:21 | |
| C6 | Strange Ways | 1:23 | |
| D1 | (Intro) | 0:29 | |
| D2 | Fancy Clown | 1:55 | |
| D3 | Eye | 1:57 | |
| D4 | Supervillain Theme (Inst.) | 0:52 | |
| D5 | All Caps | 2:10 | |
| D6 | Great Day | 2:16 | |
| D7 | Rhinestone Cowboy | 4:00 |
Companies, etc.
- Copyright © – Stones Throw Records
- Manufactured By – Fat Beats Distribution
- Distributed By – Fat Beats Distribution
- Produced For – Madlib Invazion
- Published By – Lord Dihoo Music
- Published By – Madlib Invazion
- Published By – KRB Music
- Recorded At – Bionic (2)
- Recorded At – The Bomb Shelter
- Recorded At – Doom's Crib
- Mixed At – Bionic (2)
- Mastered At – Bionic (2)
- Lacquer Cut At – Frankford/Wayne Mastering Labs
- Pressed By – Rainbo Records – S-60431
- Pressed By – Rainbo Records – S-60432
- Pressed By – Rainbo Records – S-60433
- Pressed By – Rainbo Records – S-60434
Credits
- Advisor [Project Consulant] – Miranda Jane (2)
- Beats – Madlib
- Coordinator [Project Coordination] – Egon
- Design – Jeff Jank
- Executive-Producer – Peanut Butter Wolf
- Lacquer Cut By – DS*
- MC – Doom*
- Management [Doom's Management] – I.M.A.D.U. Music
- Mixed By, Mastered By – Dave Cooley
- Photography By – Eric Coleman
- Producer – Madlib
- Producer [Voice Skits] – Doom*
- Recorded By [At Bionic] – Dave Cooley
- Recorded By [At Doom's Crib] – Doom*
- Recorded By [At The Bomb Shelter] – Madlib
- Written-By – O. Jackson Jr.*
Notes
Produced [...] for Madlib Invazion
Publishing: D. Dumile (Lord Dihoo Music ASCAP), O. Jackson Jr. (Madlib Invazion, BMI), [C5] J. Brown (KRB Music, BMI)
"Accordion" contains a sample from "Experience" by Daedelus, used courtesy of Plug Research.
Mixed and Mastered at Bionic, Los Angeles.
Recorded at Bionic, The Bomb Shelter in Los Angeles and DOOM's Crib in Atlanta.
© 2004 Stones Throw Records
Manufactured and Distributed by Fat Beats Distribution
Rim text, Side A: Written in cold blood with a toothpick
Rim text, Side C: Songs lit in the booth with the best host, doing bong hits on the roof within the West Coast
Tracklisting as displayed on labels.
Originally released in 2004. This version is a reissue and can be identified by the 'S-6043#' etchings found in the runout grooves and indicates that this reissue was initially pressed during 2006 by Rainbo Records.
Publishing: D. Dumile (Lord Dihoo Music ASCAP), O. Jackson Jr. (Madlib Invazion, BMI), [C5] J. Brown (KRB Music, BMI)
"Accordion" contains a sample from "Experience" by Daedelus, used courtesy of Plug Research.
Mixed and Mastered at Bionic, Los Angeles.
Recorded at Bionic, The Bomb Shelter in Los Angeles and DOOM's Crib in Atlanta.
© 2004 Stones Throw Records
Manufactured and Distributed by Fat Beats Distribution
Rim text, Side A: Written in cold blood with a toothpick
Rim text, Side C: Songs lit in the booth with the best host, doing bong hits on the roof within the West Coast
Tracklisting as displayed on labels.
Originally released in 2004. This version is a reissue and can be identified by the 'S-6043#' etchings found in the runout grooves and indicates that this reissue was initially pressed during 2006 by Rainbo Records.
Barcode and Other Identifiers
- Barcode (Printed): 6 59457 20651 2
- Barcode (String): 659457206512
- Rights Society: ASCAP
- Rights Society: BMI
- Matrix / Runout (Runout, etched, side A): STH-2065A S-60431 DS
- Matrix / Runout (Runout, etched, side B): STH-2065B S-60432 DS
- Matrix / Runout (Runout, etched, side C): STH-2065C S-60433 DS
- Matrix / Runout (Runout, etched, side D): STH-2065D S-60434 DS
Other Versions (5 of 47)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
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Recently Edited
|
Madvillainy (CD, Album, Enhanced) | Stones Throw Records | STH2065 | US | 2004 | ||
|
Recently Edited
|
Madvillainy (2×LP, Album) | Stones Throw Records | PIASX040DLP, 940.0040.012, 940 0040 012 | UK | 2004 | ||
| Madvillainy (2×LP, Album) | Stones Throw Records | STH2065 | US | 2004 | |||
|
Recently Edited
|
Madvillainy (CD, Album, Enhanced) | [PIAS] Recordings | PIASX 040 CD, 940.0040.020 | Europe | 2004 | ||
|
Recently Edited
|
Madvillainy Instrumentals (2×12", 33 ⅓ RPM, Album) | Stones Throw Records | STH2099 | US | 2004 |
Recommendations
Reviews
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Bought mine in 2006. Sounds fine. This is an amazing album and in my top 10 of hip hop for me. New audiophile edition out on stonesthrow. Guessing for all you out there who think this is a crap copy. The new release will be a exciting upgrade -
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Edited 4 years agoI concur with the other reviews. This is a bad pressing made in a hurry. In comparison with a good digital source, sound is distant and not well defined, lyrics are lost in the mix. I strongly recommend to avoid it or, at least, not pay more than 30$ for it.
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My copy sounds pretty good. Hard to tell if my ears are being extra nitpicky cause of all the negative reviews but it's definitely not as terrible as others here... if I didn't read all this shit I probably wouldn't have thought twice and just enjoyed the music....¯\_(ツ)_/¯ -
Yeah, avoid this pressing. On my copy, all four sides suffer from the same problem - the first half of a side will sound fine, but once you that halfway mark the vocals sound extremely scratchy. It's irritating and off-putting, especially considering DOOM's vocals are much of this album's appeal, and great songs like Raid, Curls, Money Folder, All Caps & more are ruined. -
I got a sealed copy and after listening to it twice I am still happy with the sound quality, must just be luck with this pressing. Maybe it will degrade after a couple more spins. -
did they get the record from a scratch DJ and make it the master for this release?
Noises and hum are all over 4 sides, which i am sure are not sound effects from the original recordings. -
The first half sounds okay, but the second LP begins to sound like someone recorded their speaker feed direct to vinyl while filtering it through sandpaper.How could they fuck up a large release like this? -
Edited 7 years agomy copy seems clean over all and has good lows, highs and mids are pretty decent. compared to my digital files, the vinyl does not have as much punch but it is still a record I would play.... The vinyl also has paper sleeves, not the poly sleeves, maybe it's a newer pressing?
Release
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